Author Archives: Laura

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Dream Chen

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What is your name and your current occupation?
Hi, my name is Dream (mengqian) Chen, I am a freelance illustrator and independent animator .

What are some of the crazier jobs you had before getting into animation?
I have worked as a librarian and labor worker at school, such as clean up studio, touch up walls.

What are some of your favorite projects you’re proud to have been a part of?
I really enjoy making On My Planet, a stop-motion animation made in my grad school. it is quite unlikely to have absolute freedom to make animation when you become a freelancer. Therefore, I cherish every opportunity when I am able to do so. School has a good platform to provide everything you need and give you the maximum support. I am always attracted to stop-motion animation because I think it is a very unique technique that give life to a real object. However,it is really time consuming and labor heavy. On My Planet is a seven minutes long animation. I did everything by myself from building up the puppet and set to animate it frame by frame. It took me three semesters to finish all the work. But I tried to experiment with it as much as I could. In the animation I tried hand drawn on watercolor paper frame by frame, I tried making felt puppet and adding digital collage at same time. It was a lot fun and I would want to combine more medium in my future project based on what I learned from this film.

Where are you from and how did you get into the animation business?
I come from China, My hometown is a tropical island located at the south bottom of China mainland. Both my parents are fine arts teacher in universities. Grew up in

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Jesse Soto

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What is your name and your current occupation? 
My name is Jesse Soto. Currently, I’m a Freelance Storyboard Artist/Animator. I was fortunate enough to intern for Disney Consumer Products as a Artist/Animation Intern for their Blue Sky Think Tank a few months ago.

What are some of the crazier jobs you had before getting into animation?
This isn’t crazy, but I taught a 9-year-old how to animate her first film for a School District Competition. The girl, Ariana, had a piece where a young girl uses friendship to clean the beaches, one helping hand at a time. I felt like a school teacher because her and her best friend were the voice talents and I had to do parent/teacher conferences to make sure she did her animation work. She had to go through a little crunch time for not doing her homework, and fell asleep during the final composite 10 P.M. the night before. She won 1st place and gained a bit of confidence for kicking butt.

What are some of your favorite projects you’re proud to have been a part of?
I was very proud to be working on a secret development project during my time at Disney. Our group, the Blue Sky Think Tank was comprised of 7 talented individuals with their own points of view and completely different backgrounds (Artist/Animator/Social Media/Writer/Filmmaker/Marketing) and locking them in a room for 6 months. Our project involved a lot of awesome ideas coming from Anime, Old School Disney, LA Culture/Counterculture, and our favorite TV shows which we learned a great deal from. Over the course of a few months, we saw a simple concept grow into flushed out characters, a strong and meaningful story-line, and great artwork/animation. The creative impact made would not be possible without the guidance of the excellent and talented storytellers/artists that reside within Disney.  Another favorite was the Black Dynamite Pilot that was featured on Adult Swim. On my first day interning at Titmouse, I was thrown into clean-up animation and color along with a few other interns. The studio was in the final push to completion. Every animator was working tirelessly, often through the weekends. Great fun came in each scene where it had either some neck-breaking karate chop or possessed puppets whipping out their machine guns and Desert Eagles.  Dailies had a lot of funny shots and high level of violence that was being animated. Also, artists were open about sharing what they know, and tag-teamed the production work very well. The end result made everyone very proud of their work.

How did you become interested in animation?
As a youngin’, I grew up always interested in art and sketching cartoon characters. In middle school, I found out that my favorite TV shows, movies, and video games were Continue reading

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Shaun Bryant

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What is your name and your current occupation?
My name is Shaun Bryant and I am a character designer currently doing freelance work in Austin TX.

What are some of the crazier jobs you had before getting into animation?
I had a gig as a sign holding Santa for a florist in upstate NY. Thankfully they had a warm greenhouse I could thaw out in.
What are some of your favorite projects you’re proud to have been a part of?
There have been a lot of fun projects, but the one that I think I am most proud of so far is creating a cast of fun characters for the Texas Dept. of Agriculture. They were used in television and print ads promoting healthy eating among school children.
How did you become interested in animation?
Comic books, Saturday morning cartoons, and Disney movies fueled my creativity as a kid and made me Continue reading

