Batz, a Shortfilm by Max Maleo & Aurelien Prédal

 

A truly GORGEOUS animated and designed short funded entirely by Kickstarter! I would MUCH rather see a full length feature in this style than yet another fully rendered realistic one.

Batz, a Shortfilm by Max Maleo & Aurelien Prédal

Website : batz-themovie.com
Facebook : facebook.com/KawaBATZ

Production : Kawanimation Paris

Written by Max Maleo, Aurélien Predal, Pierre Razetto & Dimitri Cohen Tanugi

FR: Vamp et Rouss sont deux chauve-souris que tout semble opposer. Leur rencontre explosive va les propulser dans une aventure déjantée qui va mettre leur vie sens dessus dessous !

UK: Vamp and Rouss are two bats that everything seems to oppose. Their explosive meeting will propel them into a crazy adventure that will put their lives upside down!

All rights reserved – Kawanimation Paris – June 2013

Created by
Max Maleo & Aurélien Predal

Director
Max Maleo

Art director
Aurélien Predal

Producerz
Pierre Razetto & Dimitri Cohen Tanugi

Written by
Max Maleo
Aurélien Predal
Pierre Razetto
Dimitri Cohen Tanugi

Head of Production
Alexis Laffaille

Production Assistant
Eugény Couture
Morgane Souris
Marion Vermogen
Anne De Valors

Voice of Batz
Martial Le Minoux (ROUSS)
Antoine Schoumsky (VAMP)

Technical director
Thomas Liebert

Character Modeling
Martin Coustenoble

Character Rigging
Damien Gautron

Light & Rendering
Jean Marc Lepretre

Assistant Director
Guillaume Bonnaire

FX
Pascal Gaubertier
Thibaud Petitpas

Sound Design & Mixed by
Gautier de Faultrier
Clément Maleo

Music By
Jerome Bessout
Ghislain Fracapane
Florian Jamelot
Matthieu Fisson

Score
Victor Belin

Animatorz
Emmanuel Asquier-Brassart
Eve Guastella
Yoann Bomal
Jeanne Irzenski Gueye
Guillaume Bonnaire
Helene Leroux
Julien Bouquet
Max Maleo
Daniel Callaby
Gael Matchabelli
Marie Celaya
Bart Maunoury
Julie Cervantès
David Nasser
Augustin Clermont
Gwenolé Oul’chen
Paolo Cogliati
Thibaud Petitpas
Jean philipe Descoins
Jean Michel Ponthieux
Moze Essame
Sylvain Rohart
Karina Gazizova
Marion Roussel
Jean-Charles Gonin
Pierre Rutz
Romain Vacher
Manu Vergne

CG Internship
Charles Lemor
Rebecca Joly

Fur technology makes Zootopia’s bunnies believable

Screenshot 2016-03-04 13.16.03

Engadget has an interesting article up about creating fur for Zootopia. Apparently the amount of fur each character has climbs easily into the millions!

To make the animals look realistic, Disney’s trusty team of engineers introduced iGroom, a fur-controlling tool that had never been used before. The software helped shape about 2.5 million hairs on the leading bunny and about the same on the fox. A giraffe in the movie walks around with 9 million hairs, while a gerbil has about 480,000 (even the rodent in the movie beats Elsa’s 400,000 strands in Frozen).

You can read the entire article here.

