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3D Artist (Generalist)-Rough Draft
3D Artist (Generalist)
NOTE: This is a LOCAL job in Glendale, CA. and we have nothing to do with the hiring here. We post these only as a courtesy to our readers.
Do NOT post in the comments, follow the link HERE to apply.
Description
Award Winning Rough Draft Studios, the animation studio behind Futurama, The Simpsons Movie, Clash-A-Rama, and The Maxx is gearing up for its next big project, a new series for Matt Groening.
We are looking for talented CG Generalists to join our team of artists. If you can do it all (model, texture, rig, AND animate), we would love to hear from you!
Requirements:
2+ years professional experience with Maya.
Must have modeling, texturing, rigging, and animation expertise.
Working knowledge of Mental Ray a plus.
Good communication skills and organization.
Ability to respond positively to direction.
Need to work well as part of a team.
Strong artistic sense and technical mastery preferred.
Responsibilities:
Timely completion of CG shots from beginning to end.Manage the progress of multiple shots simultaneously.
Model, texture, rig, animate, and render environments, effects, props and incidental characters.
Work with technical supervisor and episode director for approvals.
Handoff final rendered layers to composite group
Submission:
Please provide us with your resume and a link to your CG reel (3-5 minutes).Please include a breakdown that indicates your involvement in each shot.
Please show us only the BEST examples of your work.
STORYBOARD ARTIST – THE LOUD HOUSE
STORYBOARD ARTIST – THE LOUD HOUSE
- # of Openings
- 1
- Job Locations
- US-CA-Burbank
Overview and Responsibilities
SUMMARY:
- Nickelodeon Animation Studio is looking for a full-time Storyboard Artist for its hit animated series The Loud House! This positions is looking to start as quickly as possible (summer 2017). We are looking for someone who can easily grasp The Loud House’s style – cartoony, comic strip-inspired. Great staging. This show is script-driven. A brief test will be required.
RESPONSIBILITIES:
- Meet with creative supervisors to discuss objectives of storyboard; what is desired or to be achieved.
- Create storyboards by implementing storytelling objectives.
- Follow instructions of creative supervisors.
- Address any problems with creative supervisors; ask necessary questions.
- Communicate progress of work to creative supervisors and to appropriate production staff.
- Ensure quality and style of show is consistently achieved in storyboard work.
- Follow proper document management requirements (i.e., file naming and storage) according to the production’s guidelines.
- Meet all deadlines as determined by Line Producer or Production Manager.
- Attend and contribute to relevant meetings and pitches as needed.
- Will required to pitch Storyboards.
- Ensure all storyboard notes are added.
Basic Qualifications
BASIC QUALIFICATIONS:
- Must demonstrate proficiency in style of show.
- Strong staging and composition skills.
- Understanding of subtext in character performance. Portfolio samples must demonstrate that all characters in a sequence do not behave the same. They are unique. Think about which character in a scene is dominant, which is submissive. What are the undercurrents? Whose scene is it?
- Strong drawing and mechanical skills.
- Knowledge of  applicable design software (Photoshop, Storyboard Pro) and hardware (Wacom Cintiq monitor and/or tablet).
- Strong time-management skills.
- Work well under pressure.
- Ability to multitask a plus.
DESIRED QUALIFICATIONS:
- Relevant drawing experience necessary.
- BA preferred.
- Minimum of 1 year storyboard experience and/or training on a similar show; or equivalent combination of education and experience.
ROYAL TELEVISION SOCIETY OPENS ENTRIES FOR CRAFT & DESIGN AWARDS 2017
PRESS RELEASE
ROYAL TELEVISION SOCIETY OPENS ENTRIES FOR
CRAFT & DESIGN AWARDS 2017
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London, 05 June 2017 – The Royal Television Society (RTS), Britain’s leading forum for television and related media, has launched the RTS Craft & Design Awards 2017. The Awards celebrate excellence in broadcast television and aim to recognise the huge variety of skills and processes involved in programme production.
Awards are presented in 11 categories including: Design, Make Up Design, Costume Design, Production Design, Effects, Directors, Photography, Lighting and Multicamera, Sound, Editing and Music.In addition, there are three awards given at the discretion of the Judges: Design & Craft Innovation, Judges’ and Lifetime Achievement Awards. Entries are not accepted for these categories but the RTS welcomes suggestions.
