Noam Sussman

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What is your name and your current occupation? 
My name’s Noam Sussman and I’m currently working as a freelance character designer, illustrator and animator. I make animated films in my free time!
What are some of the crazier jobs you had before getting into animation?
I used to massage old ladies’ feet for money. But not actually… I havent had any super crazy weird jobs, I haven’t had to sell my body yet luckily. But I worked at an animation day camp teaching Flash animation to kids, and I worked at a theme park doing caricatures.
What are some of your favorite projects you’re proud to have been a part of?
I animated a birthday card for JibJab that was a lot of fun, as well as this Christmas card for Guru studio. Oh and a pilot for Tinman Creative which was also really fun to do. I’ve also been doing illustrations for Stride gum packages.

Where are you from and how did you get into the animation business? 

I live in Thornhill, a suburb of Toronto. And I went to Sheridan College to study animation, and I met a lot of animation people at this end-of-the-year industry day event the school put together in 4th year, so Continue reading

Laura Murray

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What is your name and your current occupation? 
My name is Laura Murray and I am currently looking for work.
What are some of the crazier jobs you had before getting into animation?
I havent had much jobs in the past, most of my time would of been in college, I finished college in May 2012.
What are some of your favorite projects you’re proud to have been a part of?
I have worked on a colaborative student short film in college called 45 degrees.  I also worked on an individual film called Trapped.  It is a autobiographical 2d animated film.  I was also involved as a scene prep artist in Magpie 6 Media working on the Travels of Young Marco Polo.
Where are you from and how did you get into the animation business? 
I live in Ireland.  I unfortunately dont have much work experience regarding the animation business, but Continue reading

Stephanie Olivieri

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What is your name and your current occupation?
Stephanie Olivieri; Assistant animator/clean up artist-traditional, 2D, paper and pencil and storyboards (boarding, clean-up & revisions)

What are some of the crazier jobs you had before getting into animation?
I worked as a waitress and an actress before animation, so nothing too crazy.

What are some of your favorite projects you’re proud to have been a part of?
Hard to say, honestly I love everything I have worked on for different reasons. Feature films are fun because of how long you are with the characters and crew, commercials and shorts are fun because of the crazy hours and cartoony characters. How did you become interested in animation? I went to an audition for a Disney film and was doodling on my call sheet, and they brought it up.

Where are you from and how did you get into the animation business?
I am from all over really, but came out to Los Angeles for acting. Disney got me into the business by Continue reading

Richard Bazley

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What is your name and your current occupation?
For the past few years I have been Directing. I have Directed many commercials and am represented by Prime Focus in London.   Earlier last year I Directed two Episodes of a new animated series for the UK’s Channel 4 called “Full English” which ironically I Directed in LA at Rough Draft who are most well known for Futurama. I am now Directing a wonderful TV pilot called Lost Treasure Hunt which will be on PBS later this year for Argosy Film.

 

What are some of the crazier jobs you had before getting into animation?
Nothing too crazy! I did work as an Art Director a couple years before getting into the Film Industry. We had a brief for a spoof “sick” ad to run in Tatler Magazine and I came up with a concept for an ad for Euthanasia in which we photographed a coffin and put a cut out coupon in the coffin where you had to fill in your details, The headline was “FILL THIS SPACE!”.

 

What are some of your favorite projects you’re proud to have been a part of?
Without doubt the first project that comes to mind was being a Lead Animator on Brad Bird’s “The iron Giant”. The film has such a heart and despite failing at the box office due to poor promotion has stood the test of time and found it’s audience on DVD. “Who Framed Roger Rabbit” was also a great experience as it was my first job in the film industry and stands as a classic.

Where are you from and how did you get into the animation business?
I was raised in the English countryside in the beautiful county of Devon near Exeter, My upbringing actually helped shaped me and what route I wanted to follow. This was before Continue reading

Software: Vectorian Giotto an actual Flash Alternative?

