Storycorps “Driven”

Wendell Scott was the first African American inducted in the NASCAR Hall of Fame. Throughout the 1960s and 70s, he poured his heart, soul, and all of his earnings into maintaining his own race car. His son, Frank, remembers what it took for his father to cross the finish line at racetracks throughout the South.

Directed by: Julie Zammarchi
Executive Producers: Donna Galeno, Dave Isay, Lizzie Jacobs, & Maya Millett
Producer: Rachel Hartman
Co-Producer: Daniel Sitts
Audio Produced by: Jud Esty-Kendall & John White
Storyboard: Jesse Strauss
Design & Animation: Julie Zammarchi
Animation: Rebecca Raeder & Thomas Crew
Backgrounds: Tammy Kim
Production Intern: Felix Lopez
Original Music: Joshua Abrams
Music Performed by: Joshua Abrams, Hamid Drake, Marquis Hill, Emmett Kelly, & Adam Thornburg
Music Mixed by: Joshua Abrams & Neil Strauch
Special Thanks: Frank Scott & Warrick Scott

In Partnership with
American Folklife Center at the Library of Congress
NPR
POV

Noel Saabye

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What is your name and your current occupation?

My name is Noel Saabye and I’m currently the Owner/ Art Director of my own business ( Clown Pirate Productions, LLC). I specialize in 2D Animation (traditional & Flash), as well as Cartoon Illustration. I occasionally tackle some web design, and social media for local small businesses and I’ve recently started to learn to tattoo!

What are some of the crazier jobs you had before getting into animation?

Hands down, the strangest job I’ve ever had was working at a Dental Lab. They had me doing metal finishing on crowns and bridges prior to them getting the porcelain finish. I have no idea why 19 year old me was trusted to make your teeth.

What are some of your favorite projects you’re proud to have been a part of?


Although the show wasn’t the most popular, I will always look back on HISTERIA! from Kids WB as being the “Big One”. The characters were a lot of fun to work on. My second would be Directing Edd hosting Cartoon Cartoon Fridays for Cartoon Network. I also have several games on CartoonNetwork.com that I’m really proud of including TKO and Magnet Face.

How did you become interested in animation?

I’m the son of a high school art teacher, so I’ve been drawing all my life. Oddly enough, my mom had given me The Illusion of Life as a birthday gift when I was in Jr. High and I never really thought much of it other than it had cool pictures. It wasn’t until after high school that I started trying out different art related jobs and found an opportunity to learn animation.

Where are you from and how did you get into the animation business?


I’m a native Minnesotan. Back in the early 90s I was invited to attend a monthly meeting of comic and animation artists. Each month I would make it a point to learn something from someone new. My eagerness caught the attention of someone who had introduced me to an animator who was starting his own studio. I became his apprentice/ intern and the rest is history.

What’s a typical day like for you with regards to your job?

The majority of my day is spent working on the particular project I may have on my desk, but I also incorporate an hour or two keeping up with my networking on various sites and replying to potential clients. In the case that I’m between projects, I’m probably working on personal art which I sell at conventions or spending time at the tattoo shop.

What part of your job do you like best? Why?

My favorite part of the day is when you hit “the zone” and you’re just drawing as if there’s nothing else around you. I feel that’s when I do my best work.

What part of your job do you like least? Why?


Letting down would-be clients that don’t understand the cost of creative work. At this stage, I would often times really like to work on projects that people come to me with, but I just can’t pay my bills with barters, or portfolio pieces.

What kind of technology do you work with on a daily basis?


My weapons of choice are… Sketchook Pro and my Cintiq. From there I will use Photoshop, Illustrator or Flash.

What is the most difficult part for you about being in the business?

Staying in the business! If you don’t have a full time gig, you’re always networking and trying to secure that long-term project. I kind of like the challenge, but it can be difficult at times.

In your travels, have you had any brushes with animation greatness?


I’ve had the privilege to not only meet, but work with many great animators. Some of which were big inspirations to me including Star Toons owner Jon McClenahan. Also, working at Cartoon Network I was able to meet many of the show creators including Maxwell Adams, Genndy Tartakovsky, and Danny Antonucci.

Describe a tough situation you had in life.

Freelancing is always unpredictable. If you’re not good with your money, you can find yourself it a sticky situation during the down time. It happens to all us. That’s when you learn to save your punch cards from the coffee shop.

Any side projects or you’re working on or hobbies you’d like to share details of?

I have a few game apps in various stages, I’m creating art to sell at various conventions and art festivals and I’m also starting to tattoo.

 

Any unusual talents or hobbies like tying a cherry stem with your tongue or metallurgy?

I have this amazing talent of making people believe I’m much younger that I am. Maybe it’s because I act immature or I don’t dress the part… maybe it’s just taking the animation thing to far and refusing to stop laughing at everything?