This year will see Lee Connolly, Creative Director at ITV Studios, take over as Chair of the awards from former Chair, Cheryl Taylor. He says, “The RTS Craft & Design Awards are an excellent way of recognising the extraordinary breadth of talent and depth of expertise we have throughout the creative content industry and I am delighted to be the new Chair.â€
All entries must be submitted using the RTS Online Awards Entry System https://awardsentry.rts.org.uk/entrant/index.php by Friday, 1 September 2017. All entries must have been first transmitted between 1 September 2016 and 31 August 2017 and may be submitted by companies or individuals. The Awards will be presented on Monday 27 November 2017 at the London Hilton on Park Lane. For more information visit: https://www.rts.org.uk/awards/craft-design-awards.
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THE AWARD CATEGORIES:
Design – recognises achievement in three categories: trails and packaging, programme content sequences and titles.
Make Up Design – recognises achievement in all areas of makeup, including hair styling and wigs, in two categories: drama and entertainment and non-drama productions.
Costume Design – recognises achievement in two categories: drama and entertainment and non–drama productions.
Production Design – recognises achievement in two categories: drama and entertainment and non–drama productions.
Effects – recognises achievement from any area of programme making in three categories: digital effects, special effects and picture enhancement.
Director – recognises achievement in three categories: comedy drama/situation comedy, drama and documentary/factual and non-drama productions.
Photography – recognises achievement in location based single camera work in two categories: drama and comedy, and documentary/factual and non-drama productions.
Lighting and Multicamera – recognises achievement in three categories: lighting for multicamera, multicamera work and multicamera work – sport. The Multicamera awards are designed to recognise those who work in studio based or OB multicamera programming across all genres.
Sound – recognises achievement in two categories: drama and entertainment and non-drama productions. These Awards recognise the whole sound team and both recording supervisor and mixing supervisor should be named on the entry form.
Editing – recognises achievement in four categories: drama, documentary/factual, entertainment and comedy and sport.
Music – recognises achievement in two categories: original title music and original score. The titles or score must be specially commissioned for a specific programme.
CGI 3D Animated Short Film HD: “POILUS Short Film” by ISART DIGITAL
A beautifully animated and rendered film but honestly the story left me a little wanting. I think it would have been better if it had been an alien enemy (because after all it looked nothing like another rabbit) and it was going to kill him and he played the harmonica and the enemy exploded because it couldn’t handle music, or at least if the enemy stopped attacking when it heard the music. Music soothes the savage beast sort of thing. What are your thoughts?
June Flix: Animation Nights New York program for Wed, June 14th, 2017
Contact: Yvonne Grzenkowicz – info@animationnights.com, (347) 788-0243
FOR IMMEDIATE RELEASE
June Flix: Animation Nights New York program for Wed, June 14th, 2017
Animation Nights New York (ANNY) is a monthly animation event held in the South Street Seaport District of New York City. Our program consists of select animated short films and virtual reality animation experiences from all around the world.
Approx. run time is 80 minutes. Admission to this event is free. Refreshments are available for purchase at the venue.
Animated Short Film Program:
- The Cold Heart. Hannes Rall. Germany, 2013. 29:00.
- Nightlights. Katarzyna Pieróg. Poland, 2016. 2:20.
- The Right Way. Emilio Yebra. Spain, 2015. 4:10.
- Two Wishes. Nadav Tal. Israel, 2016. 1:00.
- Waking Sleeping Bat. Oleksandr (Sashko) Danylenko. United States, 2015. 0:24.
- The One Who Tamed Clouds. Nicolas Bianco-Levrin. France, 2015. 4:30.
- You Are Not the Strongest. Emilio Yebra. Spain, 2016. 1:00.
- The Shawy’s Fruiks Circus. Shawy. France, 2014. 0:15.
- The Cuckoo. Mikhail Gorobchuk. Russian Federation, 2013. 12:15.
- STADIUM N3. Renata Motyka. Poland, 2016. 2:45.
- Dang it to Heck!. Rob Hunter, Chris Edser. Australia, 2016. 4:00.
- LEMONS. Bonnie Mier. Netherlands, 2016. 1:57.
- PNxKNF. Keith Kavanagh. Ireland, 2016. 2:52.
- The Indigestion. Mathilde Remy. Belgium, 2016. 6:12.
- The Beard. Sofya Badalova. Russian Federation, 2015. 7:03.
Virtual Reality (VR) Animation Experiences:
- DO NOT Push the Red Button!. Peter Spence. Norway, 2016.
- Virtual ANNY Demo. Animation Nights New York, High Fidelity, Artella. United States, 2017.
Event Details: Wed, June 14th 2017, 8pm — 180 Maiden Lane, New York, NY 10038
Getting to ANNY: Take the 4, 5, 6, A, C, 2, 3, J, or Z train to Fulton Street. Street parking is available.
RSVP: Eventbrite, Facebook, and Meetup