Promote Yourself: 4Wheel Vehicle Autorig Plugin

This is Tutorial of using the 4Wheel Vehicle Autorig Plugin that is uploaded here:
Autodesk Exchange (Available) (Version 1.1.3): (2013, 2013.5, 2014, 2015, 2016)
apps.exchange.autodesk.com/MAYA/en/Detail/Index?id=appstore.exchange.autodesk.com%3a4wheelcarsautorig_windows32and64%3aen
gumroad.com (Version 1.1.3):(2013, 2013.5, 2014, 2015, 2016)
gumroad.com/l/hfGr
CreativeCrash(Version 1.1.3): (2013, 2013.5, 2014, 2015, 2016)
creativecrash.com/maya/plugin/vehicle-autorig-4wheel-for-vfx
Brake Caliper added:
vimeo.com/96989529
Please Email me if you have problem with its cost or have any idea…
note: it is available for maya 2013, 2014 and 2015 (windows platform), i’m developing it for other versions of maya and probably other platforms.

Studios that used it:
ntropic.com/
polygoncgi.com/
koffeecup.net/
general-gau.com/

Vannick Douglas

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What is your name and your current occupation?
Vannick Douglas. I’m a Flash and 3D animator, Cartoonist, and Wed Designer

What are some of the crazier jobs you had before getting into animation?
Marine Corps, lol. From 2000 to 2004, I was enlisted and it was a crazy time as I was still coming of age.
What are some of your favorite projects you’re proud to have been a part of?
The two I’m currently apart of, Lead animator and creative Director of Little Luis and 3D animation Intern at Prevalent Inc. These two jobs gave me the opportunity to showcase my abilities as an animator from the moment I moved to LA.

How did you become interested in animation?
The movie”Who Framed Roger Rabbit” was my inspiration. I’ve been drawing since the age of seven.
Where are you from and how did you get into the animation business?
New Orleans, Louisiana. While being raised in the South, I grew up without guidance. I wanted to explore a career in art since its the only thing I know, but I had no idea how I would get money for school. Joining the

military not only helped pay for my education at the Art Institute of Phoenix, they also gave me the guidance I needed.

What’s a typical day like for you with regards to your job?
Completely wired into my Wacom Cintiq and Macbook Pro, lol.

What part of your job do you like best? Why?
The Completion of a project. To spend hours after hours going frame by frame on a project and to see the end results is truly a milestone. Its like building a rocket ship and watching it soar threw the sky.

What part of your job do you like least? Why?
SInce I work digitally, the worst is when my work gets corrupted. I’m extremely careful to backup everything but they are some occasions when a file you spend all day on gets corrupted and the last backup was hours ago. There’s no empty feeling when animation you’ve crafted beautifully gets lost forever.

What kind of technology do you work with on a daily basis?
The Heardware is Macbook Pro 17″ with a Wacom Cintiq 21UX. I render with a desktop Gateway with Tri Core Processor. My software, in the order I use the most, Adobe Flash, Maya, Photoshop, AFter Effects, and Illustrator.

What is the most difficult part for you about being in the business?
Uncertainty. Animation can either hit or miss. It blows when

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New Wildseed Adult Animation shows

Wildseed Studios has unveiled two new adult animation shows.

Wolf Jenkins

#WolfJenkins

What show gives you lines like “General Ho Phung was busy being a twat to an animal” and “It was a beautiful, badly drawn, summers day”? Say hello to Wolf Jenkins. Created by comic actor and Channel 4 Comedy blap star Andy Needle and produced by Wildseed Studios, the show follows hero Vietnam Vet Wolf Jenkins on a mission of violence against the evil, bad guys to rescue the animals, particularly those that were mugged, tortured or made to wear a fez. Negotiating with the enemy is not an option for our war hero because if there’s one thing Wolf Jenkins loves as much as fluffy little animals it’s ripping out a man’s insides and chucking them into another man’s eyes.

Lone Wolves

#lonewolves

Wildseed Studios has unveiled Lone Wolves, a new animated comedy by the SpinKickBros that follows two feral teenage boys being brought up by their single dad, a Hell’s Angel type who doesn’t want them to repeat his mistakes but is secretly proud when they rebel – think Die Hard meets Dawsons Creek.  This family experiences the same trials and tribulations as every other family the world over, just rougher, tougher and swearier. Each episode deals with important things like girl trouble and how to get booze for a party.

Olatokunbo Betiku

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What is your name and your current occupation?
My name is Olatokunbo Betiku, but most people call me “Ola.” I am the Co Founder of Outside The Box Vision, where I do a bit of everything. I am also the Creative Director at No Limit Forever.

