Phil Cummings

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What is your name?
Phil Cummings

What would you say has been your primary job in animation?
I was an assistant for a long time. Then I was an FX animator. The last twenty years I have been a slugger / sheet timer but at first went back and forth between FX and timing jobs.

What are some of the crazier jobs you had before getting into animation?
Taking tests and ghost-writing papers for fellow students in college, doing deliveries for a wholesale coke dealer, panhandler, selling underground newspapers, harvesting pinion nuts.
What are some of your favorite projects you’re proud to have been a part of?
Sometimes doing the job can transcend the project. I’ve been proud of work that I’ve done on projects that were awful. I slugged and timed whole episodes of shows like ‘GI Joe Extreme’ and ‘Samantha The Teenaged Witch’ that were not great series but I got to make the decisions and felt really good at the outcome of how I did my job. I did a lot in Michael Jackson’s ‘Moonwalker’ that were all Continue reading

Chuck Grieb

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What is your name and your current occupation?
My name is Chuck Grieb; currently I am a tenured Associate Professor and head of the Entertainment Art/Animation concentration at California State University, Fullerton.

What are some of the crazier jobs you had before getting into animation?
As a young college student I worked a slew of unusual and sometimes interesting jobs. One summer I spent as an Asbestos Remover. Another summer I spent working two jobs at once(75 hours a week), one as a Peer Tutor helping Learning Disabled students in a College Prep program, the other as an “Egg Cook” in a Perkins Diner. I spent a day working in a trash sorting facility and 4 weeks on an assembly line waterproofing nuts and bolts for the Navy. I also painted houses, delivered pizzas, waited tables, worked as an Assistant Theater Manager, as a Sound Mixer for live shows, photo tech, and various others.

What are some of your favorite projects you’re proud to have been a part of? 
Hmmm, tough question. I am particularly proud of the work on Genie’s Great Minds, a project I worked on when I was a part of the Special Projects Department at Walt Disney TV Animation under the direction of Gary Katona. The Larry Boy show I worked on at Cornerstone Animation had a very challenging schedule, but was a very fun, if intense, work experience. My wife and I storyboarded an episode of Continue reading

Stephen Nicodemus

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What is your name?
Stephen Nicodemus

What would you say has been your primary job in animation?
I have primarily been a background painter for most of my animation career although in the past five years I art directed at Cartoon Network a show called My Gym Partner’s a Monkey and have been a background paint supervisor for Marvel Animation. Currently I am an art directing for Scooby Doo Mystery Incorporated at WB Animation. Having a background painting foundation gives me the experience I need to direct color and lighting and painting style for the the show.

What are some of your favorite projects you’re proud to have been a part of?
Every time I’m on a project I think that this is the one I’m most excited about and put my all into it. You have to have that attitude about your work. When I do a personal painting I think this is gonna be my best painting I’ve ever done. So right now I am most excited about Scooby Doo Mystery Inc. It is the best Scooby Doo series so far and I’m proud to be a part of it.I was proud to be working on the last few Marvel dvd releases. Planet Hulk, Hulk Vs and yet to be released Thor: Tales of Asgard. Before that on My Gym Partner’s a Monkey, there were some shows I was proud to pull together as an AD and the painting style I enjoyed. One WB dvd I really thought came out great was Batman: Under the Continue reading

Dave Thomas

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What is your name and your current occupation?
My name is Dave Thomas, and I am a Producer and Director on Nickelodeon’s TUFF Puppy and The Fairly Oddparents.


What are some of the crazier jobs you had before getting into animation?
I always had fun jobs. I worked in a comic book store, and a baseball card shop. But my best non animation job was as a waiter at Farrell’s Old Timey Ice Cream Parlor. We’d bang drums, sound sirens and run sundaes around the place. I was even there when a car smashed through the front of the building and into the candy shop. Some mother left her kid in the car with the engine running while she ran inside. The kid put the car in gear and WHAM! The crazy part is this happened all the time – twice while I worked there. And again after I left!

What are some of your favorite projects you’re proud to have been a part of?
There was a web cartoon Tod Polson and I collaborated on in the early days of the internet called “Mantelope.”Art: Tod Polson. We were working on a TV series for Wildbrain, who were also making internet cartoons for CartoonNetwork.Com. They more or less demanded we pitch something as a condition of continued employment. Since we were overwhelmed with the series, we intentionally pitched the stupidest thing we could think of, hoping they’d hate it and we wouldn’t have to do it. (“Half Man, Half Antelope – MANTELOPE!”)But Cartoon Network did like it, and Wildbrain gave us three weeks to ram the whole thing out! We had to move quick, but I have really fond memories of making it. And in the end we made something we’re all pretty proud of.I’m also really proud of El Tigre, (a show I was Supervising Producer/Director on.)We had an amazing collection of super talented artists and writers who all worked really hard to try to make something good. I’ve never seen so many talented people so happy to be working so hard.That’s all due to the creators, Jorge Gutierrez and Sandra Equihua, who were absolutely the best. They created not only a great show, but a creative environment that inspired everyone to do their best work. And it paid off:In 2007 the crew of El Tigre brought home 4 Emmy awards – the most of any Nickelodeon show ever.

How did you become interested in animation?
It began with watching Warner Bros. cartoons on Saturday morning with my older sister. I idolized her, and loved anything she did. Since she loved cartoons, I loved cartoons. It was that simple.
Where are you from and how did you get into the animation business?
I’m from San Diego, and grew up surrounded by animation and comic books. The Spike and Mike Festival is based there, and then there’s Comic Con, which was enormous even then. I also lived near an animation gallery and got to meet Chuck Jones and a number of the Nine Old Men. All of that made me feel like this was a very real and attainable thing to do. My lucky break came when Continue reading

Jason Lethcoe

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 What is your name?

My name is Jason Lethcoe.

What would you say has been your primary job in animation?

Mostly as a Story Artist, but I got my start as an Inbetweener, worked up to Animator and even Directed for a bit.  But at the end of the day, I fell in love with Story.

What are some of the crazier jobs you had before getting into animation?

Selling funeral plots.  Seriously. I actually went with my dad to a seminar on how to do it and after trying it for one day, the whole thing creeped me out so badly that I had to find a better way.  Other jobs included Assistant Manager at Morrow’s Nut House.  I also used to build elaborate props for parties, 12 foot tall telephones and stuff.  It was crazy.

What are some of your favorite projects you’re proud to have been a part of?

I was lucky to get an early start to my career by working on The LittleMermaid. Getting to work on the project that Continue reading

Stephanie Olivieri

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What is your name and your current occupation?
Stephanie Olivieri; Assistant animator/clean up artist-traditional, 2D, paper and pencil and storyboards (boarding, clean-up & revisions)

What are some of the crazier jobs you had before getting into animation?
I worked as a waitress and an actress before animation, so nothing too crazy.

What are some of your favorite projects you’re proud to have been a part of?
Hard to say, honestly I love everything I have worked on for different reasons. Feature films are fun because of how long you are with the characters and crew, commercials and shorts are fun because of the crazy hours and cartoony characters. How did you become interested in animation? I went to an audition for a Disney film and was doodling on my call sheet, and they brought it up.

Where are you from and how did you get into the animation business?
I am from all over really, but came out to Los Angeles for acting. Disney got me into the business by Continue reading