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STUDIO 100 MEDIA SIGNS DEAL WITH SPROUT FOR MAYA THE BEE MOVIE

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Studio 100 Media - Maya The Bee2

STUDIO 100 MEDIA SIGNS DEAL WITH NBCUNIVERSAL’S SPROUT FOR CGI SERIES AND 3D MOVIE MAYA THE BEE

Munich, September 25, 2015 – Studio 100 Media announced today that Sprout, NBCUniversal’s preschool TV network, has acquired the rights for both the new CGI series and 3D feature of worldwide popular brand MAYA THE BEE.

Maya the Bee (78 x 12 min) tells the story of Maya, a young bee who left her hive to discover the beauty and mysteries of nature. As she explores the meadow where she lives, she meets other creatures, goes on adventures, and shares her joy with her friends. The series will premiere on Sprout on Saturday, September 26th, with brand new episodes airing Saturdays at 9:00am ET. Maya the Bee will also air Sunday–Friday at 9:00am ET. The movie will air on September 26th at 5:00pm and 9:00pm ET.

“We are delighted about this collaboration with Sprout and thankful for their trust in our brand,” said Patrick Elmendorff, CEO of Studio 100 Media. “We are happy that now it is possible for Maya the Bee to reach Sprout’s audience.”

“Maya The Bee takes preschoolers on exciting adventures filled with humor and action,” said Andrew Beecham, Senior Vice President of Programming at Sprout. “We’re excited to introduce US audiences to this colorful, fresh, and joyful world.”

Studio 100 Media’s CGI series Maya the Bee is a French-German co-production of Studio 100 Animation with TF1 and ZDF. Studio 100 Film presents the Maya the Bee – Movie as an German-Australian co-production of Studio 100 Media and Buzz Studios in association with Flying Bark Productions.

Studio 100 Media GmbH

Studio 100 Media is a subsidiary of the Belgian Studio 100 NV. The Munich-based company is an international production and distribution company for quality and non-violent children’s entertainment. It has a private, diversified library and develops and acquires new formats. It is also responsible for the global sales of its own rights portfolio as well as for third-party distribution of programmes and exploits its motion picture portfolio in the digital arena.

The Studio 100 Group uses the new technical possibilities on offer to produce new productions of TV series, which have also been adapted to suit the viewing habits of children today. Since 2012, Studio 100 Media has been a producer of animated children’s films and so continues to foster their brands beyond their mere presence on TV. With the founding of Studio 100 Film, a subsidiary of Studio 100 Media, the company has expanded its business areas to include to the worldwide distribution of feature films.

Recently, the company has begun to present selected brands in the form of stage shows. The well-known brands under the umbrella of Studio 100 Media include “Maya the Bee”, “Heidi”, “Vic the Viking” and many Astrid Lindgren series, including “Pippi Longstocking”.

About Studio 100 Film

Studio 100 Film is a worldwide sales company of motion pictures within the family entertainment sector.  Based in Munich, Germany, the company is a hundred percent subsidiary of the international distribution and production company Studio 100 Media GmbH.

It is the objective of Studio 100 Film to offer top-class, non-violent and above all family entertainment around the globe.  In so doing, the company works on the basis of long-term partnerships, as well as project-based co-operations.

About Sprout®

Sprout is the first 24-hour preschool destination available on TV, on demand and online for children ages 2-6 and their parents and caregivers. Available in over 58 million homes, Sprout features original programming, including Ruff Ruff, Tweet and Dave and Astroblast!, a library of series, including Caillou and Sesame Street, and U.S. exclusives including Lazytown and Tree Fu Tom. Sprout’s Sunny Side Up Show is the only daily morning show for preschoolers and broadcasts live from NBCU Studios in Rockefeller Plaza. Sprout’s VOD offering is the #1 on demand service for younger children with over 1.8 billion views. Sprout was fully acquired by NBCUniversal Cable Entertainment in November 2013.  Please visit sproutonline.com for additional information.