What are some of the crazier jobs you had before getting into animation?
I used to teach elementary art classes. Kids are great to work with but they get bored easily. The job always seemed to be more about dealing with rowdy behavior and less with teaching art. I did enjoy it most of the time and it also gave me plenty of practice for dealing with other professional artist in the future. Most of whom can be children at times.

What are some of your favorite projects you’re proud to have been a part of?
For the last few years our company along with Urban Born have been going to schools and promoting literacy and health to young students. I really liked taking our characters to schools and putting on shows for kids. I think it is important to do a bit of volunteer work and promote things like literacy and good health.

How did you become interested in animation?
Since the age of 8, I have been reading books and learning about the animation and entertainment industry. I used to watch a lot of Disney shorts and cartoons on TV as kid. I remember seeing Continue reading

Want to make an animated film? Apply to NFB’s Hothouse program for emerging Canadian animators!

hothouse-logoWant to make an animated film?

Apply by December 11 for the chance to be part of the NFB’s

Hothouse program for emerging Canadian animators

NFB studios across Canada to take part in Hothouse’s 11th season

November 26, 2015 – Toronto – National Film Board of Canada (NFB)

The National Film Board of Canada (NFB) is seeking submissions for its Hothouse apprenticeship program for emerging Canadian animators, now in its 11th season.

Canadian filmmakers and artists can apply at http://films.nfb.ca/hothouse by December 11 for the chance to be one of six participants in a 12-week paid apprenticeship program with NFB animation professionals—a one-of-a-kind experience working with the NFB’s Oscar-winning Animation Studio.

This year’s mentoring director is Malcolm Sutherland, a Montreal-based director, animator and designer for film, television, web commercials and music videos. A participant in the very first Hothouse, he’s the first alumnus to return as project mentor.

In another first for Hothouse, NFB studios across the country are getting in on the act as well: grassroots filmmaking and community-building are this year’s mantras as participants work remotely through their nearest NFB production centre, while the Animation Studio in Montreal remains the creative engine.

The theme for Hothouse 11 is Found Sound 2.0―a reboot of last year’s successful theme, in which organizers trawled the Internet for audio clips that were intriguing, unusual, unnerving, or somehow full of subtext and hidden meaning. This year, there’s a new twist: participants can either use one of 14 pre-selected audio clips or submit an audio clip of their own choice. Found sound begs for satire and subversion, so applicants are encouraged to think of the audio as a springboard for their own creativity: don’t be afraid to re-interpret, comment on or play with the original meaning.

In addition to Sutherland, some of Canada’s most acclaimed new generation of animators got their start in Hothouse, including Patrick Doyon, nominated for an Oscar for his NFB animated short Sunday/Dimanche, and Howie Shia, whose NFB short Flutter received the Open Entries Grand Prize at the Tokyo Anime Awards.

 

Submissions must be received by 5pm EST on Friday, December 11, 2015, and must be sent via e-mail (no snail mail submissions will be accepted). The six successful candidates will be notified by Friday, December 18, 2015. The program will run from February 1 to April 22, 2016.
For more information, visit http://films.nfb.ca/hothouse.
Hothouse continues to be about re-imagining ways of making animation: ways that are faster, more flexible, and that embrace the many possibilities in the animation process while maintaining creative and technical excellence. With Hothouse, the NFB is looking for six talents who are willing and able to jump head-first into this intensive experience.

Associated Links

Hothouse program

Malcom Sutherland

Patrick Doyon

 

Stay Connected

Online Screening Room: NFB.ca

Facebook: facebook.com/nfb.ca

Twitter: twitter.com/thenfb

 

Media Relations

Melissa Than

NFB Publicist

Tel.: 416-952-8960

Cell: 647-248-9854

E-mail: m.than@nfb.ca

Twitter: @NFB_Melissa

 

About the NFB

The National Film Board of Canada (NFB) produces groundbreaking animation at its studios in Montreal and at NFB centres across Canada, as well as via international co-productions with many of the world’s leading auteur animators. The NFB is a leader in developing new approaches to stereoscopic 3D animation and animated content for new platforms. The NFB has created over 13,000 productions and won over 5,000 awards, including 14 Canadian Screen Awards, 11 Webbys, 12 Oscars and more than 90 Genies. To access acclaimed NFB content, visit NFB.ca or download its apps for smartphones, tablets and connected TV.

 

Larry D. Whitaker

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What is your name and your current occupation?
Larry D. Whitaker (director and animation director)

What are some of the crazier jobs you had before getting into animation?
(Painting houses and graphic design for small business).

What are some of your favorite projects you’re proud to have been a part of?
(Tigger Movie, Space Jam, Mighty Joe Young, and Tiny Toons)

How did you become interested in animation?
( I was always drawing since I can remember and was very involved with both art, writing and drama as a student before college.  I went to school in Oklahoma, and had art class as part of the curriculum from K-12th grade.  While in jr. high and high school, I was heavily involved in Continue reading