Lee Daniels

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What is your name and your current occupation?
Lee Daniels – Freelance Media Creative – Illustration/Animation/Editing/Graphic Design.

 

What are some of the crazier jobs you had before getting into animation?
I havent’ had any particularly crazy jobs unless you count collecting shopping trollies for pocket money at Tescos as a 13 year old. I was a Digital Retouch Artist and Graphic Designer for 13 years before going freelance so slightly altering the appearance of subjects for amusement was not unheard of (with or without consent…)

 

What are some of your favorite projects you’re proud to have been a part of?
Producing my own animated shorts as solo projects is the most gratifying work I’ve done to date. I always wanted to be a cartoonist from a young age so, now, thanks to the extensive tools on Adobe off the shelf software and my years learning Photoshop and Illustrator on live projects, I basically have the knowledge and studio kit that I never thought attainable.
How did you become interested in animation?
That one’s easy… Continue reading

Arshad Mirza Baig

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What is your name and your current occupation?
Arshad Mirza Baig Freelance Animation Artist – Currently storyboarding

 

What are some of the crazier jobs you had before getting into animation?
I have been fortunate enough to have been involved with animation from an early age The first freelance job I obtained was at age 15, whilst still a schoolboy – I had to animate characters for a PC adventure game. I did however help out at my father’s pharmacy whilst going through college and then university…I gained a lot of information about medicines and health that I still draw on today and often advice my colleagues what they should take and when they should take it…something I really should stop doing as I am not a qualified pharmacist!

 

What are some of your favorite projects you’re proud to have been a part of?
Its funny because as a child growing up I dreamed of being a part of the Hollywood machine – of course the stuff they produced was amazing but after having being involved with a few of those higher end projects such as ‘Tale of Despereaux’ and ‘Fantastic Mr Fox’ I personally found the work I done for the smaller lesser known projects far more rewarding. If  I had to choose one it would be the low budget feature film ‘Sokator 442’ (produced by Galleon entertainment and Zoo films). I was given the choice to work on Tim Burton’s ‘Frankenweenie’ as a story artist or head the story and art department of this smaller project and I even surprise my self when I think back to how I didn’t hesitate when I chose Sokator 442. I had the creative freedom to rework the script direct the action sequences design all the central characters. Aid with animation and editing…even throw in a voice or two it was a dream job for me! Sadly the film only sold to Nickelodeon in Australia and New Zealand – but I have no regrets – it has certainly been the highlight of my career and I can look back on that project and really feel that my art made a difference to the outcome.
How did you become interested in animation?
As a child I was drawn to the Asterix and Tintin comics and still love them to this very day. I began writing my own comics at around  6 years old and then I think at age 7 I saw Disney’s Continue reading

LeSean Thomas

What is your name and your current occupation?
My Name is LeSean Thomas. I’m a TV animation producer/director currently back and forth between Hollywood and Seoul, South Korea.
What are some of the crazier jobs you had before getting into animation?
I think working in-house as production staff for South Korean animation studio, JM Animation in Seoul for a year & and half. I was the only foreigner there. Many American artists/animators have gone to South Korea to work and oversee projects, but they’ve always been represented by giant, corporate funded network studios who funded their trips and stays, but my situation was the reverse. I sought out, hounded Korean presidents and quit my job at Warner Bros Animation to be the first, independent hire by a Korean Studio to be plucked from the states specifically & move to Korea to work there as permanent staff at the time. It was a wild ride and it took me forever to learn, navigate and figure things out. Thank you, JM Animation, haha.

 

What are some of your favorite projects you’re proud to have been a part of?
I would say Adult Swim’s ” The Boondocks” (Co-Director/Supervising Character Designer) & NIckelodeon’s “The Legend of Korra” (Storyboard artist/Animation production) . For one, The Boondocks, because it was the first, black-created prime-time animated tv show to blend our hip hop culture and love of anime aesthetic with a political satire approach. Absolute genius. And it won a Peabody Award! Makes me very proud. Secondly, The Legend of Korra, because it was the first project i worked on living in Seoul South Korea. Working alongside the korean animators for long, we were like family. I was their little brother. It was a great experience & what we helped make in 2010/2011 was nothing short of magical and groundbreaking> And aside from Continue reading

Jerry Suh

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What is your name and your current occupation?
Hello! My name is Jerry Suh and I am currently a Background Painter at Nickelodeon Animation Studios.

What are some of the crazier jobs you had before getting into animation?
I went to Savannah College of Art and Design (SCAD), GA and we have a huge fashion program there. I was never interested in fashion before, but I applied for a modeling gig when they were looking for fitting/show models for their big annual fashion show for graduating seniors. It was quite crazy because there were hundreds of girls in the audition, from in and outside of Savannah. What was even crazier was that one of the juries was Miss J who is known for America’s Next Top Model. I don’t know how, but I did get in to be one of the few models to represent the SCAD Fashion Show. And yes, Miss J coached my walking! It was really fun and exciting experience that I did not expect to happen, and I am glad it did.

What are some of your favorite projects you’re proud to have been a part of?
Baxter is a 3d animation short directed by Ty Coyle. Working on Baxter as an Assistant Art Director / Lighter was a really rewarding experience. It’s probably because of the sense that we were really making a film together, and that every collaboration and individual contribution turned into a real result we could see. Ty was also an amazing director to respect our creative input for the film. I did a lot of concept art to set the overall mood of the film, then color scripted every shots to show crews the overall aesthetic of the film and help the lighting team lit their shots, then lit two of the highlighting shots of the film myself.

Where are you from and how did you get into the animation business?
I am from South Korea but I moved to Boston. about 10 years ago. As cliche as it sounds, it’s been my dream to pursue animation since I cannot remember how long ago. But as I grew Continue reading

Sumit Kumar

http://www.youtube.com/watch?v=oNavMz2OgWQ&feature=youtu.be
What is your name and your current occupation?
My Name is Sumit Kumar and i am the 2D Animator/Illustrator / Owner of SKG Animation India Team

What are some of the crazier jobs you had before getting into animation?
I have worked with Press as a cartoonist and i worked in print media before entering in animation field.

What are some of your favorite projects you’re proud to have been a part of?
My Superboy Animation because that is made by me only without any help or support. and i am making another animation with very high quality individually.

How did you become interested in animation?
I have interest in animation since when i was child and from my childhood my dream was to Continue reading

Ray Alma

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What is your name and your current occupation?
Ray Alma.  I currently work full time doing storyboards and animatics at Larry Schwartz and His Band (formally Animation Collective)  I also freelance as an illustrator for magazines and do freelance storyboarding for advertising.

 

What are some of the crazier jobs you had before getting into animation?
I spent 2 weeks working as a staff artist at World Wrestling Entertainment in Stamford, CT. I had to draw wrestlers for comic books and lunchboxes, that kind of stuff. They let me go because they didn’t think I drew leg muscles well enough.

 

What are some of your favorite projects you’re proud to have been a part of?
I was a fairly regular freelance artist contributor to Mad magazine from 1996 to about 2003. Mad magazine inspired me to become a cartoonist so being able to become one of the “Usual Gang of Idiots” was a life long dream.

 

How did you become interested in animation?
I always loved animation, and when illustration work started to Continue reading