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Paul Griffin

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What is your name and your current occupation?
Hi, I’m Paul Griffin and I’m currently an animation director. When I was seven, I was planning on being a firefighting astronaut who flew jets on the weekends, but animation director is pretty close. There is an element of firefighting some days, I get to fly spaceships and puppeteer aliens to pilot them, but weekends I mostly just kick back around the house.
What are some of the crazier jobs you had before getting into animation?
I used to work for this couple, one summer in Toronto, who ran a ceramics business out of their basement. They had a tortoise who would eat the leaves of the large marijuana plant growing in the back yard, then he would crash into the fence over and over as he stumbled around. That was entertaining. I guess the turtle was happy for the most part.  I also painted structural I-beams for a summer and had one job where we were working next to the Welland Canal and could look down the smoke stacks of ships as they were passing several hundred feet below us on the water. That’s how I developed my Kung Fu Grip©. Man, the crazy, dangerous stuff you’ll do for $9/hour…
What are some of your favorite projects you’re proud to have been a part of?
That’s a tough one. My favorite project is usually the one I’m currently working on, but have to say some of the memorable ones have been, The Fly, Magnolia, Star Wars, Lord of the Rings: Return of the King, King Kong, The Curious Case of Benjamin Button, four Superbowl commercials and the cinematics for Star Wars: Bounty Hunter (VG). Working with the gang at Dr D Studios in Sydney on Happy Feet Two last year was really a lot of fun.

How did you become interested in animation?
Growing up in Ontario Canada, before the advent of cable TV, the town we lived in had one single broadcast TV channel from the Canadian Broadcasting Corporation. Every Saturday at 5 p.m. my family would gather around the TV and we’d watch the Bugs Bunny Road Runner Hour and it was Continue reading

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Gary Blatchford

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What is your name and your current occupation?

Gary Blatchford. Owner and director of “illusion Animated  Productions”. I have lots of hats, I direct, draw storyboards, animate, create layouts, I used to slug and write x-sheets in the good old 2-D TV animation days. Increasingly I have been putting together teams of freelance artists to provide pre-production services to other animation companies.

 

What are some of the crazier jobs you had before getting into animation?
I never really worked before getting into animation, I worked for Richard Taylor Cartoons after leavingSt. Martin’s School of Art in London. Dick was one of my tutors and became a major influence and mentor to me. While I was a student I used to draw portraits in my local pub to earn beer money. The craziest thing I did was, I was the singer in the worse pub band in the world. We were quite capable of emptying a busy bar in 10 minutes.  I taught animation at Dun Laoghaire college of art and design (now called IADT) in the mid 1990’s, but that is not really crazy is it?

 

What are some of your favorite projects you’re proud to have been a part of?
I am proud to have been associated with just about all the projects I have been part of. Even the less successful were learning curves. I have also met some really talented people along the way. In 2004 I directed a seven minute short 2D animated film called “The Pope’s Visit”, with funding from the Irish Film Board, RTE and the Arts Council. The great Aidan Hickey wrote a terrific script and acted as producer for me. It is being shown at the Annecy Festival this June as part of the Irish Animation show. In recent years, I have been providing storyboards for the TV series made by Brown Bag Films, including: “Olivia”, “Noddy”, “Octonauts”, “Doc Mc Stuffins” etc. They have lovely projects and a fantastically talented team of creative people. For most of the 1990’s I was studio director at Murakami Wolf Dublin, which became Fred Wolf Films Dublin. Starting with “Teenage Mutant Ninja Turtles”. We also worked on “Speed Racer”, “Sinbad”, “Zorro”, “Dino Babies” and I directed all three seasons of “Budgie the Little Helicopter”. In  2005/ 2006 I directed the “Slim Pig” series for Cheeky Animation. I have animated on a lot of commercial spots and music videos, for which you seldom receive a credit, but they are often the projects where you get to stretch yourself creatively.

 

How did you become interested in animation?
As a child I loved cartoons on the TV, particularly Bugs Bunny and Tom and Jerry shorts. I loved the Jerry Anderson “Telemarionation” puppet series, like “Thunderbirds” and “Captain Scarlett”. They were not animation but they showed that you could make a film without a cast of actors in front of the camera. The idea that Continue reading
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Mike Nguyen

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What is your name and your current occupation?

My name is Mike Nguyen. My main focus (have been for quite some time now) is directing an indie hand-drawn feature entitle- ‘My Little WORLD’. I also recently became a faculty member at Kaywon School of Art and Design in Korea, sharing thoughts in animated filmmaking for 1 year.

 

What are some of the crazier jobs you had before getting into animation?
Tough one… the crazier jobs had been dishwashing, restaurant part time jobs during high school days…, (not too exciting here).

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve been through many films including Disney’s ‘Beauty and the Beast’… but the only one I’m truly proud to be part of is- Brad Bird’s ‘The Iron Giant’ (where I was supervising animator).

How did you become interested in animation?
I’ve always been fascinated with the cinema and have desires to make things move ever since I was little. In 8th grade I was first introduced to Continue reading