 

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Tad Stones

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What is your name and your current occupation?
My name is Tad Stones and what I do pretty much depends on the hour of the day. Currently I’m a storyboard artist at Bento Box Entertainment. I just finished an episode of the new Fox series, ALLEN GREGORY, and will soon be returning to board on the second season of the wonderful BOB’S BURGERS.
However, I’m also in written development on a new series for Disney Junior. I’m past the written pitch and am waiting for word on which of my premises will move into outline so you can call me a writer. The series is based on a Disney property and if it makes it into production I’ll be the Executive Producer.
But catch me between drafts and I’m finishing the board on my own pilot for Cartoon Network. Hope to move it into animatic soon. That will give me the triple crown of EP, Story Editor and Creator.
What are some of the crazier jobs you had before getting into animation?
I started three days after college graduation so I hadn’t had many jobs. I was a scooper then an unofficial assistant manager at a Baskin Robbins 31 Flavors. I was there during the moon landing (with instructions to pull Lunar Cheesecake if anything went wrong at Tranquility Base). For two summers in college I was a camp counselor for WoodCraft Rangers at Lake Arrowhead. Then, for the summer of my Junior year, the last year before “real life”, I worked eight hours a day trying to sell gag cartoons to magazines. The closest I got was that the Saturday Evening Post held one for further consideration. The brainstorming I did that summer paid off in spades when I moved into story at Disney Feature Animation.
What are some of your favorite projects you’re proud to have been a part of?
I’ll say that my favorites were DARKWING DUCK and HELLBOY ANIMATED for completely different reasons. With Darkwing I was able to chase the funny more and play with all the comic book tropes I loved. With Hellboy I was trying to create true suspense. Mike Mignola and I wrote a third picture which would easily be the best of what we did. That’s definitely a project I’d like to return to.

How did you become interested in animation?
I always loved it. I remember an animation exhibit at Disneyland and bought Bob Thomas’s book, THE ART OF ANIMATION. My dad had wanted to be a cartoonist but didn’t pursue it after graduating. He did, however, Continue reading

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Jobs: DreamWorks- Visual Development Artist

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Dreamworks-tv
Apply here
DreamWorks TV is looking for an artist with a diverse set of design skills to work in a fast paced, television production environment. This Artist will focus on CG Background and CG Prop design. They will work in all aspects of design process: rough concept, color concept, line art, orthographic turns, color, and texture. They will need to be able to design within the style of the show as well as work digitally on a Cintiq and various software programs, including, but not limited to Photoshop and Illustrator. They should be organized and able to manage a variety of tasks within the given schedule.

Visual Development Artist

ESSENTIAL JOB RESPONSIBILITIES:

* Resolve design problems with creative supervisors.
* Ensure all deadlines are met.
* Communicate progress of work to appropriate production staff.
* Ensure all artwork is properly backed up and stored appropriately.
* Ensure all shipping materials are prepared and ready on time.
* Work with partner studios.

Required Skills

* Must demonstrate proficiency in style of show.
* Strong design and construction/mechanical skills.
* Knowledge of or willingness to learn applicable design software and hardware.
* Strong time-management skills.
* Must be organized and able to work within a schedule.
* Work well under pressure.
* Ability to multitask required.
* Must know Photoshop.
* Able to work digitally on a Cintiq.

Job Location
Glendale, California, United States
Position Type
Full-Time/Regular

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9 Story Secures Multiple Sales for Emmy® Award-Winning Preschool Hit PEG + CAT

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PEG + CAT1

FOR IMMEDIATE RELEASE

9 Story Secures Multiple Sales for Emmy® Award-Winning

Preschool Hit PEG + CAT

Toronto, Canada – September 24, 2015 – 9 Story Media Group is pleased to announce that it has secured multiple sales of the award-winning animated preschool series, Peg + Cat (80 x 12’). Leading Canadian preschool channel Treehouse acquired the second season to the series, while Super RTL (Germany) along with Canal+ Family and Piwi+ (France and French-speaking territories) picked up an additional 40 episodes of season one. A deal was also secured with Canadian-based GRICS, which licensed the first season for French speaking Canada. The series originally debuted onPBS Kids in the fall of 2013 and has won 4 Emmy® awards, including Outstanding Pre-School Children’s Animation Program.

 

The series has also been licensed to Télé-Québec, TFO (Canada), Tiny Pop (UK), ABC TV Australia, TVNZ (New Zealand), TG4 (Ireland), Super RTL (Germany and German-speaking Europe),SVT (Sweden), YLE (Finland), RTP (Portugal), MiniMini (Poland), Telewizja Polska (Poland), Discovery Kids (Latin America), Beijing Sunshine Culture and Communication (China), MediaCorp(Singapore), PTS (Taiwan), Disney (Korea), Television Media Korea (South Korea), True Visions (Thailand), TV3 (Thailand), HOP! (Israel), E-Junior (UAE), MBC Kids (Middle East), and Zee Learn (Indian Subcontinent). Netflix holds SVOD rights for multiple territories while ABC Commercial (Australia), Nelvana (Canada), Sony Music (Germany) and PBS Home Entertainment (U.S.) hold home entertainment rights to the series.

