Live on Twitch.tv/adobe this Saturday from 12-3pm PST

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This Saturday I’ll be once again broadcasting LIVE on the Adobe Twitch stream at http://www.twitch.tv/adobe animating with Adobe Animate CC(formally Adobe Flash) where I’ll be animating nonsense like this gif… I may even fix it to be better! Join us and see! That’s 12-3 pm PST only on Twitch!

DreamWorks TV – Background Painter

TV – Background Painter

Tracking Code
2429-01 (SR)
Job Description
Paints backgrounds, layouts and any other background-related art that the production may require, ensuring style and quality of show are met.

RESPONSIBILITIES:

  • Meet with creative supervisor(s) to ensure color needs of show are fulfilled.
  • Follow instructions of supervisor.
  • Complete all color work within assigned deadlines.
  • Resolve color problems with creative supervisors.
  • Communicate progress of work to appropriate production staff.
  • Ensure all artwork is properly backed up and stored appropriately.
  • Review storyboard for background key color callouts.
  • Comfortable working on a Cyntiq and must be able to work digitally.
  • Assist with special projects.
  • Fulfill other color projects, including but not limited to color lead sheets, color script and/or color pass on storyboards.
Required Skills
  • Must demonstrate proficiency in style of show
  • Strong knowledge of color theory and lighting.
  • Knowledge of or willingness to learn applicable design software and hardware
  • Strong time-management skills
  • Work well under pressure
  • Ability to multitask a plus
Required Experience
  • Relevant digital color experience in TV production schedule necessary.
  • BA in Fine Arts or equivalent work experience highly desired
Job Location
Glendale, California, United States
Position Type
Full-Time/Regular

DreamWorks TV – Visual Development Artist

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Tracking Code
2415-02 (SR)
Job Description
We are looking for an artist with a diverse set of design skills to work in a fast paced, television production environment. The ideal candidate will be able to complete architectural elevation drawings and turnarounds from approved designs, generate rough concepts to explore new designs, as well as explore color palette ideas. They will need to be able to design within the style of the show as well as work digitally on a Cintiq and various software programs, including, but not limited to Photoshop and Illustrator. They should be organized and able to manage a variety of tasks within the given schedule.

ESSENTIAL JOB RESPONSIBILITIES:

  • Resolve design problems with creative supervisors.
  • Ensure all deadlines are met.
  • Communicate progress of work to appropriate production staff.
  • Ensure all artwork is properly backed up and stored appropriately.
  • Ensure all shipping materials are prepared and ready on time.
  • Work with partner studios.
Required Skills
  • Must demonstrate proficiency in style of show.
  • Strong design and construction/mechanical skills.
  • Knowledge of or willingness to learn applicable design software and hardware.
  • Strong time-management skills.
  • Must be organized and able to work within a schedule.
  • Work well under pressure.
  • Ability to multitask required.
  • Must know Photoshop.
  • Able to work digitally on a Cintiq.
Job Location
Glendale, California, United States
Position Type
Full-Time/Regular

Adobe Twitch Stream LIVE Saturday from 12 to 3 PM PST.

TWEET-5

SO just like last weekend (and every one following) I’ll be live on Adobe’s Twitch channel animating random stupidness tomorrow (Saturday) from 12-3pm PST using Adobe’s Animate software (The artist tool formerly known as Flash). Tune in if you’ve got the time and see if I put my foot in my mouth! (Pretty sure I will)

http://www.twitch.tv/adobe

Dan Lund

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What is your name and your current occupation?
Dan Lund and I am currently an EFX animator at the Walt Disney studios as well as, cant believe this is coming out of my mouth….an APP developer. I am releasing an animated knock knock app on Aug 1st (knock knock and the Who’s There Doors) so that seems to be my occupation these days but don’t tell Disney that, they think its just a hobby.

What are some of the crazier jobs you had before getting into animation? 
I was always into jobs, ever since I was 14 I worked and loved the power I felt in doing a good job for someone. The worst was being a car jockey but i have done it all (burger king, Root beer stand, old folks home, fry cook, video store…)
What are some of your favorite projects you’re proud to have been a part of? 
Almost every Disney film I have worked on had a moment either artistically or work experience wise that made me proud. The BIG ones, of course, were great (Beauty and the Beast, Aladdin, Lion King) but when i look at Princess and the Frog i feel my my artistic level kicked up a notch. Even after some 13 screen credits, when you think you had tried it all, learned it all and maybe even lost the thrill a bit…a film opens up a brand new box of crayons, for me that film was “Frog”.  I am also very very proud of my personal work especially the 3  “Hildy Hildy” shorts (strike TV and all over the youtubes)  that i directed/animated and then sold to TBS as an animated series. Collaborating with Hildy’s creator, Patricia Scanlon was a moment i would not trade for anything.
How did you become interested in animation?
Always loved it but never studied it… Continue reading