Microsoft aims to actually make the “Animate Button”

There are always companies trying to edge out the animator.  Not sure why exactly but it’s clearly something they strive for. Maybe it’s the Lamborghini’s we all drive and the overflowing money stuffed wallets we have ;living large as animators. Oh wait, that’s the CEOs of the companies not us.

From the Polar Express to Tin Tin to the ever increasing use of Mocap, studios see a brighter future free from the chains of us animators. Of course any animator will tell you Mocap only goes so far but that’s another story. Until recently traditional 2d animation has been pretty much impossible to auto complete simply because computers weren’t smart enough to predict what needs to be inbetweened. Anyone who has ever tried Flash’s Shape Tween tool has a clear idea of how well that goes. Well now Wired.com is reporting that Microsoft Research, along with the University of Hong Kong and the University of Tokyo, just unveiled a proof-of-concept technology that could bring back the charm of older, hand-drawn cartoons, with the speed and fluidity of today’s animation software.

From the site:

“Autocomplete hand-drawn animations” debuted at the Siggraph Asia conference, and it’s an interactive system that watches what the artist draws and then predicts what frame or line might come next. It can also smartly connect the dots between two different drawings, and propagate the motion that should occur between the two sketches. This works for color too: fill in the first frame with certain hues, and the system will replicate them.

You can read the entire article here.

Paul Thompson

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What is your name and your current occupation?
Paul Thompson and I’m a motion graphics artist.

 

What are some of the crazier jobs you had before getting into animation?
Can’t say I had any jobs you would term as crazy, I was programming before motion graphics and that got a bit boring.

 

What are some of your favorite projects you’re proud to have been a part of?
I quite enjoy doing assembly instruction videos and as far as I can find on the web it seems I have done more than anyone in the world. I’m quite proud of the fact that this is obviously the future and I was one of the first to be involved in this kind of thing.

 

How did you become interested in animation?
Since I was a child watching cartoons, especially Spiderman! I got a present for Christmas when I was a child which was a Disney projector that you held to your eye. You turned a handle and it Continue reading

Luis María Benítez

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What is your name and your current occupation? 
My name is Luis María Benítez and currently I work as a background artist and as a freelance illustrator.
What are some of the crazier jobs you had before getting into animation?
I had the misfortune of working at a call center. I had moved to another city and I didn’t know how to get started. A real nightmare.
What are some of your favorite projects you’re proud to have been a part of? 
I’m relatively new in the business so I wouldn’t be able to say that yet.
Where are you from and how did you get into the animation business? 
I was born in Lobos, Argentina. I got into the animation business after I moved to Buenos Aires, the capital where after a while I recovered my dream of studying animation so I Continue reading

Chris Cookson

What is your name and your current occupation?
I’m Chris Cookson and I am currently a freelance animator, I work in Flash mostly but sometimes I get some AfterEffects and Photoshop work.  I’ve been lucky enough where everything I’ve done before animation has been some kind of visual based work. The first job I did out of high school was making animated assets for the LED sign demo room at Trans-Lux (yes, that Trans-Lux of the 1959 Felix the Cat cartoon). It was a uniquely fun experience, they had this old LaserDisc system that would trigger all kinds of signs to light up in cue to music and audio, the audio was very much a product of the ’80s but they wanted me to modernize the visuals and make some colorful stuff for their new centerpiece display.  Apart from that, I’ve done a good amount of web design work in my formative years. One of my clients was a Cuban percussionist who was really into anime and kung-fu movies. He even offered to pay me for making his site with a samurai sword, which to 15-year-old me, was the coolest thing ever. Though, if I were to ever come home with a samurai sword, my parents would probably kill me, likely with that very same samurai sword.

What are some of your favorite projects you’re proud to have been a part of?
In terms of cool projects, a psychedelic TV ad for Linda McCartney’s line of frozen vegan foods has been really satisfying. What I loved was the ad had a different style than the usual aesthetic I get but had a lot of understated weirdness and quite a few distinct shots to work on. I got to meet Paul McCartney’s son-in-law and Rick Astley’s wife while on the project too which made me geek out pretty hard. A couple of months after I finished work on the spot, I started to see posts about it show up on sites like Motionographer, The Huffington Post and was linked by a lot of the sites I follow on Twitter, which made me feel real warm and fuzzy on the inside.  I’m also really proud of a lot of the smaller commercial projects I have worked on at Shoulderhill Creative. For those, it’s great to work with a couple of my classmates from art school and since it’s not a part of a giant team, I feel a lot more creative ownership over what I’m making. It’s absolutely wonderful to have a chance to work more within my own style and have more room to experiment with the colors and see what kind of little visual jokes I can put in to the advertisement.  Other projects like William Caballero’s documentary short film “How You Doin’ Boy? Voicemails from Gran’pa” were really great to be a part of. For that, he wanted me to make a squiggly text treatment based off of his grandfather’s handwriting to go up on screen in sync with actual answering machine messages left from his grandfather. Having the freedom to design the word treatment, as well as play around with text sizes was really fulfilling, the tone of some of the messages allowed me to really go crazy in some spots too, pushing the graphic element of it, trying to get it to match his grandfather’s own personal tone.

Where are you from and how did you get into the animation business?
I’m from Stamford, CT and I’ve always wanted to either be a cartoonist or animator for pretty much my entire life. I taught myself how to use Flash when I was 12-years-old and would constantly look for an excuse to use it any chance I had, whether it be for making buttons or logos on the aforementioned web design projects I got or making short films whenever the opportunity arose. After making more and more stuff, over the years, my skills started to Continue reading

Alternatives to Final Draft

final-draft

Since you can’t very well create animation with a story, you’re gonna need script writing software. Below is a list of 21 alternatives (read: cheaper) to Final Draft. Personally my favorite is Adobe Story mostly because it syncs to The Cloud and allows me to use it on multiple computers but you might have different ideas.

