Alessandro Baldasseroni

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What is your name and your current occupation?
My name is Alessandro Baldasseroni and I’m currently hired as one of the character modeling lead at Blur Studio.My job consists in creating (modeling and texturing) 3d characters and creatures.When I’m lead on a show ,  I take care of supervising the character assets , artistically and technically.

 

What are some of the crazier jobs you had before getting into animation?
I didn’t have many jobs in my life honestly, but I recall helping my parents at their restaurant as a barman and then  I had some experiences of web design and i was a cad operator before working full time in cg.

 

What are some of your favorite projects you’re proud to have been a part of?
Definitely the halowars cinematics and the work blur did on the pitch for the Goon feature film, also working on the star Wars : the old republic cinematics was pretty challenging . Also doing one of the NFL on fox robots for their pre game tv commercials was very rewarding.

 

How did you become interested in animation?
Just by chance, back in1996. , I was working in a networking company as cad operator , and by chance I Continue reading

Frans Vischer

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What is your name and your current occupation?
Frans Vischer. I am an animator at Walt Disney Feature Animation.  I am also an author/illustrator. I have two children’s books published, Fuddles and Jimmy Dabble, and another book being published next year.

What are some of the crazier jobs you had before getting into animation?
In high school I did weekend janitorial work at a Montessori school, and I was a lousy busboy at a Mexican restaurant, spilling trays and breaking lots of plates. I delivered pizza for a single night after my 2nd year at Cal Arts, (when thankfully an animation job came through.)

 

What are some of your favorite projects you’re proud to have been a part of?
“Who Framed Roger Rabbit?” “Cats Don’t Dance” “Back To Neverland,” “Back to Neverland” “Michael and Mickey” “The Night of the Living Duck,” (a Daffy Duck short.)

 

How did you become interested in animation?
When I was thirteen, my mother sent some of my drawings to the Disney studio. Don Duckwall, the aptly named animation department production manager, wrote back inviting us to visit the studio whenever we were in the area. We lived in Cupertino, in Northern California, and the following summer we vacationed in Southern California, and made part of our plans to visit the Disney studio in Burbank. I met Mr. Duckwall, as well as Ed Hansen, who would succeed him in the job, (and later become my boss.) I also met a number of animators, who inspired me to make my own animated films. My parents bought me a used 8 mm. camera, and my dad built a light box with a set of pegs, and I jumped right in and started experimenting.

Where are you from and how did you get into the animation business?
I was born in Rotterdam, The Netherlands. When I was eleven, my family moved to the United Sates. During high school I met Chuck Jones at a talk he gave at a junior college. I wanted to show him one of my Continue reading

Save 40% on the Adobe Creative Cloud until June 3rd

Adobe-Cloud-40-percent-off

Seeing as how Adobe dominates the animation industry, and you can no longer purchase Adobe software outright, I figure this might be of use to some of you out there. Right now until June 3rd you can get 40% off a subscription to the Adobe Cloud. Click here for more info.

You’re welcome! 😉

Pierre Collet-Derby

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What is your name and your current occupation?
My name is Pierre Collet-Derby. I am currently an Illustrator at Ubisoft Montreal by day and a character designer by night for various animation projects.

 

What are some of the crazier jobs you had before getting into animation?
I was lucky to be able to find work in the animation industry right after school. When I was a student in industrial design, I had the opportunity to be an intern in a cabinetmaking shop. It was a very interesting experience but I remember being exhausted after each day of work. Being a craftsman can be a physically demanding job.

 

What are some of your favorite projects you’re proud to have been a part of?
In 2003 I had the chance to animate on “Mickey’s twice upon a Christmas” for Disney. It was my first important gig as an animator and working with Disney characters was a dream come true for me. I learned a lot during this production, and met a lot of talented artists.Overall each project I’ve been working on has been rewarding as an artist. You always learn new things, meet great people and overcome new challenges. So I’m proud of all those projects, either big or small.

 

How did you become interested in animation?
As far as I can remember, I’ve always been interested in cartoons and comic books. I started to draw at a very young age and have always been encouraged by Continue reading

Angelo Libutti

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What is your name and your current occupation?
My name is Angelo Libutti. Senior Storyboard artist at Digital Domain Media in Florida.

 

What are some of the crazier jobs you had before getting into animation?
First job was bar tending, just for cover a friend’s shift, but that job didn’t turn out so good, (even though I made a lot of money in tips), I accidentally broke all the glasses that were just taken out from the dishwasher.  I started really young at 16 doing illustrations for magazines and newspapers and got contacted by Disney to draw comics in Italy…and since then I kept art jobs.

 

What are some of your favorite projects you’re proud to have been a part of?
Definitely “Triplets of Belleville” a classic for the animation lovers, even if was my first official job in the animation field I had the honor to start as lead Key animator. It had a European style that was familiar to me, and I was able to deliver my footage quickly.

 

How did you become interested in animation?
I was quite a good draftsman at a young age. Back then I Continue reading