Jetpack Distribution Enters Production on ‘The Sisters’

The_Sisters_Press (1)

Jetpack Distribution Enters Production on ‘The Sisters’

French Commissioning Broadcasters Secured

2nd February, 2016: Global distributor, Jetpack Distribution, has secured a commissioning deal with French broadcasters M6 and Canal Plus for The Sisters, a brand new 52 x 11 minute series for 6-10 year olds.

Based on the best-selling comic book series by Cazenove and William, the 2D animated series will be co-produced by Samka Productions and Bamboo Productions with Jetpack handling worldwide distribution of the animated comedy.

The Sisters charts the day to day life of two sisters aged 7 and 13.  Marine is still a child while Wendy, her elder sister is entering the teenage years.  Marine is naive, lovable, hyperactive and invasive and always comes up with crazy ideas to grab her older sister’s attention.  Meanwhile, Wendy just aspires to be a grown up.  The character driven comedy series charts the ups and downs of their relationship.  They may both have strong tempers and very different personalities but they still love each other!

Commenting on the agreement, Dominic Gardiner, CEO, Jetpack Distribution said: “We are delighted to have reached production stage on The Sisters having secured commissioning agreements with M6 and Canal Plus – France’s leading broadcasters.  In The Sisters, Samka and Bamboo Productions have created a compelling, laugh-out-loud comedy filled with themes that every kid can relate to and we look forward to introducing it to buyers.”

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For further information please contact Liz Morris PR –  HYPERLINK “mailto:lizmorrispr@hotmail.co.uk” lizmorrispr@hotmail.co.uk / 07971 129035

Editors Notes:

About Jetpack Distribution

Jetpack Distribution is an independent global distributor of some of the best kids’ content on the market. Based in the UK and helmed by industry veteran Dominic Gardiner, Jetpack distributes an extensive catalogue of award-winning kids’ properties though a wide variety of channels, from traditional broadcast to the latest digital platforms. Jetpack’s team of experts have over 20 years of experience bringing top-quality entertainment to kids around the world. We work directly with creators, producers, broadcasters and VOD and IPTV platforms to find the perfect home for each property. Our flexible business model is sculpted to meet the needs of content-creators, broadcasters and VOD services in today’s ever-changing industry. Productions of all kids’ genres get the fuel they need to blast off from Jetpack Distribution!  HYPERLINK “http://www.jetpackdistribution.tv” www.jetpackdistribution.tv

Storycorps “Driven”

Wendell Scott was the first African American inducted in the NASCAR Hall of Fame. Throughout the 1960s and 70s, he poured his heart, soul, and all of his earnings into maintaining his own race car. His son, Frank, remembers what it took for his father to cross the finish line at racetracks throughout the South.

Directed by: Julie Zammarchi
Executive Producers: Donna Galeno, Dave Isay, Lizzie Jacobs, & Maya Millett
Producer: Rachel Hartman
Co-Producer: Daniel Sitts
Audio Produced by: Jud Esty-Kendall & John White
Storyboard: Jesse Strauss
Design & Animation: Julie Zammarchi
Animation: Rebecca Raeder & Thomas Crew
Backgrounds: Tammy Kim
Production Intern: Felix Lopez
Original Music: Joshua Abrams
Music Performed by: Joshua Abrams, Hamid Drake, Marquis Hill, Emmett Kelly, & Adam Thornburg
Music Mixed by: Joshua Abrams & Neil Strauch
Special Thanks: Frank Scott & Warrick Scott

In Partnership with
American Folklife Center at the Library of Congress
NPR
POV

Deja View: Lady & the Tramp Art

LTR11

Interesting article up on Andreas Deja’s blog site Deja View with some Lady and the Tramp art…

An animation colleague of mine said this about the film Lady & the Tramp: “Oh, it’s just a soup opera with dogs. Boy gets girl, boy looses girl, boy gets girl in the end.”
Be that as it may, I think the movie’s story is compelling and in support of rich characters. I remember listening to a Walt Disney interview, in which he said this about the film: “Lady & the Tramp turned out well. We felt it, we felt the personalities.”

Check out the entire article on Andrea’s blog here.

Bunnicula Mumkey Business Episode Clip

https://www.youtube.com/watch?v=TZgtdwFYhUE

After Chester has had enough of Bunnicula’s supernatural hijinx, he decides to lock the rabbit back in the cellar crypt he came from. But when he takes Mina’s key, he unknowingly releases a second dangerous force into the apartments, in the form of a mummified monkey!

Incidentally here’s what I believe to be the original cartoon which is from a children’s book.

https://www.youtube.com/watch?v=K-qIuMFztE0

Eric Dapkewicz

http://www.youtube.com/watch?v=nV9Aos_Ezgc
What is your name and your current occupation?
My name is Eric Dapkewicz, and I am an Animation Film Editor. I just recently wrapped on the movie, “Puss In Boots” for DreamWorks Animation.
What are some of the crazier jobs you had before getting into animation?
I worked in a parking garage at a Post Facility. That kind of sucked. But I got to know Mel Brooks this way.