Vectorian Giotto

Yesterday I was doing a little search trying to find an app that would do decent animation with text that could be imported into Flash and I stumbled across Vectorian Giotto. No it’s not some fancy latte but actually a Flash replacement app that at first glance seems to be fairly useful, if you don’t have the ability to purchase Flash itself. At first glance the interface does seem dated but it’s actually not a bad program to use. It’s one flaw I can find preventing it from being a true replacement is not being able to dictate what frame is displayed on a keyframe inside a symbol. Still, your results may vary.

Here’s a few tidbits from their site:

Created for designers, not coders

Giotto is the free Flash animation package made for you to design, not to code. With Giotto you can relax and focus your imagination on creative concepts, integrating stunning graphics and music into masterpieces of design.

The latest versions of Adobe® Flash® are moving away from designers. They are becoming more and more oriented towards coders. With the introduction of ActionScript 3, creating a simple action such as button click now requires ten times more coding than before.

Giotto has full support for ActionScript 2, but we made built-in effect generators that will help you create outstanding effects without any scripting at all. This software is made for you, designers.

Vector drawing, animations, sounds, filters…

Create complex vector illustrations in Giotto, anything from simple shapes to custom ones like polygon, star, or rounded rectangle. Transform vector objects in any imaginable way. Use bitmap filters like blur, drop shadow, glow, and all blend modes.

Organize all objects in the Library, create symbols like Movie Clips and Buttons for multiple use. Add text fields, with font kerning and paragraph alignment.

Animate objects with motion tweens and shape tweens. Add sound to movies and create advanced interactivity.

Powerful animated effects without any scripting at all

Giotto comes packed with more than 50 great effects that can be applied to both shapes and text. All effects are fully and easily customizable through the effect editor, and the results are immediately visible on the screen for you to play and explore.

There are more than 100 effect presets, to show the new user the different ways the effects can be adjusted.

These effects are based on ActionScript, but you don’t need to know the code behind them. Creating a perfect banner has never been easier!

Color palette editor that you can actually use

One of the main advantages of Giotto is its built-in editor for color palettes. Most color palette editors out there are quite useless, but we made Giotto’s very applicable in real life.

The Color palette editor uses special algorithms based on human perception of colors, rather then traditional mathematical models which produce poor results.

Once you select the base color of your project, you would have countless options to create palettes using many various matching algorithms. This makes the start of your new project quite easy!

User interface very similar to Adobe® Flash®

Switching from one animation software to another can be hard. We hate learning to use completely new software as much as you do. That’s why we created Giotto’s user interface very similar to Adobe® Flash® and simplified it further in order to enable designers to achieve results easier and faster.

Although it’s freeware, there’s no lacking of major features, and everything is where you think it should be – tools, context menus, object properties… so you will have the sense of familiarity and ease of use from the very first moment you open it.

We have added some new elements like natural color palette editor, effects generator, and other tools that create stunning effects without ever touching the ActionScript.

News: 3dCutout 1.5 released

Wow! A very cool plugin that just came on to my radar is 3dCutout 1.5, which allows you to make Flash-like cut out animation in Autodesk 3D Studio Max. It’s  a pretty interesting tool and while I have yet to try it myself, from the video above it seems fairly straight forward. Basically you create art in Photoshop or your art program of choice (that has layers), set parameters, build a rig and it gives you IK bones that let you pose a character similar to Flash but with a lot more tools at your disposal, including of course a 3D camera as well as an auto key feature. It even has asset management. Harmony does a fair amount of these features as well but I would argue that it’s a bit more limiting since Max also has particle effects as well as compositing tools, plus it includes a MUCH more robust user base than Harmony.

At only$250 it’s not a bad price to pay, plus with Autodesk having subscription options, it might just be the sorely needed Flash killer people have sought after for decades since Adobe routinely ignores all requests from animators to add features catered to us.

You can find out more about 3dCutout 1.5 at their website.