Tag Archives: Adobe Photoshop

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Randall Kaplan

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What is your name and your current occupation?
Randall Kaplan. I’m a filmmaker, animator, freelance artist and designer.  I’m making an animated horror film called ‘Boxhead’.

What are some of the crazier jobs you had before getting into animation? 
I bar backed for a heavy metal bar (cleaning up vomit) and worked at Starbuck’s (cleaning up vomit). I also edited wedding videos for many years (not exactly true to my sensibility.)

What are some of your favorite projects you’re proud to have been a part of?
Well, I’m very proud of my 5 original short films that were distributed in the anthology, ‘Beneath the Flesh’.  Aside from that, I worked as an editor on Beavis and Butt-head and also did some voices for the show. I’m very happy about that. I’m also very proud to have designed the creatures in an upcoming horror movie called ‘Crabs!’ Yes…that’s the title.  There was also this one wedding video I edited that was just gorgeous.

Where are you from and how did you get into the animation business? 
I’m from Brooklyn back when nobody wanted to go there. I grew up around animation. My mother is in the business and for many years I did my best to avoid it.  One day Continue reading

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20 free chalk, charcoal and graphite brushes By Dave Nagel

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art brushes for Photoshop

 

I was just alerted to some free Photoshop brushes for download online.
Download them here!
Thanks Casey Bug!

From the site:

This new library of brushes for Adobe Photoshop–Nagel Series 33–offers 20 custom brushes designed to emulate four different types of “natural” media. (By the way, if you’re wondering why I always put the “natural” in quotes, it’s owing to the fact that there’s nothing particularly natural about chemically produced media–at least no more so than anything else you might work with. It’s just a useful phrase to differentiate traditional media from digital media.) The types of media emulated in this series are chalk, charcoal (including charcoal pencil), dry brushes and that most sketchy of media, the good, ol’ graphite pencil.

There are seven chalk brushes in total, designed to produce a light, soft texture with ragged edges. The charcoals have a more pronounced texture and include two thinner charcoal pencils, which build up density and thickness with pressure and tilt. There are also four “dry brushes,” which are essentially meant to mimic paint brushes with drying pigment applied to them. These will produce light and sparse regions when you’re painting, which can be useful for working on background textures. And then there are the five pencils, which are designed to resemble various graphite implements, including one that allows you to mimic a pencil on its side. All of the brushes are fully dynamic and take advantage of features found in Wacom Intuos, Cintiq and Graphire tablets, including pressure and tilt. (Graphire and some Cintiq models don’t support pen tilt.) They’re also fully customizable, so you can adjust controls and brush characteristics to suit your needs.

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Michelle Lin

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What is your name and your current occupation? 
My name is Michelle Lin, and I am a freelance illustrator/character designer and aspiring vis-dev artist.
What are some of the crazier jobs you had before getting into animation?
I haven’t held that many crazy jobs, but I have worked for some very interesting characters who I probably shouldn’t name…  (My friends can attest to some of the interesting times I had working as an office assistant at Art Center).  I will share, however, during my time at USC, I storyboarded for a live action short and found myself on a late night road trip to a farm, getting in a minor car accident, and staying up all night baking cookies in the shape of chickens.
What are some of your favorite projects you’re proud to have been a part of? 
I haven’t worked on anything big, but I’ve had some cool opportunities to work on projects with friends and former classmates.  Most of us went on different paths after graduating, so getting to work together was always a treat.  Recently, my friends Dom, Jackie, and I made an animated “Mean Stinks” campaign video for a Tongal competition and won first place!
Where are you from and how did you get into the animation business? 
I’m from Houston, Texas and moved to LA to pursue animation at USC.  Honestly, I never really considered animation as a career until Continue reading
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Mike Perez

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What is your name and your current occupation?
Mike Perez, Freelance Illustrator & 3D Generalist.

 

What are some of the crazier jobs you had before getting into animation?
Probably has to be delivering newspapers before dawn or selling fireworks in one of those huge tents.

 

What are some of your favorite projects you’re proud to have been a part of?
Last year, I oversaw Character Rendering for The Adventures of Big Bird and Kami. It was a great project with a great team!

 

How did you become interested in animation?
As far back as I can remember, I have been interested in cartoons. I had a lot of VHS tapes as a kid. Things like the Fleischer Superman, Looney Tunes and Silly Symphonies.

 

Where are you from and how did you get into the animation business?
I’m from Miami, and in South Florida there is some game development and VFX work, but Continue reading

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Jeff Starling

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What is your name and your current occupation?
My name is Jeff Starling and I am a commercial artist.

What are some of the crazier jobs you had before getting into animation?
Before gettting into the crazy buisness of animation I was involved in advertising where the art director has not done there job unless they have made some change,causting me more time and effort, to my work as an illustrator. A lot of those art directors new nothing about drawing but could sure critisize one. My foray into the world of animation came after leaving Sierra games to go to DIC (animation bootcamp), where I was introduced to a whole host of artists and animation directors.

What are some of your favorite projects you’re proud to have been a part of?
After a brief while at DIC it was my luck to land a job as a background designer at Warner Bros. working on Batman The Animated Series. Over the years I have worked with one of the shows producers Eric Radomski. He hired me early on at HBO or Boo animation where we did Spawn and with Ralph Bakshi, Spicy City. I and another employee won Continue reading

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Dan Forgione

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What is your name and your current occupation?
My name is Dan Forgione, and I am an Animation Director at Titmouse,Inc, working on Season 1 of Randy Cunningham: 9th Grade Ninja.

What are some of the crazier jobs you had before getting into animation?
My first job ever was as a caddy at a local country club, and in HS I worked in the food service dept at a local hospital where I was part of an assembly line putting together patient meals. I later went on to wait tables, bar tend, and even manage a restaurant during my first few years of college. Also I originally went to college to become a Phys Ed teacher, but transferred after a year an a half to art school.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m proud of all the work I have done both past and present, but there are a few that stand out in particular. Most recently would definitely be the work I’m doing at Titmouse, as well as the work I’ve done at Six Point Harness, where I was able to work on a number of projects with great crews of artists, some of whom have become my closest friends since moving to LA two years ago. I also got to work on a very unique project back in NY with Flickerlab, where I got to traditionally animate an entire 2- min piece for BNY Melon on paper napkins which was then shot as stop motion.  Before that, there were numerous projects that I did with Dancing Diablo, including several spots for the Bronx Zoo .  And of course, the pencil test I did as my proposal to my beautiful wife, Amanda.
How did you become interested in animation?
I always tell people I consider animation my “astronaut dream.” You know when kids are asked what they want to be when they grow up, and they respond with “firefighter,” or “superhero,” or “astronaut,” mine was “Disney animator.” As a child I loved to draw and by the time I was old enough to Continue reading