AI Spotlight: Mike and Wayne

http://youtu.be/3fC21lf585Q

Today’s Spotlight comes to us from Florida in the form of a film called Mike and Wayne  about two guys who attempt to rob a liquor store to no avail. It’s well animated, well designed and it’s choice of palette colors is particularly refreshing.

Mike&Wayne_01AI: So let’s start out by having you introduce yourself and tell us a little about where you’ve come from to get you to this make this film.
Esteban: Hey! My name is Esteban Valdez, I’m the Founder of Echo Bridge Pictures and we’re an animation production company based in St Petersburg, Fla. and since our start we’ve worked on some incredibly high profile projects and respected names in the business like FOX, FXX, CBBeeies, UMG and Edelman. We’re focused on 2D production for music videos, commercials, corporate and educational videos, short and feature films, documentaries and episodic shows for television and the web.
I started back in 2000 working at small shops in and around Boston, MA. In late 2010 I planted some roots in St Pete and founded the studio. Since then Echo Bridge has grown to be an artist driven studio where we work pretty damn hard everyday to do what many other people thought was only possible in LA and NYC.

Mike&Wayne_02

AI: Some good credits! So tell us what “Mike and Wayne” is about and who are these little blue guys?
Esteban: It’s about these two dumbasses named Mike & Wayne. They’re the titular characters of our new short film who are not the sharpest knives in the proverbial drawer. Their mission is simple: get rich quick by robbin’ and stealin’. Their target: the local liquor store. What our fearless (anti)heroes don’t know is that the Cornah Store has the best defenses imagination can provide. Follow Mike & Wayne as they strive to make their dreams come true and are met with spectacular failure. All for your enjoyment.

Mike&Wayne_03

AI: Sounds like an interesting concept. I particularly liked the style and your choice of color. The backgrounds are beautiful too!
Esteban:
 Thanks! Well, a lot of the inspiration came from indie comics and zines and when it came to color I felt it only best to keep with that feel. What was challenging about it too was that it’s both easy to see mistakes cause there’s no place to hide those mishaps and the work can also disappear if the values aren’t probably separated.  And with everything packed with detail as it is it pushed us artistically.

Maybe we’re just artistic masochists because we’re always looking to do something we haven’t done and that challenges us.  We don’t do easy around these parts.

AI: So how did the idea for the film come about?
Esteban: The idea had been swimming around in my head/sketchbook for a few years, mostly inspired by the classic Tom & Jerry cartoons and the styling of Daniel Clowes and Robert Crumb. To make something simple and in your face without having to be so overly developed and processed… I like to think of Mike & Wayne as a punk rock tune. Edgy, fast paced, no bullshit, and raw. And much like punk, it wasn’t about satisfying others ­ it’s about making something that we liked, that made us laugh. Art’s so subjective and if you’re trying to please every demographic you’re going to end up with something you don’t enjoy looking at or love doing.

Mike&Wayne_04

AI: Who worked on the film?
Esteban: I wrote the original premise and provided art and animation direction, however for this project we really took a different approach than we normally do on client work. We got everyone together and pitched ideas around for scenarios. The ideas that made us laugh the most is what made it into the film so all in all there’s a little bit of each of us throughout the film. When it came to the audio portion that was done mostly by my good friend and former band mate, Mark Mniece. He and I had some serious back and forth trying to get things just right. Then Mark did what he did best and mixed us his best work on that track.

AI: What technology was used in it’s creation?
Esteban: We used Storyboard Pro 4 for storyboards and animatics, Flash CS5 for preproduction and production, Premiere CS5 for post, Reason and ProTools for audio production using a Fender Highway One Bass, Gibson SG Guitar through an Apogee Ensemble and Korg Keyboard for additional instruments. All our planning, coordinating, scheduling, tracking and file management was done through Basecamp and all things finance wise was handled via Quickbooks by myself and our accountant.

AI: How was it funded?
Esteban: The film was financed by the studio (Echo Bridge). It was expensive, but the end result is something we’re all really happy with.

