Warren Leonhardt

 

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What is your name and your current occupation?
Warren Leonhardt, story artist at Blue Sky Studios

 

What are some of the crazier jobs you had before getting into animation?
Worked as a logger, prep cook at a truck stop, janitor at a hospital and a shoe repairman for a day. I thought about going into amateur kickboxing in 1993 or 94 after being invited by my coach to train in Thailand, but I’m too darn lazy when it comes right down to it.

 

What are some of your favorite projects you’re proud to have been a part of?
It’s not so much the gig as the folks I’ve been lucky enough to work with. I’ve been on great crews such as the one we had at Red Rover studios up in Toronto in the early ’00s. We had a blast making Puma, Mexican Gerber commercials, and concert videos for R. Kelly when he was just on the cusp of going completely bonkers. I had to draw his recently deceased mother as an angel who talked to him, which was awkward, to say the least. As far as movies or recognizable credits go, I’d have to say those guys at Sony who made ‘Cloudy With a Chance of Meatballs’ were really awesome for the short time I was on that movie. Still pals with a few of em. But there were fun crews in Ottawa, Copenhagen, LA, or Toronto that I’d like to gather together in a room again anytime, regardless of the job.  Of course I have high hopes for the movie that I’m working on right now. The crew at Blue Sky has some really bright and eccentric people here, which is always awesome to be around. Makes for good comedy bits.

 

How did you become interested in animation?
Same as anyone else, I guess. Television reruns of classic Looney Tunes and Disney shorts, mostly. There was one Disney special every Sunday evening when I was a kid. I was also a “Saturday Morning” kid, but I really liked waking up really early weekday mornings and watching original Tom & Jerry cartoons, Looney Tunes on Saturday morning and these Disney specials on Sundays. On one of those behind the scenes things, Walt Disney revealed that real live people made these cartoons with pencils and paper! I decided to try to become one of those guys even if it meant I had to figure it out myself. I’d have made a crappy chemical analyst anyway. My dad’s job was not for me. I got my hands on Preston Blair’s book and copied stuff from that and comic books.  And there was this other thing, too Continue reading

Boom Cookie

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What is your name and your current occupation?
Boom Cookie. I am an illustrator, currently designing for animation.

 

What are some of the crazier jobs you had before getting into animation
One of my first jobs was for a local movie theater that only had two screens (I watched Disney’s Tarzan and Notting Hill about a dozen times)… and UPS on the night shift packing trucks. That was only fun because I worked with my girl friend, and we’d have farting contests to see who would have to evacuate the truck first. Once in college I held a job as an office clerk at a rental agency. And the worst was when I tried telemarketing for home security systems. I had to quit when I found out the call lists were for the parents of newborns… and I didn’t want to know how they got that info.  All that before I realized – OH, I can make money from my art work!!

 

What are some of your favorite projects you’re proud to have been a part of?
I sure enjoyed working on “Robot and Monster” for Nickelodeon. The crew was amazing, the style was fun, and the writing was awesome. ‘Twas a good fit.

 

Where are you from and how did you get into the animation business?
I grew up in Massachusetts (USA). I always loved animation, so it made sense to pursue the business when I dedicated myself to art. At 21 I moved to San Francisco to go to art school, and I really loved my classes. I met with the head of the animation department every semester to get her advice on what classes to take, and in my last year Continue reading

Ana Maria Mendez Salgado

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What is your name and your current occupation?
My name is Ana Maria Mendez Salgado and I’m a Visual Storyteller (Illustrator, Concept Artist, 2D Animator).

What are some of the crazier jobs you had before getting into animation?
There are so many!  I worked as a sales person in a brick-a-brack shop (where I actually sold my first handmade cards and portraits), as a kitchen hand in a vegetarian restaurant (where my boss told me that “making a salad shouldn’t take as long as making one of my illustrations”!), and as a waitress during the night for a weddings venue (where I learned to value my sleeping hours!).  I also worked as a multicultural officer with children from non-English speaking backgrounds (which I loved), as a designer of props for storytelling time at a library (which was fun), and as a theatre attendant for music and performing arts events (which was always inspiring).
What are some of your favourite projects you’re proud to have been a part of?
Woods of Charol (2006), Passages (2012) Miniambra (2013), Andrés Barrientos & Carlos Andrés Reyes’ En Agosto (2008) and Carlos Manrique’s Journeys (2008).

Where are you from and how did you get into the animation business?
I was born in Bogota, Colombia and wanted to be an animator ever since I saw the making of Disney’s Little Mermaid. I became obsessed with drawing and imagining characters and storyworlds.  My first attempt to Continue reading

Mingjue Helen Chen

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What is your name and your current occupation?
My name is Mingjue Helen Chen and I’m currently a Visual Development Artist at Disney Feature Animation.

 

What are some of the crazier jobs you had before getting into animation?
I’ve led a pretty uneventful life I’m afraid, although I did work at a Coldstone Creamery when I was in high school and had to sing for tips.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m fortunate enough to be able to say that every project I’ve worked on has been special to me! On Frankenweenie, I felt a great deal of trust from my art director, and was allowed to do a lot of different things like set design and moment paintings. I didn’t realize until recently how rare it is to have that kind of trust placed in you, let alone on your first production as an art student. Working at Cinderbiter with Henry Selick was super fun and engaging, since I was there very early on. Paperman is dear to me because the people I was working on are still some of my favorite people, ever.

 

Where are you from and how did you get into the animation business?
I was born in Beijing, China, and moved to the US very young. I mainly grew up in Minnesota. I got into the animation business accidentally, figuring it was Continue reading

Kareem Omii Thompson

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What is your name and your current occupation?
My name is Kareem Omii Thompson, and I am a production designer in the animation industry as well as an independent film maker.

What are some of the crazier jobs you had before getting into animation?
While in school I’ve worked quite a few, even 2-3 at a time. I would say the wildest experience was being a security guard in a hospital.

What are some of your favorite projects you’re proud to have been a part of?
One in particular would be directing a pilot for Disney XD called Hood. Worked with the brilliant creator Howie Shia and a super talented crew of artists; Lillian Chan, Jon Ng, Louis Norris, Shaz Lym, Lubomir Arsov, Ben Plouffe, Kay Huang, Steve Bar,Pasquale La Montagna, oh and Kenny Ng.

 

Where are you from and how did you get into the animation business?
I was born in Toronto Canada, but raised in Queens NYC. Moved back to Canada when I was 20 and Continue reading

Welton Santos

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What is your name and your current occupation?
My name is Welton Santos  I am 2D Animator , character designer, background artist and Illustrator.

What are some of the crazier jobs you had before getting into animation?
I worked as a bricklayer, waiter, office boy… They were all tough jobs that nearly drove me mad. But in the end, I think I learned something from each one of them.

What are some of your favorite projects you’re proud to have been a part of?
That’s hard — but I really enjoyed working on the pilot episodes of ‘Popota’ and ‘Cheese Gang’ TV series. I think everybody did a terrific job and I’m really proud to be part of the animation team.

How did you become interested in animation?
As a child I already like animation, before entering the animation I did many tests of comics, but never went .. haha Some publishers were up interested more do not know what happened was not right, oh one day God took pity on me and Continue reading