Kevin Petrilak

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WHAT IS YOUR NAME AND CURRENT OCCUPATION?
My name is Kevin Petrilak and I am an animation director…I detest the title “sheettimer” because it is the studios’ way of diminishing the importance of what we do.

 

WHAT ARE SOME OF THE CRAZIER JOBS YOU HAD BEFORE GETTING INTO ANIMATION?
I guess the two that come to mind would be in my high school years. I worked for a garden nursery where I moved bags of manure from one place to another ( some things never change).  The other would be working in super market meat locker, bagging frozen chicken ( some things stay the same).

 

WHAT ARE SOME OF YOU FAVORITE PROJECTS YOU’RE PROUD TO HAVE BEEN A PART OF?
ZIGGYS GIFT and BACK IN ACTION come to mind as being a combination of enjoying the work and the crew.  Although I get a lot of mention for animating the opening credits to  THE SIMPSONS (original versions) .

 

WHERE ARE YOU FROM AND HOW DID YOU GET INTO THE ANIMATION BUSINESS?
I was born in New York and I had the bug since I was a little boy.  While visiting my Uncle Gerry, who was Continue reading

Cedric Hohnstadt

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What is your name and your current occupation?
Cedric Hohnstadt. I own an illustration studio where I specialize in character design.

 

What are some of the crazier jobs you had before getting into animation?
I’ve driven school bus, worked in a canning factory, and even done medical studies. Fortunately I’ve been able to make a living as an artist now for about fifteen years.

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve done advertising concept work for brands like Coca-Cola and Walmart; designed toys for Hasbro and Disney; designed characters for VeggieTales; and supervised the animation of Mr. Potato Head for the Hasbro website. I also illustrated a Gospel tract with over five million copies in print. You can read it at www.freecartoontract.com.  Recently I launched a Kickstarter called the Pose Drawing Sparkbook. It’s a tool to help artists put more life into their drawings and I’m getting a lot of great feedback on it. By the third day of the campaign it was featured in Kickstarter’s “Popular this week” section under the “Publishing” category and it received over 800 “likes” on Tumblr. Your readers can check it out here: http://kck.st/12K2otL

 

Where are you from and how did you get into the animation business?
I’m a life-long Minnesotan so all of my animation-related work has been done from my home studio. In 2000 I attended Continue reading

Sierra Lewis

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What is your name and your current occupation? 
My name is Sierra Lewis and I am currently an Art Director at Renegade Animation.
What are some of the crazier jobs you had before getting into animation? 
 When I graduated from LCAD in 2009 it was right in the middle of the recession. The area where my family and I lived actually had a higher rate of unemployment than Los Angeles at that time. I couldn’t even get a job as a barista at a local coffee house unless I had one years experience working at Starbucks. In short, it was nearly impossible to secure even part time income.
I ended up having to look out of state for work. I have some considerable experience working with horses and doing various barn chores so I packed up my belongings and moved to Arizona working as a Wrangler on a dude ranch. This was a sprawling working cattle ranch that consisted of nearly 150 horses and around 200 head of Texas Longhorn cattle in the beautiful Sonoran desert.
I had a fantastic and unique opportunity to teach folks from all over the world how to ride horses and guided them through thousands of acres of surprisingly lush desert. I groomed, saddled, doctored and fed these horses while doing all my other chores and activities with guests six days a week, fourteen hours a day (in 111 degree heat). It was very hard work but even harder on the horses. After watching a third horse during the exceedingly harsh summer season die in agony from either a careless accident or (most likely heat or dehydration induced) colic, I quit and headed back to California.
What are some of your favorite projects you’re proud to have been a part of? 
My favorite project so far has got to be “Attack of the 50 Foot Hero” that I completed last summer (2012) under the mentorship of Eric Goldberg. From concept to completion we had 12 weeks to complete a three minute film. I got to collaborate with some very talented friends and colleagues. It was a great experience to have Mr. Goldberg as our mentor. He taught us some very good production management skills, but more importantly helped us to narrow our focus and become stronger storytellers in all facets of the film making process.
Where are you from and how did you get into the animation business? 
I’m originally from a little area in Los Angeles called Woodland Hills. I’ve lived in L.A. County for the majority of my life. I believe I got into the animation business first via working on Facebook Social Games. Through that job I was given Continue reading