AI: What is the end result for the film as in will you put it in festivals or was it just a personal piece you did for fun?
Esteban: The short film has been submitted to roughly 20 festivals worldwide and we’re really hoping it does well. In the meantime the next 5 episodes are already in pre­production, and we’ve recently signed on with the Channel Frederator Network to produce a 12 episode season of Mike & Wayne. A couple of broadcast networks have also shown high interest in Mike & Wayne, but we feel that the nature of the project is best suited for the net.
We’re really working hard to make sure that each cartoon is constantly raising the bar, getting crazier and out ­there. So far, the reviews we’ve been getting from people we’ve shown this too has been nothing short of awesome and we’re really pumped to be producing something of our own.
Stay tuned!

Facebook: www.facebook.com/EchoBridge

News: DisneyToon Studios Hit By More Layoffs

disneytoon-logo-grid A sad day at Disney Toons as Deadline Hollywood reports that as many as 17  artists were given pink slips.

From the site:

 Things are getting leaner at the House of Mouse once again. This time it’sDisneyToon Studios that is handing out pink slips. About 17 of the 60 full-time employees at the primarily direct-to-video animation group have been laid off, with some occurring last week and the rest to leave during the next month. A unit of Walt Disney Animation Studios, the John Lasseter- and Ed Catmull-run DisneyToon called a meeting August 6 to make the layoffs announcement to staff. The quickly called gathering came a day after big Disney released its ahead-of-expectations Q3 results.“There is not a lot left to cut here now, the next round of cuts could be closing us down,” one DTS employee told me.

 

You can read the full story here.

Promote Yourself: B&T WOMEN IN MEDIA AWARDS

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TWO WINS FOR SLR PRODUCTIONS AT THIS YEAR’S
B&T WOMEN IN MEDIA AWARDS
Producer of the Year – Suzanne Ryan
Creative of the Year – Jo Boag
Creative of the Year finalist – Melanie Alexander
Sydney, Australia – Monday August 4 2014…
SLR Productions was the big winner at this year’s B&T Women in Media Awards held in Sydney,  Australia on Tuesday July 29 2014 winning two of the eleven prestigious categories.  SLR Productions’ CEO and Executive Producer, Suzanne Ryan was named the winner in the distinguished Producer of the Year category and the company’s Creative Director, Jo Boag was announced as Creative of the Year.
Head of Development and Writing at SLR Productions, Melanie Alexander, was named a finalist in the Creative of the Year category. With more than 100 entries this year, the B&T Women in Media Awards recognises exceptional women who have achieved success in the fields of creative, media, marketing, sales, digital and PR and celebrates their invaluable contribution to the industry through leadership and innovation.  CEO and Executive Producer of SLR Productions, Suzanne Ryan said, “I am incredibly honoured to be named as this year’s Producer of the Year at the B&T Women in Media Awards. This award
acknowledges the commitment we have at SLR Productions to create and produce entertaining, engaging and quality television for young global audiences. I would like to congratulate SLR Productions’ Creative Director, Jo Boag on her Creative of the Year award – Jo is dedicated to innovation and excellence in design and animation and is very deserving of this industry  recognition. Congratulations is also extended to Melanie Alexander, Head of Development and Writing for being selected as a finalist in the Creative of the Year category – Melanie is an instrumental part of the SLR Productions team and is driven to producing creative, compelling and evergreen stories that are loved by children across the world”. Creative Director of SLR Productions, Jo Boag said, “For Suzanne Ryan and I to win these industry awards and Melanie Alexander being named a finalist is a wonderful recognition of our work as children’s television producers. Working within a field of incredibly talented and innovative producers, writers, artists and musicians, I am honoured to contribute to the quality that the Australian industry is being internationally recognised for in this creative field”.
SLR PRODUCTIONS
SLR Productions is one of Australia’s leading Emmy and multi award winning children’s entertainment companies, specialising in the creative development and production of world-class media content. Established in 2002 by CEO, Suzanne Ryan, SLR is recognised for creating successful brands such as Action drama Sam Fox: Extreme Adventures, the internationally acclaimed preschool property, Guess How Much I Love You™, the hilarious cartoon series GASP!™ and the Emmy Award winning animated series I Got a
Rocketâ„¢. SLR’s passion is to make creative, adventurous, imaginative and exciting programmes for audiences worldwide. The company has produced more than 130 hours of content sold in more than 160 territories worldwide. With its highly experienced development and production divisions, SLR partners with major broadcasters, producers, distributors, publishers and creative both locally and internationally to create hit shows with a truly global reach.
www.slrproductions.com
For further media information:
Adele Feletto Publicity M: 61 2 413 489 292 E: adele@adelefelettopublicity.com.au

Autodesk Sketchbook Pro 7 released!

