Arthur Loftis

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What is your name and your current occupation?
Arthur Loftis, Background Design/Painter and Prop Design at Six Point Harness
What are some of the crazier jobs you had before getting into animation?
Axe murderer.  Next question.What are some of your favorite projects you’re proud to have been a part of?
My first job out of college was BG clean-up artist on The Goode Family.  It was a Mike Judge show on ABC that few people seem to remember, but it was genuinely funny and I learned a lot while I was there.  Way more than I did from the murdering.
How did you become interested in animation? 
Like a lot of guys my age, I grew up watching The Simpsons.  I think we all know someone who can seemingly recite any quote from the first nine seasons of that show from memory.  In my group of friends, I’m that guy.  Getting to actually work in.. Continue reading

Scott Hill

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What is your name?
Scott Hill

What would you say has been your primary job in animation?
First and foremost I’m a props & effects designer.

What are some of your favorite projects you’re proud to have been a part of?
Professionally, they’re all good because they paid my rent for a time.  Recently, I’d say Disney’s “Kim Possible” for the sheer joy in the design work, I loved the wacky off-kilter nature of the universe and then the ill fated and all too short lived “Atlantis” T.V. spin off, I got to draw like Continue reading

Hank Tucker

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What is your name and your current occupation?
I’m Hank Tucker, story artist for Disney Toons Studios in Glendale.

What are some of the crazier jobs you had before getting into animation?
I had two jobs before getting into animation: the first – lasting less than a month – was as a gas station attendant in Canoga Park, CA. The next – which figures heavily into how I got into animation (see below) – was as an apprentice editor at Columbia Pictures Television in 1974. I coded film, ground out leader and mag-track and carried dailies in a bike basket across the TBS (now WB) lot for shows like Police Story, Police Woman and Born Free – getting laughed at, yelled at and occasionally entertained by the likes of David Carradine, Yul Brenner, Angie Dickenson and The Doobie Brothers along the way. I was 17- 18. The job lasted 5 months until I was rightly jettisoned for confusion, inertia and chronic boredom…
What are some of your favorite projects you’re proud to have been a part of?
The projects I’m most proud of having been involved with: The Tick animated series for Fox which I produced and directed from 1995-96; Enchanted, which I boarded on for Kevin Lima at Disney and most recently the new Road Runner theatrical shorts for Matt O’Callahan at Warner’s.
How did you become interested in animation?
Around Christmas of ‘67 my mother dragged me to Disney’s The Jungle Book. I had hated Disney films more or less up to that point, being either scared or depressed by most of them and preferring Bugs any day of the week. But when I saw that tiger Continue reading

Constantine Krystallis

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What is your name and your current occupation?
My name is Constantine Krystallis and I am a Senior Character animator and Visual Effects artist in the Computer Game company in Athens, Greece.

What are some of the crazier jobs you had before getting into animation?

Animation was always my goal so I tried to get into it immediately after college. I landed a job in an advertising firm doing mostly visualization and graphic design work. There was very little animation involved so I was on the look out for something else. I have also worked in an archeological site scanning pictures for the digital database. The place was so hot I had to place a wet cloth over the scanner for it to work because it was overheating.

What are some of your favorite projects you’re proud to have been a part of?

I would say that my greatest fulfillment so far comes from my last personal short film which I created in 2008 for my MA of Animation course, called Mariza. It was my final project and has done very well in the festival circuit winning both national and international recognition and awards. It is always great to be in a theater and hear people respond and laugh with your work. I am also very proud of the current project I working for, Darkfall online. It is the first major attempt Continue reading

Don Cameron

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What is your name and your current occupation?
Don Cameron and I am currently background and prop supervisor on the Ultimate Spiderman at Film Roman.

What are some of your favorite projects you’re proud to have been a part of?
Probably Dead Space. When you consider the schedule we had the fact it was even completed was astounding. It was cool to be a part the The Batman Animated Series but I was a small part of that.

How did you become interested in animation?
Warner cartoons and Disney, wouldn’t the answer be pretty much the same for anyone my age?

Where are you from and how did you get into the animation business?
I was born in Glasgow Scotland. I got into animation from a chance meeting at the Christmas party DC Comics used to hold out here. It was at the Wilshire Abel Theater and I was introduced to Chuck Patton by Mike Vosburg. Chuck offered to Continue reading

Mark Lewis

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What is your name and your current occupation?
Mark Lewis. On my most recent gig, I did prop design, color and board revision. I’ve also done character cleanup and design.

What are some of the crazier jobs you had before getting into animation?
I worked in one of the art departments at Lawrence Livermore Lab. People say artists are nuts, but there were stories about things some of the physicists had done… Also, I worked for a while in a sign shop that was headquartered in a storage facility. You were surrounded by corrugated metal, no real insulation, heating or cooling. So it would get freezing cold during the winter months, and into the 100’s inside during the summer months. Hard sometimes to make your hands (and your brain) work in those conditions.

What are some of your favorite projects you’re proud to have been a part of?
Conan: Red Nails has to be one of the coolest projects I’ve worked on. We got to do some things I’d never seen done before in a western-produced animated film. I hope to see that released one day, finished at the same level of quality with which it started. And I was glad to get a chance to work on what turned out to be the last outing for the classic Warners Batman, Batman: Mystery of the Batwoman. There are lot of other projects I could mention, but that’s probably a good place to stop, before the list gets too long.

How did you become interested in animation?
I always liked it (grew up seeing Disney cartoons and the like, and had my Saturday morning favorites), but it was actually secondary to my interest in Continue reading