Tag Archives: Animation

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“Roadkill Redemption” by Karl Hadrika

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A nighttime driver is haunted by the ghost of a raccoon she hits with her car. A bittersweet comedy poking fun at the fragility of life and the consequences of careless driving.

41st Annual Student Academy Award Finalist

© 2013 Karl Hadrika

Making of: karlhadrika.blogspot.com/2013/08/the-making-of-roadkill-redemption_14.html

karlhadrika.tumblr.com/

“Just Feel” performed by Carol Williams and owned by Verse Music Group

story, animation, modeling, rigging, comp, editing, lighting and sound design by Karl Hadrika

voice: Lidia Labuda

Hardware used: HP workstations; software used: Autodesk Maya, Pixar Renderman, Adobe After Effects, Adobe Premiere, Adobe Photoshop, and TVPaint.

 

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“Haring” by Davor Bujakovic & Junaid Chundrigar

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Haring tells the tale of Diederik, a guy who makes the mistake of eating a herring right before a date. When he finds out his fishy breath destroys everything in its path, he does his best to get rid of the smell, while also trying to reach his date in time.

Haring was made with the collaboration from the Netherlands Film Fund, SNS Reaal and Pathé and was made for the 2014 UltraKort program. The film screened in front of Marvel’s “Guardians of the Galaxy” in all Dutch Pathé cinemas. It was made using TVPaint.

HARING

WRITTEN, DIRECTED AND PRODUCED BY
Davor Bujakovic & Junaid Chundrigar

ANIMATED AND COLORED BY
Davor Bujakovic
Tom Mourik
Erwin Langstraat

BACKGROUNDS BY
Anna Engels

MUSIC BY
Jochem Weierink

SOUND DESIGN AND MIX BY
Erik Griekspoor

VOICES BY
Erik Griekspoor
Lana Topalovic
Junaid Chundrigar

SPECIAL THANKS TO
Lana Topalovic
Egbert de Ruiter
Roloff de Jeu

2 Credits

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Dave Redl

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This slideshow requires JavaScript.


What is your name and your current occupation?
Dave Redl.  Gun for hire cartoonist/animator/animation director and for corporate America, “New Media Director” (which means I make stuff move on computers.)

 


What are some of the crazier jobs you had before getting into animation?
I worked in construction building low income housing in Newark NJ where I saw a 10 year old strip an abandoned car under a minute while nailing up roofing shingles.  I worked in a garden center that was struck by lightning and crashed a golf cart used to transport flats of geraniums because I was listening to Led Zeppelin on my Walkman.  I worked a night shift at a factory loading clothes onto trucks with a dude named Steve, also a Zeppelin fan, who proudly showed me a corner in the rafters that was hidden from security cameras, perfect for naps and complete with a potato sac bed.  Unfortunately, I split before solving the mystery of which restroom was used by fellow co-worker, “Roberto” who had ridiculously enormous and feminine breasts.

What are some of your favorite projects you’re proud to have been a part of?
All of them.  If they put food on the table and made my boss happy… I was proud of them.  Not every gig you get looks good, possibly due to “tweaking” or “corporate politics” so you must find pride in doing what you can with what you got.  For example, I was Layout Animation Supervisor, where I drew nothing for a TV show canceled during production!  But the people I worked with had kind things to say.  That left me proud of being a good boss even though I have nothing on my reel to show for it.

 

How did you become interested in animation?
For as long as I can remember.  But growing up on The Smurfs, I preferred

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The Dirdy Birdy Redux by John R. Dilworth

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Official online premiere of John R. Dilworth’s 1994 underground classic re-edited to restore over one minute of never seen footage. Learn the deep dark secret of abnormal bird behavior! Also included an exclusive introduction by Dilly himself. This version is the 20th Anniversary re-issue that screened in over 50 film festivals around the world.

Editing by William Hohauser, as well as the special animation in the introduction.

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“Ma’agalim” – Jane Bordeaux

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Clever music video about a wooden doll stuck in place and time in a forgotten old penny arcade.

Music – Jane Bordeaux Band
Producers: Uri Lotan & Yoav Shtibelman
Director: Uri Lotan
Co-Director: Yoav Shtibelman
Art Director: Ovadia Benishu
Additional Art: Avner Geller
Lighting and Shading: Yosef Refaeli
Additional Lighting: Uri Lotan, Rob Showalter
Storyboard: Yoav Shtibelman
Modeling and Rigging: Uri Lotan, Ore Peleg, Or Ofri
Texturing:Yosef Refaeli, Dor Ben-Dayan
Animation: Yoav Shtibelman, Toby Pedersen, Ron Polischuk
Effects: Phenomena Labs
Compositing: Uri Lotan, Ilia Marcus
Colorist: Ilya Marcus

Jane Bordeaux – Doron Talmon, Amir Zeevi, Mati Gilad
Lyrics by – Meytal Kadosh
Composed by Doron Talmon
Percussion and Singing – Doron Talmon
Guitar – Amir Zeevi
Duble Bass – Mati Gilad
Harmonica, Percussion, Music Production and Mix – Tomer Yeshayahu
Mastering – Ori Winokur “Slik Studio”

facebook.com/JaneBordeaux.Band/

youtu.be/zgHHph-CrC8

 

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THE HUNCHBACK OF NOTRE DAME: 90 ORIGINAL CONCEPT ART COLLECTION

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hunchback-notre-dame-ca47-1024x756

When you think about it, The Hunchback of Notre Dame is a true animated masterpiece from an animation standpoint. The amazing Disney team managed to turn what was supposed to be a hideous deformed hunchback into an endearing hero that we all rooted for. The songs I could have done without but it also had some truly beautiful dancing animation (in front of a HUGE crowds no less) making it an exceptional 2d animation masterpiece in my mind. Anyway, here’s 90 pieces of art from the film the Hunchback of Notre Dame! Enjoy!

https://www.youtube.com/watch?v=_mk763-9e6k