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve been proud of a lot of different things I’ve worked on. In terms of animated movies, I’m most proud of “Lilo & Stitch” and “Puss In Boots”. I’ve made some independent movies and music I’m proud of as well.

 

How did you become interested in animation?
I’ve always loved animation since I was a kid. Watched all the Warner Brother Cartoon Classics and Disney Film Classics. I don’t think I’ve ever really Continue reading

Noel Saabye

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What is your name and your current occupation?

My name is Noel Saabye and I’m currently the Owner/ Art Director of my own business ( Clown Pirate Productions, LLC). I specialize in 2D Animation (traditional & Flash), as well as Cartoon Illustration. I occasionally tackle some web design, and social media for local small businesses and I’ve recently started to learn to tattoo!

What are some of the crazier jobs you had before getting into animation?

Hands down, the strangest job I’ve ever had was working at a Dental Lab. They had me doing metal finishing on crowns and bridges prior to them getting the porcelain finish. I have no idea why 19 year old me was trusted to make your teeth.

What are some of your favorite projects you’re proud to have been a part of?


Although the show wasn’t the most popular, I will always look back on HISTERIA! from Kids WB as being the “Big One”. The characters were a lot of fun to work on. My second would be Directing Edd hosting Cartoon Cartoon Fridays for Cartoon Network. I also have several games on CartoonNetwork.com that I’m really proud of including TKO and Magnet Face.

How did you become interested in animation?

I’m the son of a high school art teacher, so I’ve been drawing all my life. Oddly enough, my mom had given me The Illusion of Life as a birthday gift when I was in Jr. High and I never really thought much of it other than it had cool pictures. It wasn’t until after high school that I started trying out different art related jobs and found an opportunity to learn animation.

Where are you from and how did you get into the animation business?


I’m a native Minnesotan. Back in the early 90s I was invited to attend a monthly meeting of comic and animation artists. Each month I would make it a point to learn something from someone new. My eagerness caught the attention of someone who had introduced me to an animator who was starting his own studio. I became his apprentice/ intern and the rest is history.

What’s a typical day like for you with regards to your job?

The majority of my day is spent working on the particular project I may have on my desk, but I also incorporate an hour or two keeping up with my networking on various sites and replying to potential clients. In the case that I’m between projects, I’m probably working on personal art which I sell at conventions or spending time at the tattoo shop.

What part of your job do you like best? Why?

My favorite part of the day is when you hit “the zone” and you’re just drawing as if there’s nothing else around you. I feel that’s when I do my best work.

What part of your job do you like least? Why?


Letting down would-be clients that don’t understand the cost of creative work. At this stage, I would often times really like to work on projects that people come to me with, but I just can’t pay my bills with barters, or portfolio pieces.

What kind of technology do you work with on a daily basis?


My weapons of choice are… Sketchook Pro and my Cintiq. From there I will use Photoshop, Illustrator or Flash.

What is the most difficult part for you about being in the business?

Staying in the business! If you don’t have a full time gig, you’re always networking and trying to secure that long-term project. I kind of like the challenge, but it can be difficult at times.

In your travels, have you had any brushes with animation greatness?


I’ve had the privilege to not only meet, but work with many great animators. Some of which were big inspirations to me including Star Toons owner Jon McClenahan. Also, working at Cartoon Network I was able to meet many of the show creators including Maxwell Adams, Genndy Tartakovsky, and Danny Antonucci.

Describe a tough situation you had in life.

Freelancing is always unpredictable. If you’re not good with your money, you can find yourself it a sticky situation during the down time. It happens to all us. That’s when you learn to save your punch cards from the coffee shop.

Any side projects or you’re working on or hobbies you’d like to share details of?

I have a few game apps in various stages, I’m creating art to sell at various conventions and art festivals and I’m also starting to tattoo.

 

Any unusual talents or hobbies like tying a cherry stem with your tongue or metallurgy?

I have this amazing talent of making people believe I’m much younger that I am. Maybe it’s because I act immature or I don’t dress the part… maybe it’s just taking the animation thing to far and refusing to stop laughing at everything?

 

Is there any advice you can give for an aspiring animation student or artist trying to break into the business? Draw, Draw, Draw! Draw your dog, your cat, a bird out the window… keep drawing. Stop with the Manga characters (unless you already live in Japan). Draw in different styles, and learn the old school methods of animation. I’ve seen too many portfolios from students that rely too much on flash and don’t understand the fundamentals of traditional animation. It’s not just knowing “how” but knowing “why”.

 

http://noelsaabye.com

http://youtu.be/0m33lAMP2k0

https://www.facebook.com/noelsaabyeart

https://instagram.com/noelsaabye/

http://nsaabye.deviantart.com