Review: The Croods

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The Croods-reviewed by Melissa Milo 4/7/13

The Croods is a well-animated, prehistoric film that not only includes adventure and silly jokes kids will love, but heartwarming moments and an engaging theme of enlightenment as well.

Immediately the female lead, Eep (voiced by Emma Stone), is a relatable teenager who just wants some excitement in her life that doesn’t include hunting and sitting in a cave. The most important relationship we see in the film is the father-daughter connection between Eep and her dad, Grug (voiced by Nicolas Cage). The two obviously love each other, however Eep wants to explore and Grug he wants her safe at home in the cave which leads to controversy between the pair. As soon as the enlightened character, Guy (voiced by Ryan Reynolds) shows up the whole family learns new ways to do things from him, such as set up a trap instead of chasing their dinner or wear shoes. The only person who does not agree with all these new things is Grug who would much rather conserve the old way of life. However with on point character development, Grug comes around to the new things as well as Guy learning to respect Grug’s ideas too. Eep and her father also mend a fractured relationship in the end with a surprisingly emotional scene including a  life or death situation.

Despite the unanticipated (in a good way) heavy themes and thrilling action sequences, the movie was overall quite cute. The comedy was transcendent thanks to skillful writing and the talented cast who really brought life to the characters. Although the humans were great, the fantastical creatures created for the film were marvelous and colorful, like turtle-birds and giant owl-cats. Also the sloth named Belt (because he also cleverly serves as a belt for Guy’s pants) is adorable and has just the right amount of personality for a children’s movie. The only problem one might see in The Croods is the quick movement with the humans and their facial expressions. It was sometimes hard to catch the exact expression on the people’s faces and it made watching somewhat frustrating. However there were no other problems as far as animation goes, the entirety of details and textures was impressive.

All in all The Croods was a lovely film that kids will most definitely enjoy as well as even some adults. This movie will make audiences laugh, cry, and smile with it’s splendidly outlandish creatures, deadpan humor, emotionally moving scenes, and captivating animation. The Croods gets two thumbs up from me and will surely get two thumbs up from others.        8/10 Pencils-Croods

Aaron Simpson

What is your name?
Aaron Simpson

What would you say has been your primary job in animation?
Producer, primarily of animated pilots for the kids realm. I’ve also been a producer and a development lead for online animated shorts.

What are some of your favorite projects you’re proud to have been a part of?
Johnny Test – I produced the pilot. Also the Gay Robot pilot for Adam Sandler and Comedy Central.

What are some of the crazier jobs you had before getting into animation?
I was a cameraman on Love Connection. I was pretty terrible at this job, and was probably going to get fired the week after I quit.

How did you become interested in animation?
In the early 80s, I saw Vinton’s 1974 short Closed Mondays at a summer school class about short films (I also saw Hardware Wars), and it inspired me to start producing my own stop-motion shorts.

Where are you from and how did you get into the animation business?
I grew up outside of Detroit, Michigan. After a very short career producing TV spots here in Los Angeles, I found a distaste for Continue reading

Jobs: Disney seeks Second Animation Editor

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Walt Disney Animation Studios currently has an exciting opportunity for a 2nd Animation Editor at its Burbank, CA studio.  This position reports to the First Assistant Editor and Supervising Editor.

From the site:Daily Duties:

  • Preps for and handles dailies screenings (sweatbox sessions) under direction of the Production Supervisor
  • Have good working knowledge of all editorial pipeline and EDI Continue reading

News: Bosto Open Source Mac Driver Released

19ma-homeThanks to the Bosto Community the first Mac driver (19MB) was released yesterday. Bosto, which sells two alternatives to the Wacom Cintiq has just recently come onto the market with their Kingtee 19″ and 14″ interactive pen displays. Previously they were Windows only so this is good news for those wanting to not spend so much on a  Cintiq!

Animation Insider is awaiting two of these units for review and we will surely share pour findings once we’ve checked them out!

 

You can download the drivers from http://www.bosto.co/support/file-download

Just for background information here is the open source README updated yesterday:

Run the installer, and it will install the bostoTablet driver to you /Applications folder. When you run it, you’re pen should work – and you should see the monitor icon up the top in your status bar (note if you are in an application with lost of menu options, it might not appear – so you might want to alt-tab to finder, of something like that if you can’t see it).

