Chuck Grieb

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What is your name and your current occupation?
My name is Chuck Grieb; currently I am a tenured Associate Professor and head of the Entertainment Art/Animation concentration at California State University, Fullerton.

What are some of the crazier jobs you had before getting into animation?
As a young college student I worked a slew of unusual and sometimes interesting jobs. One summer I spent as an Asbestos Remover. Another summer I spent working two jobs at once(75 hours a week), one as a Peer Tutor helping Learning Disabled students in a College Prep program, the other as an “Egg Cook” in a Perkins Diner. I spent a day working in a trash sorting facility and 4 weeks on an assembly line waterproofing nuts and bolts for the Navy. I also painted houses, delivered pizzas, waited tables, worked as an Assistant Theater Manager, as a Sound Mixer for live shows, photo tech, and various others.

What are some of your favorite projects you’re proud to have been a part of? 
Hmmm, tough question. I am particularly proud of the work on Genie’s Great Minds, a project I worked on when I was a part of the Special Projects Department at Walt Disney TV Animation under the direction of Gary Katona. The Larry Boy show I worked on at Cornerstone Animation had a very challenging schedule, but was a very fun, if intense, work experience. My wife and I storyboarded an episode of Continue reading

Chris Burns

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What is your name and your current occupation? 
Chris Burns, Owner and Lead Animator of EXIT 73 STUDIOS (exit73studios.com).

 

What are some of the crazier jobs you had before getting into animation?
The craziest job I ever had was as a carpenter/roofer. I worked with a bunch of super manly dudes whose life mission was to win concert tickets on the radio or Pick 4 lotto. The money was good, and you couldn’t beat the hours, but I knew pretty early on that I wanted to pursue a career in art.

 

What are some of your favorite projects you’re proud to have been a part of? 
Hands down my favorite project was Transfurter. We had a lot of freedom with the designs and story, and it was a very homegrown production. I often compare this project to how a garage band works – very DIY, gritty, and a fair amount of improvisation. And just like a Garage band, that unkempt feel translates into something beautiful when it all comes together in the end. It’s truly satisfying.

 

Where are you from and how did you get into the animation business? 
I’m originally from eastern Long Island, which made my choice to go to SVA very easy. I interned at a bunch of Animation studios like B3, NOODLE SOUP, WORLD LEADERS, and 4KIDS ENTERTAINMENT. NOODLE SOUP, provided me with a job opportunity on the pilot episode of VENTURE BROTHERS. After school ended, I had my first Continue reading

Anne Walker

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What is your name and your current occupation?
Anne Walker, lead character layout artist at Six Point Harness

What are some of the crazier jobs you had before getting into animation?
Working at a party supply store with a (possibly psychotic) owner, bookkeeper at Staples, smoothie wench at the Laguna Beach Jamba Juice. Also I taught piano.

What are some of your favorite projects you’re proud to have been a part of?
Random Cartoons!!! Also, the The Mr. Men Show, and Good Vibes, my current project at 6PH, which is quite possibly the funniest thing I’ve ever worked on.

How did you become interested in animation?
I always loved cartoons, but I really fell in love with telling animated stories in high school.  Mixing storytelling and art made me feel more alive and at home than anything else in my life at the time – including being with my family in my actual home.  I drew more than I listened in class.  I spent prom night working on my epic (read: TERRIBLE) science fiction anime screenplay in my parents’ office.  I was That Sort.

Where are you from and how did you get into the animation business?
I originally came down to southern CA from the Bay Area to go to art school. The first two years at school were a blast; my third year was miserable. One of the high points of that miserable third year was an internship at Cartoon Network studios, where I met (stalked) a number of artists who were generous enough to share their time and wisdom with me. I learned that many of them had never graduated college, or in some cases had never even gone to school, period, and it occurred to me that I could break into the industry without suffering through another expensive year of art school. So, the summer before my senior year I

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Chad Essley

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What is your name and your current occupation?
My name is Chad Essley, and I’m the owner  / director of CartoonMonkey Studio.

What are some of the crazier jobs you had before getting into animation?
I started into my animation career in my early 20’s, so I have to go back to my teens to remember early crazy-ish jobs..hmm..
I once worked for a short period of time, at a factory where they made basketball hoops. A robot would weld the hooks onto an iron hoop, and I would stand with these thick leather gloves on, grabbing the hoop as it came off the robot (still white hot from the welding) and file off all the extra bits before stacking it on a forklift palette. The place was full of 40 to 60 year old people who really never saw the sunshine outside the bounds of this dismal industrial factory who would drink on the job, and smoke copiously in the break room. Think I lasted about four days before walking out into the sunshine, never to return.

What are some of your favorite projects you’re proud to have been a part of?
Someone from Microsoft contacted me, and flew me up to the Tablet PC headquarters to design all the game graphics for a children’s handheld tablet console called the KidTab. I was given a big bunch of money, and given almost total free reign to come up with whatever I wanted. This was for the research and development department, and I workedwith some people on the Continue reading

Jon Rennie

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What is your name and your current occupation?
My name is Jon Rennie and I’m the Managing Director of Cloth Cat Animation.

What are some of the crazier jobs you had before getting into animation?
Besides the usual stints in call centres and copy typing pools, the best job I had before animation was as a tester and writer for Bullfrog Productions. Bullfrog was a games company eventually purchased by EA but while I was there I got to work on titles such as Dungeon Keeper, Theme Hospital, Syndicate Wars and Populous: The Beginning. It was a fun creative place to work and a great place to learn how to develop my skills in the media industry.

What are some of your favorite projects you’re proud to have been a part of?
I’ve had a diverse career so I’m proud of all the work I’ve been able to do. My favourite game at Bullfrog was working on Dungeon Keeper, but then I moved into VFX and animation and so Grandpa In My Pocket has been a major part of my career up to now.

Where are you from and how did you get into the animation business?
I’m from Cardiff in Wales and I came to animation from the VFX industry. I studied filmmaking at university in Newport but found I had an affinity for manipulating images and footage. I experimented with bluescreen and colour correction so, when I came to make my own short films, I was able to do a lot of the work myself. A local animation company needed a compositor to work on a Continue reading

2D Wednesday “Brutus the Bound” from Exit 73 Studios

A nice trailer for a series called Brutus the Bound from Joe Colson who we interviewed last year.

Very reminiscent of Samurai Jack (in a good way)… and it makes me want to see more!

Brutus, a great warrior from a distant planet, is ripped from his past and taken to the future of an evil Overlord. The Overlord holds Brutus’ family hostage, and binds Brutus in a temporal harness, forcing him to become an Infinite Gladiator, fighting opponents throughout time and space.

EXIT 73 STUDIOS
website: exit73studios.com
facebook: facebook.com/Exit73Studios
soundcloud: soundcloud.com/fox-5-1

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Production Credits
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Created By: Joe Croson
Animation: Exit 73 Studios