Category Archives: Artists Interviews

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Maurice Morgan

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What is your name and your current occupation?
Maurice Morgan, Freelance Designer/illustrator
What are some of the crazier jobs you had before getting into animation?
Nothing really out of the norm.  Got robbed twice at gun point working at two different food joints as a kid,  but that’s L.A.
What are some of your favorite projects you’re proud to have been a part of?
The Angry Beavers  – Great looking show, fun designs, great crew, crazy hours & politics, lots of martini’s, lots of laughs and I drew my butt off.Invader Zim – Another great looking show, pencil heavy;  got cramps in my hands & forearms from all the noodling in the design work.Kid Notorious – A nightmare production that shaved off ten years of my life but I’m damn proud of the work we all put into it.  Thanks for the martini’s and the memories, Bob. Flavio – Not only did I love the flavio character but Continue reading

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Louie del Carmen

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What is your name and your current occupation?
My name is Louie del Carmen and I’m a story artist at Dreamworks Animation

What are some of the crazier jobs you had before getting into animation?
Nothing real crazy but I was an FM DJ in Manila before I came to the US and one of my early jobs after coming to America was a hotel room service order taker.
What are some of your favorite projects you’re proud to have been a part of?
I’ve learned from EVERY show i’ve worked on whether they were hits or not but I loved my last TV gig on the MIGHTY B!  KIM POSSIBLE was another awesome show.  INVADER ZIM was challenging and the people where downright insane. In other words: FUN.  RUGRATS was where I learned to board and eventually direct series so that was memorable.  The few episodes I boarded on GRIM ADVENTURES of BILLY AND MANDY really challenged and eventually elevated my work.  Really proud of those.  And of course, working alongside some really amazing, world class talent on KUNG FU PANDA.
How did you become interested in animation?
I probably didn’t recognize it but growing up watching Japanese toons like Tetsujin (Gigantor) and Mazinger Z as well as all the american fare like Johnny Quest, Herculoids and Space Ghost, I guess I was always interested.  It wasn’t until I was Continue reading
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Ken Pontac

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What is your name and your current occupation?
Ken Pontac, animation writer.

What are some of the crazier jobs you had before getting into animation?I was a bartender in a place called Roxanne’s in Arcadia, California.  The guzzlery had gone through several incarnations before I worked there, when the new owner decided to make it a “New Wave” bar (whatever the hell that means). He had a big screen that played an Abba laserdisc on endless rotation and he made me dress as a clown while I poured beer and wine.  Roxanne’s had been a motercycle bar in its previous life and on opening day a pack of bikers came in, happy to see that their old watering hole was back in business.  They were the funniest bikers I’d ever seen, right out of Central Casting: furry vests and Prussian helmets and studded leather everywhere.  They were like Get Smart bikers, and they came to the place every night. On New Years Eve I was dancing on the hood of my Gremlin in a jester suit, holding a sign that said “DRINK HERE!” A couple of cute girls pulled up and decided that they’d get the jester drunk, and they escorted me to the bar (somebody else was pouring that night).  As midnight approached I had a babe on each arm, both holding a bottle of bubbly that they were pouring down my throat. Continue reading

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Scott Sackett

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What is your name and your current occupation?
Scott Sackett: Freelance Illustrator/Storyboard Artist

What are some of the crazier jobs you had before getting into animation?
Restaurant Deep Fryer Hood Cleaner, Security Guard, Fotomat Sale Associate (yes those little shacks!)

What are some of your favorite projects you’re proud to have been a part of?
WB TV Animation: Pinky & the Brain and Ozzie & Drix TV shows.

How did you become interested in animation?
Probably my earliest influences were Terry Gilliam’s animated segments in “Monty Python’s Flying Circus.” Later I was really into Ralph Bakashi’s “Wizards” and 1980 animated feature “Heavy Metal”. Probably because Continue reading

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Lenord Robinson

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http://www.animationinsider.com/wp-content/uploads/2011/07/lenordreel.mov
How did you become interested in animation?
I’d always seen animation as a kid and somehow knew it was done with drawings but didn’t know how. One Sunday, when I was watching Disney’s Wonderful World of Color, they explained how animation was done and my interested started!

Where are you from and how did you get into the animation business?
I’m originally from Atlanta, GA. I was discovered and given my first job by Ralph Bakshi on the Lord of the Rings. 

What’s a typical day like for you with regards to your job?
Currently, I’m doing traditional animation on the Smurfs and loving it.

What part of your job do you like best? Why?
Drawing the roughs and acting out the scene in my head. It’s the most rewarding to

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Paul Scarlata

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What is your name and your current occupation?
My name is Paul Scarlata and I’m currently a storyboard revisionist working on Regular Show at Cartoon Network.

What are some of the crazier jobs you had before getting into animation?
In high school I worked at a hobby/computer game software shop and in college I worked at a music/comic book store in Boston called Newbury Comics.  So nothing too crazy, but perfect for a young nerd like myself, priming me for my future career.  I was fortunate in that the first job I got after college was an animation job, on King of the Hill as a character designer.

What are some of your favorite projects you’re proud to have been a part of?
I’ve been part of some great shows, and am proud and honored to have had the opportunity to be a part of them.  I worked on King of the Hill for over 7 years, which was also my first job in animation, doing character design, then character layout, and finally storyboards.  I was at Family Guy for the better part of a year before moving to American Dad, which I worked on for about three years.  I had fun and learned a lot on those shows, having worked with some really cool and amazingly talented people, but I must say I’m most proud to be involved with Continue reading