It might be that 19ma will work too.. you can always try.

Status:

Works on photoshop CS6, corelpainter, and other graphics apps
It is fast, and also includes a feature to make it faster… there’s a button on the settings panel which will increase the processes priority; making it faster (your admin password is required)
Can edit pressure,
Can edit the cursor offset,
Includes a “test pad” for testing the pen settings,
Automatically checks if it’s already running if you accidentally try to run it several times,
Pressure is not normalized – can lead to heavy line starts/endings,
Position is not normalized – can be quite jaggly when drawing slowly.
Sometimes you can get a bogus line being drawn : I think it’s because I screw up a mouse up event somewhere – I’ll debug it over time.

The last 3 items on that list are my priority items.

Review: The Hidden Life of the Burrowing Owl

http://www.youtube.com/watch?v=o_hjvdibk4w
Okay, I’ll admit it up front. I’m already a fan of Mike Roush and his films. There, I said it. The guy draws and animates like an angel. His draftsmanship all at once pisses me off because it’s so good (and I’m jealous) and then makes me stand up and cheer. This is the kind of guy you want to watch in the animation industry and I really appreciate Titmouse spending money to do short films and showcase new and seasoned talent. Not many studios do that even though it makes sense to do so. Sense in the animation industry quite often seems to go the wayside and yet Titmouse nurtures ideas, talent and makes themselves cool by default to artists wanting to share their vision.  That in and of itself  is a great calling card in my book.

That said; today marks the release of  Mike Roush’s latest short The Hidden Life of the Burrowing Owl. Mike is one of the many amazing artists which we were fortunate enough to interview a while back. Mike is a rare breed who seems to get just the right amount of emotion out of his animation and his latest film is no exception.

The Hidden Life of the Burrowing Owl is an extremely creative take on a wildlife program in which an 2D animated owl who lives in a real-life desert gets his mate taken from him by a malicious driver who runs her over on the side of the road. All the while in this five-minute short a male narrator talks to us about the life of a burrowing owl in a very casual manner, as if this is an episode from the Animal Planet or Discovery Channel. Despite the aloof narration the short has a very dramatic and sorrowful undertone when we find out the owl is plotting to kill the driver responsible for his wife’s death.

The film is beautifully animated and although the story is not necessarily upbeat it’s still very intriguing. Also, the creativity of the real-life scenery combined with 2D animation makes the story all the more quirky and entertaining.

We feel emotion, we feel sorrow and we’re treated to the art of the film itself. The goal of animation is in it’s barest minimum the illusion of life and Mike does that deftly by that by making us feel for the owl and his plight. We want him to succeed. We accept his revenge and it’s this kind of tasty morsel that is synonymous with Titmouse. They give you a bit of edge but keep you enthralled and I for one appreciate that. The detail of the wings alone boggle the mind if you’ve ever animated in Flash. Hats off to Mike Rosuh, Chris Prynoski (who we interviewed sometime back) Shannon Prynoski and Ben Kalina in a well done film. One of which I hope to see many more of.

You can download the full film on iTunes here.

Below are a few exclusive pics from the making of the film.

News: Toonboom Storyboard Pro 4 has arrived!

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Toonboom has finally released Storyboard Pro 4!

Anyone who knows me personally knows that I have always been a fan and advocate of Toonboom Storyboard Pro. Over the years I’ve had a number of heated arguments with friends over it; most of them entailing why they can’t support 2d bitmapped drawing. While I see the benefits of vector drawing, I also understand the need for an easy flowing 2d brush as it’s much closer to a real pencil and there’s truly no substitute for that. Nevertheless, I have found that, once you learn Storyboard Pro and have made use of it’s timeline there’s really no going back to a program like Photoshop for storyboarding regardless of the vector drawing. It’s far and away a more efficient tool. I have even found it’s vector engine to be far superior with regards to inking as it’s much better than Illustrator and I use it for all my inking and cleanup as well as my coloring.

That said, it looks like Toonboom has been listening to it’s users and Continue reading