Josué Noguera

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What is your name and your current occupation?
My name is Josué Noguera, a Spanish illustrator. I work as freelance, but I’m currently looking for a job in some animation or games studio.

 

What are some of the crazier jobs you had before getting into animation?
I recently finished my student period (six months ago), so I haven’t work in another thing yet. Before I studied my two and a half years vocational course in Illustration, I tried with Architecture, but it really doesn’t works to me.

 

What are some of your favorite projects you’re proud to have been a part of?
One of the projects I’m proud was my participation in Lince Studios’ COSMOTRIP. It’s an online 3D animation series about an alien who is trying to conquer an absurd galaxy. I designed a secondary character, an egg-shaped robot. It was my first professional work and the very first time I see one of my characters on movement. Another project I really loved was the visual development I did for a game of my own creation, “Legends of Gong Gong”. It wasn’t a comercial project, I did it as part of my graduation work. But it was the first time I spent several months developping my own universe, and despite it wasn’t really a proffesional work I enjoyed it too much.

 

How did you become interested in animation?
I’ve been watching TV series and reading comics my entire life, and I really dreamed about working in that field. But when I grew up and I had to choose my career, Continue reading

Daphne van der Zanden

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What is your name and what is your current occupation?
My name is Daphne van der Zanden. I’m 23 years old and proud Junior Game Artist at GamePoint, which is stationed in The Hague (The Netherlands).  I’m the first female tribute to enter GamePoint’s art department. Such princess, so much sparkles (such an annoying-talky-talktress)!

What are some of the crazier jobs you had before getting into animation? 

Well, I’ve actually had multiple jobs which seem almost too horrid to be named. I started some of them out of interest, and some of them out of desperation or for financial reasons.  I had a very interesting job at the local theatre when I was 16 years of age. I was having a tough time and didn’t want to wear girly clothes. They managed to put me in a fancy hostess outfit and instructed: “Attend your post near the exit and be pretty, pretend you’re important”.  It was a simple job of repeating “welcome” and “goodnight” to all of the theatre’s guests. However, this job seemed to have a very positive effect on me. When I walked trough those humongous doors, I suddenly transformed from a scruffy tomboy into a true lady.  I  had  several jobs scooping ice cream. I didn’t mind working hard with blisters on my hands, but my boss yelled at me and didn’t treat me very nicely. One day, for example; a little 3-year-old came to the salon with his parents. After checkout the little boy became so excited he dropped his ice-cream. I’ve never seen a kid go from ecstatic to heartbroken so quickly.  I gave him a new ice cream with an extra scoop of strawberry top. “On the house! Because you have such a pretty smile! Can you give me another one of those smiles?” His tears suddenly disappeared and he laughed “Thank you!” My boss was  doing some paperwork in the back and overheard the commotion. He dashed into the saloon and yelled ” You can’t give away free ice cream to ignorant kids! It’s their own fault if they drop it!” He fired me the next day.

What are some of your favorite projects you’re proud to have been a part of?

I’ve done an assignment working for Belle-Laide Events in Sydney. They briefed to design & draw stage pieces in digital format. I loved drawing an extensive series of digital background decor pieces of Fairfax media’s Christmas event themed ”Escape to Neverland”. A giant 3D illustrated Peter Pan book set the scene. A four-meter-tall paper pirate ship sailed at the back of the dance floor, while paper mountain ranges loomed over the Lost Boys; even the Pan crocodile appeared on the first floor.  Of the nearly 1300 guests attending, about 98 percent were in costume. People were dressed as Snow White, Smurfs, Mary Poppins, Super Mario Bros, the Hulk, crayons, pirates, 101 Dalmatians, superheroes and fairies.

Where are you from and how did you get into the animation business?  

I’m a Dutch girl from a town in the south of the Netherlands. I managed to get involved in the wondrous world of game design even though I wasn’t raised with videogames at all. I was brought up in a woodland environment. I’ve spent a lot of time outside building tree houses and treasure hunting across imaginary seas. I was a very introverted kid armed with a playful imagination. I spend a lot of time drawing during classes on high school, actually… a little bit too much. My math teacher approached me one day “Ok Daphne, I see you drawing all the time. I’m going to rip all the pages out of your math notebook that include your silly drawings!” … These wasn’t a single page left. I guess he had a point.  It wasn’t so difficult to choose a college program; I went to Saint Lucas University and graduated as a graphic designer. Whereas I did learn a lot of things about drawing, it wasn’t quite the working environment I needed. I started freelancing afterwards and practised my conceptual skills out of interest. New people noticed my work and hired me on the spot! It just… happened.