 

Is there any advice you can give for an aspiring animation student or artist trying to break into the business? Draw, Draw, Draw! Draw your dog, your cat, a bird out the window… keep drawing. Stop with the Manga characters (unless you already live in Japan). Draw in different styles, and learn the old school methods of animation. I’ve seen too many portfolios from students that rely too much on flash and don’t understand the fundamentals of traditional animation. It’s not just knowing “how” but knowing “why”.

 

http://noelsaabye.com

http://youtu.be/0m33lAMP2k0

https://www.facebook.com/noelsaabyeart

https://instagram.com/noelsaabye/

http://nsaabye.deviantart.com

Corey M. Barnes

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What is your name and your current occupation?
My name is Corey M. Barnes, and I’m a storyboard artist. I just wrapped up my gig as storyboard supervisor on China, IL at Titmouse, Inc., and am currently storyboarding season 3 of Superjail!

What are some of the crazier jobs you had before getting into animation?
When I was a teen I worked at JC Penney. I was one of the guys who folded clothes that people threw on the floor or just didn’t put back properly. I remember I found two children, one being a baby, hiding under a rack of clothes with no parents around. I thought they were lost or forgotten. Two minutes later the dad comes running up to me and starts accusing me of thinking because the kids were black that they were stealing stuff, all the while his wife is trying to calm him down. Continue reading

Daryl-Rhys Taylor

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What is your name and your current occupation?
 Daryl-Rhys Taylor :and I am an animation graduate freelancing from home.
 What are some of the crazier jobs you had before getting into animation?
I worked in a gallery called ‘The Animation Art Gallery’ (now Art You Grew Up With) and they had a stock room full of Mickey Mousde merchandise received from the manager of Blue. I had to catalogue all of it and sell it on Ebay.
 What are some of your favorite projects you’re proud to have been a part of?
 I enjoyed working on my student film. We were the only ones to ever do a 2D film in our college. I really enjoyed my week at Brown Bag Films being a storyboard conformer on the upcoming Disney Junior show “Doc Mc.Stuffins” and any time I’ve visited Phil Vallentin at Espresso  Animation. Also I’m proud of “The Booger Monster” children’s book I’m illustrating right now for the Koncept Factory.
How did you become interested in animation?
I have always known I wanted to be an animator. All I ever did when I was little was watch cartoons and draw. I loved the Looney Tunes and the Disney Classics. I read all the books when I was growing up. One of my happiest memories was when

Continue reading

Andrea Preda

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What is your name and your current occupation?
Andrea Preda, Director on Children´ animated series.

 

What are some of the crazier jobs you had before getting into animation?
I have never done any other job, just fell into this one by accident. I really was just searching for a job where I can draw, because I adored drawing. These days, as a director and producer, I very seldom draw anymore.

 

What are some of your favorite projects you’re proud to have been a part of?
I worked mostly for the German Market, Captn¨t Blaubear (won a golden Bear award), and Dieter (the most extreme fun I had with, it was a story about a band called “Modern Talking”), are some features that I will always treasure.  At the studios in Hungary , I worked on “All dogs go to Heaven 2” and “The penguin and the pebble”. I was very much at the start of my career at the time in the early 90´s, and I had some incredible supervisors from Don Bluth. This was a really great foundation for me.

How did you become interested in animation?
Bambi . Took my breath away as a child, and ever since I saw it in the cinema at the age of five, I started Continue reading

Henrique Jardim

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What is your name and your current occupation?
I am Henrique Jardim, currently a storyboard artist at Floyd County Productions on the upcoming animated series “Unsupervised” on FX. It’s a flash animated show made right here in the US of A.

 

What are some of the crazier jobs you had before getting into animation?
I suppose you could say that what I am now is my crazier job because it’s my first ever ACTUAL job that isn’t freelance. But the oddest gig I’ve had is when an online gambling company from Crete contacted me out of nowhere offering me a freelance storyboard gig. I named a price and they went for it without haggling… that to me was the craziest part. I am part of a new generation of graduates who were released into a disappointing (and scary) job market. Even before graduating, I applied to many franchises like Coldstone, Home Depot, Target, etc. with no luck. With the way things were going, I’m surprised I have a steady animation job currently.

 

What are some of your favorite projects you’re proud to have been a part of?
I was an intern at Titmouse over in Hollywood and had a chance to animate on “China, IL” and on “Black Dynamite”. But if I am to be truthful, it means I have to be the self-centered jerk that I am. So my absolute favorite project so far was a short pilot I made produced by Nickelodeon. They were such great people to work with and I was able to create something that was very “me”. The greatest part was that I was in charge of my own art and whatever decision I made mattered.
How did you become interested in animation? 
I always wanted to be a pro skateboarder, but I was a lousy skater. Come one summer when I was in 9th grade when all my friends were traveling, I started messing with Macromedia Flash 5 (I bet kids these days have never heard of such a thing). I found myself animating for days straight. The more I did it, Continue reading