David Stephan

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What is your name and your current occupation?
My name is David Stephan and I am currently a story artist for live action and animation. My real passion is writing and trying to get my own projects made. I started B Positive Fims with another writer/artist (after our blood type) We are working with producer Max Howard on a film project and have interest from the studios on a horror film.
What are some of the crazier jobs you had before getting into animation?
Maybe not crazy but I washed dishes, pumped gas, worked construction just get by through college. Once I got started in the film business I haven’t had to look outside for work but the last couple of years have tempted me to seek other opportunities.
What are some of your favorite projects you’re proud to have been a part of?
I am proud of my career at Disney. I was lucky enough to be part of Disney Feature Animation and the 14 year arc from Black Cauldron through Lion King.  I also was part of Sam Raimi’s first Spiderman. It was such an unknown. I credit that film’s success with the glut of super hero movies today. But I would have to say story boarding “Simple Plan” is my most rewarding. It was my first live action film and learned so much about film making.
How did you become interested in animation?
I kinda fell into it. I was graduating from highschool and I really wanted to be a painter and go to the Ontario College of Art in Toronto. My highschoolart teacher Ms Venebles was very encouraging me to go into art as a career. Coming from a working class family I was going against the grain. My Dad wanted me to get a “trade”.  On my way to OCA I stopped at Sheridan College outside Toronto to interview with the Illustration faculty but they were unavailable but the Animation course director agreed to see me. Knowing nothing about animation, he showed me a clip of student samples. I was blown away by the level of animation. I was hooked. I can make my drawing come alive. I never made it to OCA. I registered that day in the Sheridan College Classical Animation program. At the time it was a little know program, now Sherdian College Animation and its graduates are know all around the world equal to Cal Arts program.

Where are you from and how did you get into the animation business?
I am originally from London Ontario Canada. My goal from the beginning was to go and work at Disney in California. At the time in the early 80’s it was impossible to get a green card and almost impossible to get into Disney Feature. It didn’t stop my determination. My first job was with Steven Lisberger in Boston which was relocating to Venice California. It was a show for NBC called Animal Oymplics. It was my first professional experience as animators Bill Koyers assistant. I was thrilled. After that show ended I Continue reading

Liron Peer

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What is your name and your current occupation?
My name is Liron Peer (sounds like “Lee-Ron Pair”) and my current occupation is being a Freelance Animator / Character Designer / Illustrator.

What are some of the crazier jobs you had before getting into animation?
I don’t think I had one, animation was something I knew I would be studying and working in after high school (and the army - that’s what all the people in Israel have to do at the age of 18 – men and women, I’m a women btw). The only 2 jobs I had before animation school where doing tech support in the army and then Quality Assurance for a software. So you could say I came from the computer world, though I always knew I’d be creating Art for a living.

What are some of your favorite projects you’re proud to have been a part of?
I didn’t get the chance yet to be a part of many projects (I’m only at the beginning of my career), so I guess I can say that I’m most proud of my own “Lady Ice” project and my “The Final Stand” project.

How did you become interested in animation?
As far as I remember I always drew, but frankly not professionally until I was about 18! As for animation, well – ever since I saw Disney’s the Little Mermaid when I was 9 years old I fall in love with Disney movies. As I got older I wanted to be an actor and even majored in Acting during my high school years. But I also Continue reading

Blender’s new Grease Pencil

Wow! Mind. BLOWN!

There’s a new version of Blender (a free 3d program that will let you draw, push, pull and manipulate drawings in a 3d environment. It’ looks incredible! Furthermore, it appears to have symbols and a library you can drag and drop assets in. All in all a pretty incredible new feature for the animation industry. Check it out below!

Ralph Kidson

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What is your name and your current occupation?
Ralph Kidson  Cartoonist/Writer/Storyboard Artist

What are some of the crazier jobs you had before getting into animation?
I worked briefly for a charity-run home for young autistic people, some of whom were VERY challenging…quite often you were just trying not to get punched in the head! Useful life skill I suppose… Ummm…jet-washing UPS vans, at night, in Winter. One time I stepped backwards to admire my handiwork and fell head-first into a massive bloody ditch, to much general amusement. Awful.

What are some of your favorite projects you’re proud to have been a part of?
Definitely this current Wildseed project, it’s very exciting, Miles and Jesse have assembled some seriously talented bods in the animation field. We’re like the Avengers. I’d have to be the crap bloke who shoots arrows though ‘cos I’m very new to the industry. Hawkeye.

 

Where are you from and how did you get into the animation business?
I’m from the giddy, exciting, dangerous world of Small-Press Comics…making my own comics and selling them in shops and comic-fairs for the last 20 years! I got into animation via Continue reading