The series follows the adorable spirited, Peg, and her sidekick, Cat, as they encounter unexpected problems that require fun and creative solutions. In order to solve the problems, Peg and Cat must add, subtract and apply basic arithmetic. Their adventures take them to historical far-away lands, art centers in bustling metropolises and the colorful cosmos, all the while demonstrating that it’s never too early to start learning the magic of numbers.

Peg + Cat is co-created and executive produced by Jennifer Oxley (Little Bill, The Wonder Pets!) and Billy Aronson (Rent, Postcards from Buster) and co-produced by The Fred Rogers Company and 9 Story Media Group for PBS KIDS. Kevin Morrison of The Fred Rogers Company and Vince Commisso of 9 Story also serve as executive producers. 9 Story, which also handles international distribution, has secured distribution in 180 countries. HiHat Media is the licensing agent within the U.S. while 9 Story manages licensing for the brand internationally.

9 Story Media Group is a leading content creator, marketer and distributor of kids & family focused intellectual property. Recognized around the world for best-in-class brands such as Daniel Tiger’s Neighbourhood, Wild Kratts, Numb Chucks, Arthur and Peg + Cat, 9 Story represents over 1,800 half hours of animated and live action programming, seen on some of the most respected international channels and platforms.  With one of North America’s largest animation studios, 9 Story employs over 250 creative and production staff in its Toronto facility and has produced over 900 half hours of award-winning children’s content. 9 Story recently acquired the award winning animation studio Brown Bag Films, which employs over 170 staff members across Dublin, Manchester and Los Angeles.  Brown Bag is recognized for producing leading animated children’s series such as Octonauts, Doc McStuffins, Bing Bunny and Henry Hugglemonster.  9 Story is owned by senior management, ZMC, (Zelnick Media Capital) and media entrepreneur Neil Court.  www.9story.com

About The Fred Rogers Company

The company was founded by Fred Rogers in 1971 as the non-profit producer of Mister Rogers’ Neighborhood for PBS. In the years that followed, it not only created hundreds of episodes of this much-loved program, but also extended Fred’s values and approach to other efforts in promoting children’s social, emotional and behavioral health and supporting parents, caregivers, teachers and other professionals in their work with children. The Fred Rogers Company continues to build on Fred’s legacy in innovative ways through a wide variety of media, and engaging new generations of children and families with his timeless wisdom. The company’s highly-rated, award-winning children’s series include Daniel Tiger’s Neighborhood, Peg + Cat and Odd Squad. For more information, visit www.fredrogers.org.

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Ely Dagher

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What is your name and your current occupation?
Ely Dagher. I run BeaverAndBeaver studio and work as a freelance director.

What are some of the crazier jobs you had before getting into animation?
No interesting stories there I’m afraid!

What are some of your favorite projects you’re proud to have been a part of?
That would have to be my short film “waves ’98”.

Where are you from and how did you get into the animation business?
I am from Beirut, Lebanon and I actually got into animation sort of by Continue reading

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Alisa Harris

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What is your name and your current occupation?
My name is Alisa Harris and I’m a freelance character designer and traditional Flash animator in New York City.

What are some of the crazier jobs you had before getting into animation?
One summer during college, I painted carousel horses in Canarsie, Brooklyn. It was pretty awesome.  Some of the carousels I worked on are at the Willow Grove Mall in PA, Bryant Park in NYC and overseas.  When I first graduated from art school, the animation industry had tanked.  I ended up doing data entry for two years at an insurance company specializing in mental health and substance abuse.  I like to joke that it prepared me for working in the animation industry.

What are some of your favorite projects you’re proud to have been a part of?
One of my favorite projects was my first lead design position at Flickerlab in NYC.  It was a web series for Ritz/Nabisco on how to have cheap family fun in the summer.  It was the first commercial project that I designed characters and props in my own style.  There was a lot of freedom in designing the families and I enjoyed creating a more diverse cast.  Because it was a small studio, I also boarded half of the episodes and did some of the Flash puppet setup.  It was really cool to see my own designs and staging come through to the final episodes.

How did you become interested in animation?
As a kid, I loved Looney Tunes, classic Disney films, The Muppet Show and Rankin Bass Christmas Specials.  In the ’80s, my family would watch The Disney Sunday Night Movie and I was riveted to the Continue reading