What’s a typical day like for you with regards to your job? 

My job includes a phenomenon called ‘tickets’. My manager assigns them to me with a description and references. These tickets could be anything; commercial advertisement, in-game design, campaigns, features, upgrades, adaptions, or concepts. Some tickets keep me occupied for weeks, some just a few hours.  I enjoy the fact my executives trust my judgement and don’t interfere with my creative process too much “Daphne, just draw a pretty picture, we’ll see what happens!” Best. Job. Ever.  There’s also the ‘hoover-challenge’ when a manager from another department hoovers inside our territory and he “needs something very quick! NOW! No wait… he needed it YESTERDAY!” I feel appreciated and useful when I’m able to help out in such situations.
I prefer Adobe Photoshop, but we design/develop our characters & landscapes in Adobe Illustrator. There are tickets requiring a lot of creativity and digital painting and less creative tickets which include composing existing images with typography. It seems fair to balance them out and work on two projects at once so you have the opportunity to switch once in a while.

What part of your job do you like best? Why? 

Being a part of a creative community and having a purpose. It feels rewarding that my ideas and artworks are fully appreciated! It’s an amazing thing to be a part of a team and contribute to a project.  When I was selected to visit GamesCom in Köln backstage for 3 days to represent my company, I couldn’t be happier. Representing the company I work for is a thing I see as an incredible honor. My job enables my financial independence and for that it gets my unconditional gratitude, cooperation, loyalty, and creative homemade muffins in return.
A friend of mine didn’t understand what all the exploding excitement was all about “What’s so exciting about that? It’s a short trip and you have to sacrifice your free days for this event”. I couldn’t care less about my holidays, I’m grateful for every small opportunity I’m given to experience new adventures.

What part of your job do you like least? Why? 

I still need to get used working 9 hours a day at an office. Even more difficult: 9 hours on a single chair. I have some difficulty keeping my focus at times – usually caused by working on a monotone, long-term project, extreme temperatures, thunderstorms (panic attack alert!) or extreme lack of sleep.  I was used to a very liberal lifestyle before I got a job at the office. I spent two hours at the gym every morning, started drawing afterwards from noon until night with a lot of walks on the beach in between. Sometimes I just need to take a walk outside or do something more physical instead of laying eggs all day long. I’m an adventurer, not a yuppie!

What kind of technology do you work with on a daily basis, how has technology changed in the last few years in your field and how has that impacted you in your job?

Working with my Wacom tablet in Photoshop. It’s been a epic battle, but I think I’ve finally defeated my impatience. I also have this funny habit of being too used to the CMD + Z hotkey. When I’m putting on make up and make a mistake “Oh shoot! CMD + Z… oh wait. It doesn’t work in real life”. My fingers make the keyboard motion at those awkward times. It happens when I spill a drink, drop my ATM card at the checkout, or even choose the wrong shampoo bottle in the shower.  On my first day of at the job, I choose to bring my own Wacom Bamboo to the office. “You never know, maybe they don’t have enough equipment”. Boy, was I wrong! My new co-workers noticed my silly little Wacom Bamboo in my backpack “Awh! That’s so adorable, bringing your little Bamboo! Aaaawh, so cute!” They gave me a large Wacom Intuos Pro in return and I’ve never again wanted to switch back to my old ways. NEVAH!

What is the most difficult part for you about being in the business?  

The difficult part for me is being highly underestimated. Because something’s fresh or innovative doesn’t mean my initiatives should be shot like its turkey-hunting season. It’s a joy to invest my time, energy and unconditional love into a project if I’m being taken seriously.  I’ve witnessed an unhealthy dose of pride and prejudice in the creative field. When operating in team projects my ideas were frequently called ridiculous. When someone else came up with the exact same idea – one week later – it suddenly transformed from “foolish” into “BRILLIANT”. Instead of releasing a giant octopus to consume their souls, I figured it would be smart to choose my battles wisely.