  1. Commercial by Literature & Latte | Mac, Windows, Linux

    Scrivener is a word processor and project management tool created specifically for writers of long texts such as novels and research papers.


  2. Freemium by Greyfirst Corporation | Mac, Web / Cloud, Android, iPhone, Android Tablet, iPad

    Based on the Firefox engine, supports standards, visual storyboarding, prod. sceduling, publication and international languages MUI support. you can even get a portable version by googling for it. .


  3. Free by Spacejock Software (Simon Haynes) | Windows

    yWriter is a word processor which breaks your novel into chapters and scenes, helping you keep track of your work while leaving your mind free to create.


  4.  Trelby
    Open Source by Trelby.org | Windows, Linux

    Trelby is simple, fast and elegantly laid out to make screenwriting simple. It is infinitely configurable. *


  5. Commercial by Anthemion Software Ltd. | Mac, Windows, Linux

    Write a novel or screenplay with Writers Cafe: a powerful but fun writers environment that includes the StoryLines structuring tool, a notebook, journal, writing quotations, and scrapbook organizer


  6. Freemium by Dimka Novikov | Mac, Windows, Linux

    Simple and powerful application for writing movie scripts.


  7. Free | Mac, Windows, Linux, LibreOffice, Apache OpenOffice

    Organon – Navigation and Organization Tool for OpenOffice and LibreOffice


  8. Freemium | Mac, Windows, Linux, Web / Cloud

    Adobe® Story software lets you outline your ideas, write scripts quickly with automatic formatting, and collaborate online.


  9. Free | Web / Cloud

    Plotbot is free screenwriting software. You can write your screenplay with as many or a few people as you want–right from your browser. We handle the formatting so you can concentrate on writing!


  10. Commercial by Mariner Software | Mac

    Storymill is a creative writing tool geared towards book writers; although, it could easily be used for other big creative writing projects, like scripts.


  11. Commercial by Stroyist Software | Mac

    Designed exclusively for Mac OS X, Storyist is a powerful story development tool for novelists and screenwriters.


  12. Free by Guy Goldstein | Web / Cloud

    Collaborative screenwriting for everyone* *Great for solo writers as well!


  13. Commercial by Write Brothers, Inc. | Windows

    Outline 4D is an outlining and writing program that lets you brainstorm, create, structure and organize your ideas.


  14. Commercial by J Nozzi | Mac

    CopyWrite is the award-winning creative writing project management system for Mac OS X.


  15. Commercial by Act Focused Media LLC | Mac

    Slugline is a minimal, distraction-free environment for the most important part of screenwriting—the writing part. Slugline works with plain text.


  16. Commercial | Mac, Windows, Linux, Android, iPhone, iPad

    Fade In Professional Screenwriting Software is a complete application for writing motion picture screenplays, including tools for outlining, organizing, and navigating, plus extensive screenplay formatting.


  17. Open Source | Windows

    Page 2 Stage is screenwriting software designed expressly for people writing screenplays, scripts, and plays. It provides numerous features needed by screenwriters not found in standard word processors.


  18. Commercial by Cinovation | Mac, Windows

    Scriptware scriptwriting software, for writing scripts faster and easier than ever. Screenplay software for script writers.

  19. Commercial by Quote-Unquote Apps | Mac

    *** 2013 Macworld Eddy Winner! – Best of 2013 *** With Highland, crafting a perfectly-formatted screenplay is as simple as writing an email. Just type. Highland will make it look good.


  20. Commercial by blankpageapp | Web / Cloud

    Helps writers become authors. BlankPage is a full writing environment with a minimalist text editor, a powerful outlining tool, and social features all centered around motivational cues to help you keep writing.

    BlankPage gives you detailed statistics about when and how you write. Intelligent reminders for when you should write and a never ending stream of inspirational content to help you get going.

  21. Commercial | Windows

    Word processor specifically for screenplays.

 

Zeke Ares

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What is your name and your current occupation?
I am Zeke Ares stop motion animator/director and T/A of Black Box Building animation studio here in Stoke on Trent UK.

 

What are some of the crazier jobs you had before getting into animation? 
Well I was a chef for 9 years of my career, which was pretty crazy. I know your thinking “what?” but Chefs are crazy! I have ended up in knife fights working in kitchens before, drunk lock-ins till silly o’clock and even naked frolicking. Like I said chefs are crazy, but that’s what working stupid amount of hours for bad pay in very hot circumstances does to you, Fun times but definitely crazy.

What are some of your favourite projects you’re proud to have been a part of?
I believe this is one question I love to answer and the answer is always the same, War of the Worlds SURGE. A trailer based animation, a short adaption of the novel by great British author H.G Wells.  I have always been a little bit obsessed when it comes to War of the Worlds. It’s something I have always dreamed of doing. So when my chance came along to do a film at university I jumped at the opportunity to create a stop motion version just like the late and great Ray Harryhausen in 1949.
So with an amazing team behind me (now known as the SURGE crew) we set out to create this intense animation, it became more of a tripod obsession in the end. Just animating tripods for weeks. One very intense interesting shot we did was after a few weeks of animating on the church set we had to destroy it But I had so much fun on this film I even had the symbol of the animation tattooed on my arm now everyday can I smile when I look at it.

 

Where are you from and how did you get into the animation business?
I am from the very green city of Milton Keynes in the UK, I have always wanted to be an animator and after 9 years of being a chef I decided to chase my dreams and re-join education for 5 years to gain my BA HONS in stop motion animation & puppet making. From here I Continue reading