Sean Petrilak

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What is your name and your current occupation?
Hello there, my name is Sean Petrilak and I am an episodic director on the show “Wabbit” at Warner Bros. Aside from animation, I am a live action storyboard artist.
What are some of the crazier jobs you had before getting into animation?
I used to be a head referee at a paintball field. I got shot at, broke up fights when tempers got flared, and shoveled heaps of paint, shells, and garbage until my back was sore. Perfect experience for animation. I don’t know if this is considered ‘crazy’, but before animation, I started working in the music industry and working with many high-end performers as a storyboard artist- still do. What I think is ‘crazy’ about it is the pace at which it moves and the politics that can cause workflow to change at a moment’s notice. I sometimes see a morning news report about a mishap with one of my clients. All you can say is, “Well there goes that job.”
What are some of your favorite projects you’re proud to have been a part of?
This sounds cheesy, but everything I worked on so far in animation has been an absolute pleasure, because I’ve been allowed to do different things on each one. “Kung Fu Panda: LOA”(the series), “Randy Cunningham 9th Grade Ninja”, and “Wabbit”.
Where are you from and how did you get into the animation business?
I didn’t look far, that’s for sure. I grew up in an animation family. My father, Kevin, is a director, sheet timer, and character animator. My mother, Jill, is color goddess, BG and BG Key painter. My great uncle Gerry Dvorak was a baseball card illustrator who got into animation as well. No matter how hard my parents tried, I still got into animation.  I had a million Continue reading

Rick Farmiloe

What is your name and your current occupation?
Rick Farmiloe, I am a traditional (2D) animator and storyboard artist.

What are some of the crazier jobs you had before getting into animation?
Hmmm…..crazy….? Didn’t really have any ‘crazy’ jobs……I worked in my dad’s warehouse, unloading trucks, stacking boxes, and trying not to go crazy from boredom When I moved to LA from the Bay Area, I got a job in a record store, Music Plus in Pasadena. ….home of Van Halen!! It was a lot of fun….but just minimum wage!

What are some of your favorite projects you’re proud to have been a part of?
I think the films I animated on at Disney in the 80’s, early 90’s are the projects I’m most proud of. The Little Mermaid, Rescuers Down Under, Beauty and the Beast, and Aladdin were all great films, and I enjoyed doing the sidekicks in each one! They have seemed to stand the test of time…..which is very gratifying.

Where are you from and how did you get into the animation business?
I was born and raised in the Bay Area, Santa Rosa to be exact. Charles Schulz also lived in Santa Rosa, and was a lifelong inspiration to me!! We actually Continue reading

Adam Fay

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What is your name and your current occupation? 
My name is Adam Fay and I am a freelance illustrator and designer. I am currently seeking character and background design work.

What are some of the crazier jobs you had before getting into animation?
Before working in animation I hosted at a seafood restaurant, was a cashier at my college campus bookstore, and one summer I did manual labor landscape work to “build character” as my parents said.

What are some of your favorite projects you’re proud to have been a part of? 
I had the great pleasure to work on the new Spongebob movie that came out a couple months ago. It was such a huge project, and I was completely overwhelmed. The work itself was really challenging, and it definitely pushed me, which I was grateful for. Most recently I was character and prop designer for a Comedy Central pilot, which was a lot of fun because it was a super small team of us, and it was all new. I really enjoyed being at the beginning of a project, helping set the style and look of the characters and props, as well as setting them all up in flash. It was cool to see it all start to come together. I have yet to see the fully finished pilot since I was there for the first half of production, but I still loved being apart of the small hectic group.

Where are you from and how did you get into the animation business?
I am from Marin County, which is north of San Francisco and south of wine country. It’s a pretty, but kind of boring suburb in the bay area. I went to a small high school in San Francisco, so I was able to hang out in more exciting places.  I’ve always liked Continue reading