Rusty Mills Cancer Fund

It is with a sad heart that I post this but it may help a good friend in need.

Rusty Mills the producer of Pinky and the Brain, Animaniacs who is a good friend  has been diagnosed with stage IV Colon Cancer and his down to his last days and his wife’s best friend has set up a fund for his family. I can only imagine the pain suffering and cost of such a disease and I would urge you to give generously to a man that gave of himself his whole life. Rather than try and be eloquent about such a tough thing,  I will take the message from the site itself:

Rusty has been fighting this Cancer with the most positive attitude that I’ve ever seen. He is a passionate animator and loves to teach. Rusty was even teaching while receiving chemotherapy.

Rusty’s wife, Andrea, and Evan, their 15 year old son have been taking care of Rusty. However, things have gotten very tough lately, and they need our help! Rusty has just started a new kind of chemotherapy and the medical bills are accumulating rapidly. Rusty is not able to work right now and he was the main source of income for his family. Andrea is now caring for Rusty full time. Together this family is strong, but it’s also been very tough financially and emotionally.

If you would like to contribute any amount, all funds will go directly to the Mills family to help them pay for Rusty’s Cancer treatment, groceries and utilities. Prayers are also requested for the Mills family. With much gratitude and love.

Many years ago when I started working on Animaniacs as a character layout artist I met a young man named Rusty Mills who was a fantastic draftsman and teacher. He was a  good animator as well and over the years our paths would cross occasionally. When they green lit Pinky and the Brain as it’s own series he asked me to direct my first true animation series. That was of course before the modern age of computers and tests and the internet. I came in met with him and Tom Ruegger and I had the job. INo scrutiny or judgement  just “welcome”.  I truly enjoyed my time working with him. He led me to my first Emmy award and I learned so much I thought my mind would explode. I took all of that knowledge to every job since then and even in the far reaches of Europe when I’d mention I had directed Pinky and the Brain people’s eyes would widen. Even if their primary language was not English. Rusty’s influence was far-reaching there is no doubt. In years following the great fall and restructuring of WB, Rusty began teaching the digital arts and has taught hundreds of people about computers, and particularly Storyboard Pro and Mirage where he was instrumental in a storyboarding package add on for that software. Rusty showed me the first tablet PC I’ve ever seen and I went out that day and bought one based on his recommendation. He was a good and caring man, and the animation world will be a little less brighter without him.

We never did an interview with Rusty as he was always so busy, but I really wish I had.

You can learn more about Rusty and his amazing talent by going to his site Rusty Mills Animation.

David Williams

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What is your name and your current occupation?
David Williams and I work for Disney TV Animation’s “Jake And The Never Land Pirates”

What are some of the crazier jobs you had before getting into animation?
Nothing crazy. Just the standard “no brainier” jobs. Car wash, gas station, stock boy, construction, etc.

What are some of your favorite projects you’re proud to have been a part of?
Without a doubt, the best job I had, while between animation jobs, was working for Applause designing collectible mugs, sculpts, toys, etc. For Lucasfilm Properties. I was head designer the second year and pitched the line-up of proposed merchandise to Lucasfilm (but not George). Flew out on the company’s dime and made several journeys to the Skywalker Ranch. Yes, I’ll admit it, it made me feel important. I made some long-standing friendships during that time, as well. In animation, it was working on the two Klasky/Csupo feature films “The Wild Thornberrys” and “Rugrats Go Wild”. I got into the studio at it’s zenith, and watch it all fade away within the two years I was there. Very sad. What made my time so special was the opportunities that were put in my lap! My job was storyboarding but I also designed some BG layouts, animated sequences, I even worked with the editor timing out my song sequence. Yes, this job also made me feel important. Also I played basketball almost everyday at lunch right there on the grounds. Definitely a perk.

How did you become interested in animation?
The standard way, for my generation, propped in front of the TV with a bowl of cereal on a Saturday morning. Peanuts Specials, every Christmas Special and The Wonderful World Of Disney. Definitely feature films, as well, but Continue reading

600 and Counting!

About a year and a half ago, I set out to interview the entire animation industry, 2d, 3d, Flash, video games and visual effects. It’s been a hard thing to do as many artists are shy and private but I am VERY proud to say we hit our 600th interview today! I could not have done it without my beautiful wife Laura, my brother Andrew as well as my daughters Melissa and Megan who help with the posting and management of the site. And of course none of it could have happened without all the people who shared their art, life, stories and advice when they took the time to be interviewed!

Yep, we’ve interviewed 600 artists so far and there’s many more interviews ahead. You should be next!

Email us to be interviewed!

Image credits (left to right):

RJ Palmer
Jessy Borutski
Lois van Baarle

Paul Driessen

What is your name and your current occupation?
Paul Driessen / Animator of short personal films.

What are some of the crazier jobs you had before getting into animation?
I was in the Dutch army (compulsory), counting its bolts, underwear and tanks / otherwise nothing much job-wise, trying to sell my cartoons with very little success.

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How did you become interested in animation?
I drew cartoons since my childhood / When I grew up I didn’t know much about animation, for Holland, where I spent my school years didn’t have an animation tradition / I’d seen the odd Disney film but that was about it / In 1964, when I was 24, I read Continue reading

Neal Warner

What is your name and your current occupation? 
I’m Neal Warner and I am currently directing a live stage show called Rock & Roll Rehabwhich features a live band playing in sync with animated music videos projected on a large screen above the stage. It’s been an ambition of mine since I was in Junior High School and saw the re-release of Walt Disney’s Fantasia. It recently finished a run at the Hayworth Theater on Wilshire Blvd. in Los Angeles.

What are some of the crazier jobs you had before getting into animation?
Before I went to work as an inbetweener at Hanna-Barbera during my summer vacation between graduating high school and starting college I was a published cartoonist in the “Free Press” and in “underground comix”. Ironically, the only job I ever had after creating the underground comic character Pizza Fella and starting full time in the Animation Industry was as a pizza delivery guy while attending San Diego State.

 

What are some of your favorite projects you’re proud to have been a part of?
I wrote and directed the John Lennon themed stage show, A Day In His Life, which was represented by the William Morris Agency and followed that with the Rock & Roll Rehabshow, both of which include a lot of animation as part of the multimedia projection. I published PaperCuts, The Illustrated Lyrics Magazine in the 80s which included a two song record insert and featured the songs’ lyrics in comic book form, I produced several animated music videos, one of which won the Gold Plaque in Music Video at the Chicago International Film Festival and was included in a screening of “The World’s Best Animated Music Videos” at the First Los Angeles Animation Celebration and I produced The Tooner’s Trip Disc enhanced CD and The Tooners’ Rocktasia CD (available on iTunes). Those are my favorite “pet” projects but I’m also proud of my work on The Heavy Metal Movie, Ducktails The Movie, the two Rugrats Movies, The Puff The Magic Dragon TV special and some of the many TV commercials and series I’ve worked on either as an animator, an assistant animator, a director or as a timing director for studios such as Disney TV, Klasky-Csupo, Marvel, Murakami-Wolf, Filmmation, Film Roman, Sony, Universal, Fred Wolf Films and many others.

How did you become interested in animation? 
I was a cartoonist whose work was published in my junior high school newspaper, the cover of the yearbook and animated my first film, The Jogger, in the ninth grade. In high school I was the school’s staff “political” cartoonist as well as a paid contributor to professional underground comics and in college I was elected into Sigma Delta Chi, the Society Of Professional Journalists for my political cartoons in the CSUN campus paper. Although Continue reading