Anna Citelli

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What is your name and your current occupation?
Hi, my name is Anna. My second name is Maria. You can use only Anna or Anna+Maria; you can combine them as you like. Citelli is my surname. I deal with visual and 3D modeling for the ASC creative team (pronounced in Italian with the same sound of ASK in English and we play with the same meaning), which I co-founded with Daniel Afferni and Luca Mari in Milan, Italy.

What are some of the crazier jobs you had before getting into animation?
During a period of time long enough, I’ve tried working in various creative fields. I worked with photographers to prepare mock up, I made portraits of cloth for advertising, I presented design projects and I painted on canvas my favorite subject, a portrait of man who jumps, at the time of suspension.

What are some of your favorite projects you’re proud to have been a part of?
The work I most care about, after what I am doing for the ASC, is a project to change the cultural approach that the society has in relation with death: Capsula Mundi.

Where are you from and how did you get into the animation business?
I have always loved drawing and I did it since I was a child. The images allow the mind to travel to new areas, to invent personal worlds. The ability to Continue reading

Timothy Bjorklund

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What is your name and your current occupation?
Timothy Bjorklund – writing/designing some series/feature premises that will never see the light of day.

 

What are some of the crazier jobs you had before getting into animation? 

My crazier jobs were in animation. But outside of animation, I had one job when I was 15 stapling fiberglass sheets to a warehouse ceiling and I fell about 20 feet off of a scaffold to a concrete floor and lived. My back still hates me for that though.

What are some of your favorite projects you’re proud to have been a part of? 

Roger Rabbit, They Might Be Giants “Istanbul” music video, Teacher’s Pet feature and Brandy & Mr. Whiskers was a lot of fun.

How did you become interested in animation?
My High School Art teacher brought in a 16mm Betty Boop cartoon one day and that was it – I thought, “Why the hell aren’t they making cartoons like this anymore?” So I set out to do some Fleischer-esque animation whenever I could. I eventually became a fan of Clampett and Jones and all the Disney guys. But Betty is what got me into animation.

Where are you from and how did you get into the animation business?
I’m from San Francisco and there are a hell of a lot of good animators around the Bay Area. After I left CalArts, I got my first job as an assistant animator at Colossal Pictures (where I learned how to flip five drawings, a skill I somehow never learned at CalArts). I worked my way up to Continue reading

Hector Lopez

What is your name and your current occupation?
My name is Hector Lopez and I’m a character animator/game developer.

 

What are some of the crazier jobs you had before getting into animation?
I did quite a few jobs in my days before getting into animation. The craziest I would have to say when I worked for a food distribution company. My job was a material handler working inside a freezer stacking pallets with frozen meats. We walked in there looking like Eskimos since the temperature inside was 0 degrees. I worked there for several months while I was in school. After a couple months I got used to it. Being inside a room at 0 degrees doesn’t bother me anymore. Unfortunately, since I was in school full time I could not keep up working there since it was a graveyard shift. School came first.

What are some of your favorite projects you’re proud to have been a part of?
I’ve worked with several animation studios on loads of projects. The projects I had most fun on was doing flash animation on “Cheech & Chong Animated Music Video”, facial animation on “Red Dead Redemption” and “GTA IV Ballad of Gay Tony” for xbox 360 and PS3. I always enjoyed playing games like Grand Theft Auto and all Rockstar games for that matter.

Where are you from and how did you get into the animation business?
I was born and raised in Los Angeles. After finishing up my studies in animation I started Continue reading

John Serpentelli

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What is your name and your current occupation?
John Serpentelli – I am an independent animator and an Associate Adjunct Professor at the University of the Arts in Philadelphia.

What are some of the crazier jobs you had before getting into animation?
I was the world’s clumsiest caterer. I once knocked several boxes of glass soda bottles down a flight of marble steps. Fizzy explosions everywhere.

What are some of your favorite projects you’re proud to have been a part of?
I made two short films for UNICEF for their Child’s Rights campaign and I was feature in a documentary called ‘Animating Autism’ where I taught a dozen kids with Autism to collaborate on an animated film.

Where are you from and how did you get into the animation business?
I’m from Toms River, New Jersey and I got into animation as a career while Continue reading

Daniele Afferni

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What is your name and your current occupation?
I’m Daniele Afferni, illustrator, concept artist and co-founder of StudioASC, a creative team specialized in pre-visualization and illustration for advertising, film and TV commercial located in Milan, Italy.

What are some of the crazier jobs you had before getting into animation?
Drawing and painting are the only things I’ve done in my whole life!  After attending an Art High School and a qualifying course in comics drawing, I directly moved to my first job as an inside-man illustrator in a big advertising agency (Armando Testa).  (I don’t think it’s crazy …all the nights we were forced to spend into the agency to deliver our works on time …those were crazy!) Then I became a freelance illustrator and later I founded the creative team ASC, in association with two friends of mine, the illustrators/designers/animators Anna Citelli and Luca Mari.

What are some of your favorite projects you’re proud to have been a part of?
I had the thrilling opportunity to collaborate with several interesting professional artists, like the Italian movie director Gabriele Salvatores in “Nirvana”, or the English movie director Nicolas Roeg. In Europe it is a common habit for the movie directors to do also commercial spots to enlarge their experience;  just to give you an example, I recall with great pleasure having worked with Wim Wenders for the Ariston-Hotpoint tv commercial: really particular to see a director of a very high artistic level to “soil his hands” with a washing-machine!

Where are you from and how did you get into the animation business?
I didn’t start as an animator. Basically I’m a Visualizer and a Concept Artist.  I finished my studies with the aim of drawing comics, but Continue reading

Brad Graeber

What is your name and your current occupation?
Brad Graeber, Chief Executive Officer, Powerhouse Animation Studios, Inc.
What are some of the crazier jobs you had before getting into animation?
I worked as an editorial cartoonist at 3 small Texas newspapers. It was good preparation for working in animation, having to contend with unmovable deadlines and getting something out everyday.
What are some of your favorite projects you’re proud to have been a part of?
Personally I really enjoyed working on the Clerks IP with Kevin Smith, and we have had a blast working on Mickey Mouse and Oswald on the cinemas for the Epic Mickey game.

How did you become interested in animation?
Even in 3rd grade, when we had prototypal “what do you want to be when you grow up” project I knew that I wanted to be in animation. I really got hooked Continue reading