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Travis Overstreet

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What is your name and your current occupation? 
I’m Travis Overstreet and I’m the lead designer and animator at Crawford Media in Atlanta, Georgia.

What are some of the crazier jobs you had before getting into animation? 
For the most part I waited tables to put myself through school but there were a couple of interesting odd jobs sprinkled in. The most interesting one would have to be the steel fabrication shop I worked in for a summer. I was raised in the south but I never really picked up the culture so I stuck out like a sore thumb. We had to be there every morning at 4:30am and being the smart person I am I went to see the midnight release of Star Wars 3. Needless to say I didn’t get any sleep that night and during my shift the next day I dozed off while using a machine and fractured a piece of metal sending a small fragment into my forearm. Even though I hated the hours I couldn’t have asked for a better group of people to work with.

How did you become interested in animation? 
Cartoons were the best things on television. Cartoon network didn’t come along until I was in middle school so cartoons were a precious commodity. If I wasn’t watching them I was Continue reading

Leo Antolini

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What is your name and your current occupation?
My name is Leo Antolini, and I´m currently an illustrator and character designer.

What are some of the crazier jobs you had before getting into animation?
I´ve been very lucky that I went straight to working in animation after I graduated (although it took a while) I actually got one of my first illustration gigs while applying for a telemarketer job: the company found out I was an artist and they asked me to do some character design proposals for their new website.

 

What are some of your favorite projects you’re proud to have been a part of?
I´ve done a lot of projects for Leapfrog, and since I love what they do (educational children´s books and toys), I´ve been proud of pretty much everything I´ve done for them, but I´d single out Sing Along Read-Along (a really fun, cool project) and the “If I Were…” book, which was the first time I got to do an entire book by myself. As far as animation goes, I was super proud of all the work I did (character designs, storyboarding and directing!) on the “Brock O´Lee” shorts for PepperMelon studios: it was a big learning experience to wear all those hats, and the final product turned out awesome, I thought.

 

How did you become interested in animation?
I´ve been obsessed with cartoons since I can remember. I watched everything (and I mean everything) I could all throughout my childhood, from toy-centric 80´s tv shows and Disney movies to weird, artsy European animation. I loved to draw and create my own characters. When I got to the age where people usually stop caring about cartoons and move on to other interests, I pretty much just kept going. I was really into Continue reading

Ashley J. Long

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What is your name and your current occupation?
Ashley J. Long, talented weirdo

 

What are some of the crazier jobs you had before getting into animation?
I’m lucky that I can report most of my jobs have been kind to me.  My very first job was designing rubber stamps.  I’ve also been a teaching assistant for an arts program, and a visitor services liaison at an art museum.  That last one was probably the worst.  Patrons would come up to the desk and complain about the strangest stuff, like how they didn’t care for the architecture of the building, or what type of trees were planted out front.  Stuff I had no say in and definitely couldn’t change.
What are some of your favorite projects you’re proud to have been a part of?
I was with Fox’s American Dad for almost 7yrs and seem to be one of few people who actually LOVED it!  I didn’t mind the limited palette of expression, and Roger was always good fun.  I had several opportunities to dress him in crazy clothes that I actually own myself –watch for platform boots!
How did you become interested in animation?
I’ve always been drawing, and was interested in cartoons pretty early on.  For my 10th birthday, my parents sent me Continue reading

Goran Bukvic

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What is your name and your current occupation?
Goran Bukvic. I call myself a Concept Artist.

What are some of the crazier jobs you had before getting into animation?
I directed and hosted a radio show in Sarajevo, Bosnia during the war. I was also a war journalist and a reporter. Before that, my family owned a chain of pastry shops so I was a part time pastry chef for a while.  During the first months in Canada (end of ’94), I did security on movie sets and sold alarm systems door to door.

 

What are some of your favorite projects you’re proud to have been a part of?
Some of my favorite ones have either been canned or are still in production, so I can’t really say what they are. I will say that I did some work for Batman, Tron, and Halo and those were all tons of fun to work on. Challenging but fun.

How did you become interested in animation?
I suppose it was a combination of my lifelong love for art and interest in comic books and cartoons. It also seemed like a good career choice in terms of financial stability and finally being able to be a professional artist. Boy, Continue reading