Mike Milo live on Twitch.TV/Adobe on 8/12 this Friday morning from 9-12 PST

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Might as well use this site for my own promoting as well huh?

Soooo, this coming Friday morning 8/12, I (Mike Milo) will be broadcasting live from 9-12 PST on Adobe’s Twitch channel and animating using Adobe’s Animate software. Not quite sure exactly what I’ll animate but it’ll be fun so please tune in and watch me talk about the animation business and make funny pictures move right there in front of your face! You can even ask questions via the embedded chat. https://www.twitch.tv/adobe

Miguel Godinez

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What is your name and your current occupation?
Miguel Godinez, I work doing Freelance work and make YouTube videos.
What are some of the crazier jobs you had before getting into animation?
I would have to say doing dishes at a restaurant.
What are some of your favorite projects you’re proud to have been a part of?
Probably my first project that I did when I started learning Animation and that was a video for a upcoming Music Studio.
How did you become interested in animation?
Ever since I was little I was into drawing and as got older I just better at it. After graduating from high school I didn’t know if to go to college for art or another field similar to it. So then I ended up making my decision when I realized that I liked cartoons like Dragonball Z and all this 3d movies and then wondered how they actually were made. Then Animation got into me after I was Continue reading

Micah McNeely

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What is your name and your current occupation?
Micah McNeely and I am a freelance 3D modeler and Texture Artist.
What are some of the crazier jobs you had before getting into animation?
Before Animation I was a Production Supervisor at Kinko’s Copies and the Chappell Episode “Pop Copy”was a day in the life of my job LOL! My experience there gave me the interest in computers and design so, it wasn’t too bad of an experience 

What are some of your favorite projects you’re proud to have been a part of?
Oh Man one of the coolest things for me to work on were game cinematics. I worked on cinematic trailers for Colonization/Civilization Revolution and a yet announced game. That being said, I am now working on environments for the PC title FORGE and that has been a great experience for me because although most of my experience in the VFX studio category I have always wanted to work on a video game.
How did you become interested in animation?
Ever since I was a kid I loved comics and games! I grew up in the Marvel Comics and NINETENDO era and when my mother put my first console on layaway at our local Kmart I was hooked! I would say that I also had Continue reading

Gerry Mooney

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What is your name and your current occupation?
My current name is Gerry Mooney, and my occupation is Director of Motion Graphics for a litigation graphics firm in Westchester, New York.

What are some of the crazier jobs you had before getting into animation?
I designed slot machines for a tiny outfit in Charlotte, NC, for a year. It was moderately interesting, in that there is some amazingly sophisticated graphic and animation work being done for slots and their related displays these days, but the downside is that the gambling industry is not that interesting. So it was fun to do the work, but what you were selling was not very challenging.
In between my magazine illustrating days and animation, I did web design for a few years. One temp job I got was with a pretty major NY ad agency where the entire web staff had walked out the day before, so they were desperate for freelancers to jump in and take up the slack. I worked there for a month and the odd thing was that since everyone had walked out, I never knew for that whole month who exactly I was supposed to report to. I handed in my work to a guy across the hall, but he wasn’t my superior or manager, he was just a guy who was still there.  I’ve always managed to make my living as an artist though. I worked in a framing shop after college, assisted Joe Simon in his home studio back years ago, and did layout and pasteup for a physics journal, “The Physical Review” at Brookhaven National Laboratory.  I spent most of my professional career as a magazine illustrator for pubs like Forbes, Parents, The New Republic, Cruising World, Medical Economics, The NY Daily News, a Consumer Reports magazine for kids called Zillions, and American Express, clients like that. One of my favorites was doing a regular humor feature for Isaac Asimov’s Science Fiction Magazine, called “Mooney’s Modules”. That ran for three years and was the first place the Gravity Poster was seen by a large audience.

What are some of your favorite projects you’re proud to have been a part of?
Certainly that Asimov’s gig would be at the top of the list. I would submit a bunch of sketches, and I’d be surprised at some of the ideas they signed off on. I wondered sometimes if they actually got the jokes or if they just didn’t want to appear that they didn’t.
I completed an animated music video last year where I was given complete creative control. It was for Shawn Letts, an American musician who lives and works in Singapore. It was a dream job! I was just told, “Call us when it’s done”. I really felt free to explore imagery and effects that I could just play around with, without having to “sell” a client on the concepts. And then of course there’s my graphic novel, “Sister Mary Dracula”, which is currently being shopped around to publishers. It originated as a Flash animation that I did in 2001 and put online. It got accepted as an entry in the San Diego Comicon’s Independent Film Festival in 2004, which motivated me to expand it into a graphic novel that took me four years to complete.  These are all one-man projects, not strictly speaking things that I was “a part of”; I WAS the projects!

How did you become interested in animation?
I’ve always been interested in animation and dabbled as a kid with both clay and cel animation, but Continue reading

Cale Atkinson

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What is your name and your current occupation?
My name is Cale Atkinson and my current full time job is Art Director for RocketSnail Games. I also do contract work in animation and children’s illustrations.
What are some of the crazier jobs you had before getting into animation?
Before I really decided to go into the job direction of animation I was madly into film and making movies. One job I had for a little while was ‘Wedding Videographer’, filming high-end weddings around Vancouver. Interesting times of chasing limos to find photo shoot locations, staying awake during extra long ceremonies, and having my camera eat the tape in the middle of a wedding :O !

 

What are some of your favorite projects you’re proud to have been a part of?
Honestly in one way or another I’m proud of everything I’ve been apart of.  I’m super proud of all the things we are currently working on at RocketSnail Games. The children’s books I’ve been able to illustrate are also something I’m always really excited to be involved in.

How did you become interested in animation?
Always a hard question, as I can’t remember not being interested in animation. As a kid I was crazy about drawing and loved getting any books about cartooning, animation, and comic strips. I can’t say I did a lot of animation practice as a kid (probably due to the amount of work and time it takes) but Continue reading

Robb Pratt


What is your name and your current occupation?
I’m Robb Pratt, story artist.

What are some of the crazier jobs you had before getting into animation?
For years I made stained glass windows in a little mom and pop shop in Studio City. There were actually some cool moments on that job. I got to meet Julian Lennon when I was installing some windows in his house! I’m a HUGE Beatles fan, so that was something that I’ll never forget! I also got to work for Erik Estrada, and Steven Adler, the drummer for Guns N Roses and future reality show star! What are some of your favorite projects you’re proud to have been a part of? I was very fortunate to be an animator for Walt Disney Feature Animation on every traditionally animated film AFTER “The Lion King”! I got to work directly with Bruce Smith, animating Kerchak in “Tarzan”, and John Pomeroy, animating to Michael J. Fox’s voice for “Atlantis”. After traditional animation faded out out Disney, I was able to work for Eric Goldberg on “Looney Tunes: Back In Action”. I actually got to animate Bugs Bunny saying his iconic “What’s up, doc?” line!

How did you become interested in animation?
Funny… speaking of Bugs Bunny, it was the Warner Bros. shorts that made me want to be an animator! I love the artform of shorts: get in, get a few laughs, then get out before you’ve warn out your welcome! I also was WAY into the Fliescher Popeye shorts. I just recently rediscovered them with Continue reading