Jon Rennie

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What is your name and your current occupation?
My name is Jon Rennie and I’m the Managing Director of Cloth Cat Animation.

What are some of the crazier jobs you had before getting into animation?
Besides the usual stints in call centres and copy typing pools, the best job I had before animation was as a tester and writer for Bullfrog Productions. Bullfrog was a games company eventually purchased by EA but while I was there I got to work on titles such as Dungeon Keeper, Theme Hospital, Syndicate Wars and Populous: The Beginning. It was a fun creative place to work and a great place to learn how to develop my skills in the media industry.

What are some of your favorite projects you’re proud to have been a part of?
I’ve had a diverse career so I’m proud of all the work I’ve been able to do. My favourite game at Bullfrog was working on Dungeon Keeper, but then I moved into VFX and animation and so Grandpa In My Pocket has been a major part of my career up to now.

Where are you from and how did you get into the animation business?
I’m from Cardiff in Wales and I came to animation from the VFX industry. I studied filmmaking at university in Newport but found I had an affinity for manipulating images and footage. I experimented with bluescreen and colour correction so, when I came to make my own short films, I was able to do a lot of the work myself. A local animation company needed a compositor to work on a Continue reading

Eva Bruschi

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What is your name and your current occupation?
My Name’s Eva Bruschi and I’ve just started working as 2d Layout artist for a feature film, that is “Iqbal – Tale of a fearless child” dedicated to Iqbal Masih. This is a co-production with Italian Gertie, Editions Montparnasse, Spectra Animation and 2d 3D Animation. I’m very honoured to be part of this team.

 

What are some of the crazier jobs you had before getting into animation?
I used to work in a special archive made of lots and lots of audio and videos recordings which contain stories from italian popular music and traditions.  There we had to digitize all the old analogical recordings made by researchers all around Italy, from the 50s till our days.. and sometimes there were crazy weird things to listen to! I’ve been there for almost 4 years 🙂

 

What are some of your favorite projects you’re proud to have been a part of?
I’m proud of having been part first of all of “Ice Banana” team, the short film made by my class at Scuola Internazionale di Comics. Then I’m very proud about almost all the projects I’ve been working (yes, I’m an enthusiast!), starting from other feature films like Pinocchio by Enzo D’Alò in which I did animation assistant and Gladiators of Rome 3D by Rainbow cgi in which I was storyboard artist, until smaller one like some Italian TV series, with many drawings to do in a very few time! 😀 Those projects gave more certainty and awareness of my own work, even if the road has just started!

Where are you from and how did you get into the animation business?
I’m from Florence, in the beautiful Tuscany and here I attended Scuola Internazionale di Comics like I said before. The school gave me the artistic and technical fundamentals and introduced me to Continue reading

Harinarayan Rajeev

http://vimeo.com/20518291
What is your name and your current occupation?
Hi,I am Harinarayan Rajeev and i am currently working as a 3d animator in Dreamworks Animation Dedicated Unit,India(DDU).

What are some of the crazier jobs you had before getting into animation?
Honestly, the only job i had ever done in my life is that of an animator.I got my first job in the industry right after finishing my 2d/3d animation training , when i was 18.

What are some of your favorite projects you’re proud to have been a part of ?
Well,I am super excited about the Dreamworks Animation projects i am working on right now and going to work for at DDU,India which I consider are amazing oppurtunites that as an animator I could ever have. I also had a great time working on my third animated feature film “Dorothy of OZ” [http://www.imdb.com/title/tt0884726/] while i was working in Prana animation studios.

 

How did you become interested in animation?
I used to draw and watch a looot of cartoons as a kid,infact i remember running like a deer after school so that i could reach home on time and watch my favourite cartoon shows,Swatkats,Dexter’s Laboratory,Johny Bravo,Popeye,Samurai Jack , He-Man,the list goes on.. I used to watch them as if they were real and living .  My intense love for Continue reading

Ted Wilson

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What is your name and your current occupation?
My name is Ted Wilson and I am the co-creator and co-writer of the internet cartoon Gundarr. My partner Corey McDaniel and I also do the voice acting and music. Up until Season 3 (which starts airing on Mondomedia’s Youtube channel on July 17. Plugs ahoy!) we did all the animation as well.

 

What are some of the crazier jobs you had before getting into animation?
From door to door sales to working in a lumber mill in Northern Ontario I have run the gamut of day jobs. I’ve also worked as a cook, picked rocks on oilfield reclamation sites and did a couple weeks of telemarketing when I was really up against the wall! None of them were very stimulating, but all those crappy jobs pushed me towards doing what I really love for a living: Animation!

 

What are some of your favorite projects you’re proud to have been a part of?
The project I’m most proud of would have to be my current project, Gundarr. It started as something my friends and I did for fun one night, and somehow turned into a fulltime gig! My time as prop designer on My Little Pony was also a lot of fun. While the show itself isn’t what I would normally watch on my own, the team I worked with was super talented and funny, so I enjoyed myself everyday.

How did you become interested in animation?
I always loved cartoons growing up. My first love was probably comic books and newspaper strips, but I used to watch everything on Saturday morning, from the Smurfs to the old Looney Tunes to the Gummi Bears. The thing that really captured my imagination had to be when Continue reading