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‘The Iron Giant’ gets a collector edition Blu-ray this Fall

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Engadget is reporting details on the soon to be released Iron Giant collector edition Blu-ray slated for this Fall!

From the site:

Last September, the animated classic The Iron Giant returned to US theaters as a “Signature Edition” with high definition visuals and two additional scenes. Warner Bros. has now confirmed a Blu-ray release for this fall, as well as an “Ultimate Collectors Edition” that includes a few extra goodies. For $74.99, you’ll get the “Signature” cut and the original theatrical release, both in high and standard definition. There’s also a documentary on the disc called The Giants Dream, which gives a “definitive” look at how the 1999 classic was put together.

Read the whole article here.

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Mark Simon

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What is your name and your current occupation?
Mark Simon, Producer, director, story artist. I currently own 3 businesses: Animatics & Storyboards, Inc. (www.Storyboards-East.com) A&S Animation, Inc (www.FunnyToons.tv) Sell Your TV Concept Now, Inc (www.SellYourTvConceptNow.com) Currently boarding commercials, directing animated pilots and working on WB’s Hong Kong Phooey feature. Produced the animation on Fox’s Tooth Fairy 2 with Larry the Cable Guy which was just released on DVD.

What are some of the crazier jobs you had before getting into animation?
I’ve worked in Hollywood since I graduated college. I started off in live-action and still work a lot in live action.
Before that I designed and built my own line of skateboards for Schwinn when I was 12. I published a magazine in college called The Belligerent Beacon. I had a syndicated comic strip called Hollyweird, a parody of Hollywood with animals as the characters which is currently on www.sunnyfundays.com.

What are some of your favorite projects you’re proud to have been a part of?
seaQuest DSV with Spielberg was awesome. Biggest show on TV. Spielberg. Awesome food all day. Spielberg. Sci-fi. Spielberg. Did I mention Spielberg?  My series Timmy’s Lessons In Nature is always one of my favorites. That’s the one we won the first Grand Prize in the Nicktoons Film Festival and it also appeared in Spike & Mike’s Sick & Twisted and with Happy Tree Friends & Friends. I love that Timmy is too stupid to talk or to understand pain. Now that’s dumb. http://www.youtube.com/watch?v=nN3hp9QthQI
I’m also partial to anything I’m currently working on. I get totally stoked working out story elements and creating new projects.

How did you become interested in animation?
Loved it since I was a kid, like most of us. I was doing little animations at home. My dad found a studio in Houston and set up for them to show me around their studio. We took measurements from their discs and built our own Continue reading

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More Blender Grease Pencil animation! GP -¨Curiosity¨ Grease Pencil & Krita

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More Blender Grease Pencil works: vimeo.com/channels/greasepencil

Original ilustration by Mayumi instagram.com/mayonose/

All done inside Blender and Krita by Daniel M. Lara with Blender’s Grease Pencil

GP tools addon by Antonioya. youtube.com/channel/UCUoJMye2LuZQ1b6xBSEbbow/videos

Grease Pencil main developer Joshua Leung (Aligorith) aligorith.blogspot.co.nz/ aligorith.github.io/
GP tools addon by Antonioya. youtube.com/channel/UCUoJMye2LuZQ1b6xBSEbbow/videos

Music from ¨Ghadi¨ film
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Daniel M. Lara (Pepeland)
twitter.com/_pepeland_
facebook.com/pepeland3D
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Kali Fontecchio

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What is your name and your current occupation?
Kali Fontecchio and I currently work at Walt Disney Animation as a designer.
What are some of the crazier jobs you had before getting into animation?
Well nothing too crazy, my first job out of high school was actually as an art director on a cellphone massive multiplayer game. It was before anyone was doing that in the US so it didn’t really take off.
What are some of your favorite projects you’re proud to have been a part of?
My favorite projects have been here at Disney, but I’m not allowed to discuss them. Of the ones I can mention, probably The Looney Tunes Show, Yo! Gabba Gabba, Rick and Morty and various John K. projects. I’m proud of every opportunity I get, but whatever the most current project I’m on becomes my favorite.
How did you become interested in animation?
Watching Mickey Mouse and Bugs Bunny growing up inspired my love of cartoons, also Continue reading

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Brent J. Zorich

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What is your name and your current occupation?
Brent J. Zorich and I am the Chief Technology Officer of BRENT ZORICH PRODUCTIONS, LLC.What are some of the crazier jobs you had before getting into animation?
One summer during industrial design school in the 90s at Ohio State I worked as a bouncer at a dueling piano bar named Howl at The Moon. I didn’t realize it when I took the summer gig, but occasionally throughout the night the staff had to get on stage and dance to songs from Grease… ah, the memories.

What are some of your favorite projects you’re proud to have been a part of?
I played MADDEN growing up so getting to be a lead rigger on that was pretty rewarding. Seeing my name in Star Wars credits was really rewarding also. I loved sitting in dailies critiquing shots on TRANSFORMERS REVENGE OF THE FALLEN. My favorite intellectual property is actually HARRY POTTER; at Lucasfilm Animation Singapore I was in charge of arranging sequences for monthlies in addition to my regular tasks. The monthlies that I arranged were for HARRY POTTER AND THE HALF BLOOD PRINCE and I got to work with the raw footage of Daniel Radcliff and see the before and after… really fun. The music I used in the backdrop when I showed to sequence to the all staff was Eulogy by Tool. I remember being at Lucasfilm in San Francisco and opening up a script for Indiana Jones written by Steven Spielberg and realizing I made it! I loved going through executive training at Lucasfilm, it was a weeklong through the executive trainer, Larry Seal, and I was being prepped to run a studio. I also enjoyed being on the Lucasfilm Best Practices Steering Committee that set the direction for all digital assets in regards to Lucasfilm Animation, LucasArts, and Industrial Light and Magic. There were about ten of us on the committee.  But, I’d have to say the most rewarding experience was in Lucasfilm Animation Singapore and my film game convergence group that I was in took the television version of Ahsoka Tanu, Anakin Skywalker’s Padawan, and I modified it so it would work in the Unreal Engine. We showed it directly to George Lucas when he came to see the studio in summer of 2008 and he couldn’t tell the difference between my Ahsoka rendering on the XBOX 360 and the version used on television.

How did you become interested in animation?
Three years old in summer of 1977, “A long time ago in a galaxy, far, far, away….” You’ll figure it out.

Where are you from and how did you get into the animation business?
I am from Columbus, Ohio and I got into the animation business by Continue reading