SketchbookI’ve been working on the beta for this new version for the last six months and of course I have not been allowed to say anything but today I can finally break the silence on the brand spankin new Skletchbook Pro 7 which releases today at Sketchbook.com!

the biggest news about this new version is much awaited Flipbook feature which brings a timeline to Sketchbook and allows to actually ANIMATE within the program! Add to that the ability to draw with the most natural pencil tool on the market and this is a VERY powerful tool for animators. Now I won’t lie to you, it’s a work-in-progress and as of yet, you can not put sound on the timeline nor can you export a video. You render out frames, place them in a video editor and build a movie that way. You do however have the ability to have multiple layers and the background layer actually stays throughout the timeline which allows you to actually do a background behind your animation. You could also use that layer to place a studio’s board template on it which will allow you to storyboard.

Sketchbook Pro 7 is available online both Mac and PC for $65 at Sketchbook.com right now. Also, new with this build is the option now to subscribe for only $24 a year and of course you’ll get free upgrades as they add new features.

A natural drawing experience

Draw in SketchBook Pro and discover an authentic, natural drawing experience that is as close to pencil, pen, marker, or brush on paper as a digital art tool can be.

Autodesk SketchBook Pro Steady Stroke

Steady Stroke

Steady Stroke brings greater predictability and control to strokes, helping with precision and confidence.

Autodesk Sketchbook Pro Traditional Tools

Ruler, Ellipse and French Curve

Ruler, Ellipse, and French Curve tools for designers who enjoy working with traditional toolsets.

Autodesk SketchBook Pro Brushes

Customizable Brushes

Do-it-yourself brushes give maximum control over the finest details of your art.

Autodesk SketchBook Pro Perspective Tool

Lay down perfect perspective with all-new Perspective Guides

Lay down perfect perspective in seconds with 1 point, 2 point, 3 point, and fisheye perspective guides. Freely adjust vanishing points and horizon lines on, or beyond, the canvas.

Flipbook key frame animation toolset

For the first time, artists can express motion with SketchBook Pro. Built in collaboration with the Autodesk® Maya® team, this simple key frame timeline enables a traditional animation workflow in the familiar SketchBook environment.

Autodesk SketchBook Pro Flipbook

Layer enhancements for even more control

New layer blend modes, multi-layer selection, ten levels of layer grouping, and background layer color selection makes whole or partial image manipulation, transformation, and selection easier than ever.

More features to discover and explore

Experience the Copic® Markers and the Copic® Color Library along with over 100 preset brushes, pens, pencils, markers and airbrushes.

Autodesk SketchBook Pro Enhanced Selection Tool

Enhanced selection tools including magic wand selection and drawing within the selection.

Autodesk SketchBook Pro Distort Transform Tool

Distort transform gives you the freedom to manipulate your image easily.

Autodesk SketchBook Pro Flood Fill Tool

Dynamic flood fill tools with solid, linear, and radial gradients with complete control of the fills.

Discover amazing art created with SketchBook Pro

Bobby Chiu

Bobby Chiu

Creature Box

CreatureBox Inc.

Creature Box

CreatureBox Inc.

Jay Shuster

Jay Shuster

Kyle Runciman

Kyle Runciman

Patipat Asavasena

Patipat Asavasena

Jobs: Sr. Animator/Design Supervisor

kungfufactory

Kung Fu Factory; A Computer Game Development Studio is looking for a Sr. Animator/Design Supervisor to lead the animation team in terms of scheduling & technical & creative supervision. Reqs: BFA in animation & visual effects, or related, plus 6 months exp. in job offered, or as an Animator, or related. Exp. in 3DS Max, Maya, Rigging, Skinning & Unity 3D reqd. Jobsite: LA, CA. Work Auth. reqd if hired.

You can apply for the job by clicking this link.