https://vimeo.com/126157236
A child who is constantly tardy is on the verge of being held back a grade.
VOICE TALENT:
SAMANTHA MAURER
ZACH MARCUS
EMILY BAILEY
Made in Flash, After Effects & Adobe Premiere.
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Tag Archives: Animation
Life at the Jay Ward studio, as seen by Bill Scott, part 1
Darrell Van Citters; Renegade Animation studio owner, author, Animation Historian (and also my boss!) has the first of a multi part series up on his blog about life at the Jay Ward studios. Also, if you haven’t already picked up Darrell’s most recent book, The Art of Jay Ward it’s a fascinating look inside the studio that brought us Bullwinkle and Mr. Peabody. Check it out!
Age of Ultron Previs reel
Previs reel from a very talented fella named Chris Olsen, who did some amazing shot in Avengers Age of Ultron.
For those that don’t know the term Previs signifies someone who lays out animation rigs along with setting up camera moves and linking them to the data mined from live action plates. From there the director can change angles and shots before they spend the money to render it to full resolution and quality. From The Third Floor’s website (who worked on shots in the film) it is:
 …an abbreviated term for “previsualizationâ€, the process of visualizing and improving a project before the final endeavor is attempted. Historically, filmmakers relied on storyboards, concept artwork, and physical models to help them plan their visions.
Now you know! Cool stuff!
Jobs: Period Film – Storyboard Artist Wanted
Period Film – Storyboard Artist Wanted
Looking for a storyboard artist/ illustrator with costume/set design ability to bring several scenes to life in a 15th & early 16th Century European period film spec script.
Must be capable and interested in collaborating the storyboard art for this very marketable project.
15th-16th Century European period knowledge preferable.
This job has potential for additional work/ pay upon script sale.
Price negotiable.
Adobe Character Animator Tutorial
https://www.youtube.com/watch?t=382&v=htfeQ9UPjh8
Interesting but you’d think they would have taken the time to draw a decent character to demo the thing and not scribbles. I kind view this as evil because it’s gonna make jackasses believe you don’t need animators any longer to make films. Which this tutorial CLEARLY demonstrates is not true.
Jobs: Paint/Composite Artist -Stereo D
Paint/Composite Artist
About this position:
As part of our Finaling Department, the Paint/Composite Artist is responsible for delivering the final shots after stereo conversion. Along with the essential Clean Plate and Paint skills, an eye for detail is a must. Quality Control is the name of the game!
Working with a team, including a lead artist and supervisors, the Paint/Compositing Artist must creatively interpret and apply artistic concepts. We’re looking for individuals with a good “stereo eye,†a strong understanding of 3-dimensional space (be it from previous stereo experience or from an artistic background), a working knowledge of Nuke/ After Effects & Photoshop, and a healthy dose of team spirit. Taking direction/critiques, interpreting notes and learning/applying new skills are key parts of everyday life in our studio..
Requirements & Preferences:
- Knowledge and Experience with software packages such as Nuke, After Effects & Photoshop – Required
- Proficiency in Compositing & Clean Plate Preparation – Required
- Knowledge and Experience with Widows (PC) Production Environment – Required
- Knowledge of Practical Filmmaking Techniques – Required
- Excellent Artistic Ability/Aptitude – Required
- Knowledge of Stereo-related Terminology – Preferred (but we’ll teach you OUR lingo!)
- Previous Professional Experience in Stereoscopy – Preferred
- Accredited Post-Secondary Degree or Related Coursework – Preferred
We’re looking for the best in the business. If this sounds like you, please apply with your resume and reel using the link below!
https://stereod.catsone.com/careers/index.php?m=portal&a=apply&jobOrderID=4466231&portalID=38845
About Stereo D
Stereo D is the recognized leader in high-quality conversions of 2D theatrical content into stereoscopic 3D imagery. Formed in 2009 and acquired by Deluxe Entertainment Services Group Inc. in 2011, the company works with major motion picture studios, directors, cinematographers, and VFX supervisors to bring their vision of 3D storytelling to the screen. Stereo D has completed work for such films as GODZILLA, CAPTAIN AMERICA, NEED FOR SPEED, PACIFIC RIM, THE AVENGERS, JURASSIC PARK and TITANIC in 3D to name a few
Stereo D is a business run by filmmakers, valuing artistic excellence and speaking the language of film. Our production teams and artists are among the best in the business, driven by an innate passion for all things film. Our unique artist-centric environment enables our people the creative freedom to conceptually support the creative visions of directors, delivering the finest, most dynamic 3D imagery in entertainment.
Deluxe Entertainment Services is an Equal Opportunity Employer.
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