Elliot Blake

What is your name and your current occupation?
Elliot Blake, and I’m an animation producer and sometimes writer. I just wrapped up a lengthy gig with the fine people at Six Point Harness.

What are some of the crazier jobs you had before getting into animation?
I’ve kind of been lucky in that I haven’t had to do a lot of crazy jobs before getting into the animation business.  Certainly the most unusual job I had was helping to wrangle pigs one day when I was a p.a. on a low budget family feature called “Gordy.” And when I was in high school, I worked at a Cinnabon for two or three weeks. To this day, I can’t eat those things.

What are some of your favorite projects you’re proud to have been a part of?
Well, I got to work on the original run of Futurama, all 72 episodes, as the design coordinator; that was fun, and I’m definitely proud to have been a part of it.  Working on that series was really the foundation for my animation production education, and it was great to get to see it all come together, from the initial design phase, all the way through to the final original episode.  I think my favorite projects were two I produced: Re\Visioned: Tomb Raider and Re\Visioned: Activision, both of which were web series
for GameTap, which was originally owned by Turner Broadcasting.  I won an Emmy for the Tomb Raider series back in 2008, which was a thrill, and also got to voice-direct Minnie Driver, who played Lara Croft. For a web series, the Tomb Raider project was obscenely well-funded, but unfortunately, not as widely-seen as we would have liked.  A few episodes are up on my website now , but at the time, the management thought putting the videos on YouTube would mean no one would come to watch them on GameTap.  The videogame company that publishes the Tomb Raider games recently put the episodes on YouTube, so now Continue reading

Google Gameday Doodle Kickoff

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Google clearly likes animation and while you may not always noticed it there is quite often a little animated piece at the top of your Search page. Sometimes they’re even little games and a few have even gone on for almost a minute. There’s even a whole page devoted to past google Doodles. Check them out!

Google Doodles

Scott Adams

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What would you say has been your primary job in animation?
Background painter and color stylist. I’m currently remote freelancing for Warner Bros. on Scooby-Doo Mystery Inc. and Looney Tunes Show. I live in the San Francisco Bay Area and used to work at Wild Brain before they relocated to LA.

What are some of the crazier jobs you had before getting into animation?
I was a bill collector for the credit card division of a big, unpopular bank in the early 90s. It was all done on an automatic dialer, the account would pop up on your screen and you’d have to quickly process what their situation was and try to get them to pay their bills. Sometimes it was depressing, sometimes it was fascinating and entertaining. People will tell you anything when they owe money. Mostly I just left a lot of messages and sketched in my book.

What are some of your favorite projects you’re proud to have been a part of?
Scooby-Doo Mystery Incorporated is at the top of my list right now. It’s the coolest show I’ve gotten to work on, I’m a genuine fan.

How did you become interested in animation?
I’ve always been a fan of cartoons, of course, I wanted to do comic books, but never Continue reading

David Concepcion

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What is your name and your current occupation?
David Concepcion. I work as a Flash Animator and Graphic Designer for a Web Company in White Plains, NY

What are some of the crazier jobs you had before getting into animation?
I was a flower delivery boy at one time. I also worked in a steel mill on a lathe turning out nuts and screws.


What are some of your favorite projects you’re proud to have been a part of?
I started at Don Bluth as an animator straight out of art school. They were in the middle of “An American Tale”.  Since I started late on it I didn’t get full animators credit but I did receive Additional Animation credit.  I also enjoyed working on various TV shows like Mighty Mouse, Doug and Dora the Explorer.  You can see more samples of my work at my blog.

How did you become interested in animation?
When I was a kid, I saw Jungle Book in the theater for the first time. I was mesmerized by it.

Where are you from and how did you get into the animation business?
I’m from Newark, NJ and was told by a friend about a school in Dover, NJ called, The Joe Kubert School of Cartoon and Graphic Art. After graduation I Continue reading

STORYBOARDING FOR TV ANIMATION WITH PETER PAUL

Tuesdays Sept 15-Nov 17 (10 weeks) STORYBOARDING FOR TV ANIMATION WITH PETER PAUL 7PM-1OPM

$499.00

ON SALE
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INTRODUCTION TO STORYBOARDING PETER PAUL


DESCRIPTION

Storyboarding is an essential part of film and television production.
This 10 week course will focus on the fundamentals of storyboarding as well as develop story ideas. Learn the basics to transform a script into a visual story and create storyboards of their own.
This class runs for 10 weeks SEPT 15 – Nov 17

Peter Paul has worked as a story artist at DreamWorks, Disney, Illumination, Warner Bros and more. He has been an Assistant Director, Assistant Animator, Character, Prop and Background Designer on various productions. He is currently on the DreamWorks Dragons Series (based on the How To Train Your Dragon movies). For more info, visitwww.adventuresofp2.weebly.com.

ADVENTURES of P2
www.adventuresofp2.weebly.com