Jubey Jose

What is your name and your current occupation?
I am Jubey Jose Working as an animator in Canada .

 

What are some of the crazier jobs you had before getting into animation?
I have done all sorts of job to get my daily bread. It starts from cleaning, catering, mentoring, printing, graphic designing and it is a long list. Fortunately I did not do those jobs for a long time. I got the job as an animator right after I completed my graduation.

 

What are some of your favourite projects you’re proud to have been a part of?
Blue sky’s Ice age: The Great Egg-Scapade. It was great learning curve. I had chance to animate those iconic characters, I never thought I could even touch . And I love most of the projects I worked on. Every projects in some way taught me something new.

 

How did you become interested in animation?
As a kid, I used to draw and paint. And my parents really appreciated my work and supported me.  And I felt that I am really enjoying the world of colours, light, shadows… And it was that time  movies like Jurassic park, Lion king got released. And those movies had a huge influence on me. And gradually I decided to pursue a career which I really enjoy. So I started to learn 2d animation and eventually 3d animation. And I really owe my family for supporting me.

What’s a typical day like for you with regards to your job?
I spend first a half an hour to watch my work from  earlier day. And I will take some notes which will help to take my shots into another level. And next thing I watch works from my colleagues and try to get more inspiration from them. Rest of my day depends on the types of projects I am working on. I might need to attend meetings with different people and get feed back from them on my works. But most of the day I spent animating the characters. Continue reading

The Minimalist Animation of ‘Archer’

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AWN has an interesting article about my favorite prime time show Archer on FX and highlights their production pipeline as well which is rare for even for an animation interview. Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.

CH: Yeah, well one big new thing that we’re using now is Toon Boom Harmony, which is kind of like a super fancy Flash that’s made for animating. It’s a lot more traditional and we’ve been using this a lot more with our rigs. Anything that you see that has a lot of movement, usually our action scenes, like when we do a big spin kick, that’s done in Harmony. We’ve been using that a good bit more this season. You’re going to see a lot of fun action scenes.

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You can read the entire AWN article on Archer’s pipeline process here.

“Dogtor” by Rhea Dadoo

A cute and realistically acted piece from second year film student Rhea Dadoo at CalArts.

It’s about friendship and reflecting on personal journeys–also dogs! Making this film definitely got me out of my comfort zone and proved to be a great learning experience! Thank you to faculty and classmates for all your guidance and support–couldn’t have done it without you!

DreamWorks Animation Will Stay in Glendale

Mandatory Credit: Photo by James Shaw/REX/Shutterstock (5610023w) Jeffrey Katzenberg 'Kung Fu Panda 3' film premiere, London, Britain - 06 Mar 2016

Mandatory Credit: Photo by James Shaw/REX/Shutterstock (5610023w)
Jeffrey Katzenberg
‘Kung Fu Panda 3’ film premiere, London, Britain – 06 Mar 2016

Variety is reporting that DreamWorks Animation Will Stay in Glendale as a great sigh of relief can be heard from their campus.

From their article:

Comcast leaders Brian Roberts and Steve Burke have offered reassurances to DreamWorks Animation staffers that they plan to keep making movies at the DreamWorks’ Glendale headquarters.

The duo made the promises in a Tuesday morning meeting with over 1,000 staffers in Glendale, five days after Comcast announced it was buying the animation company for $3.8 billion.

“This came together really fast, but has been in our hearts for a long time,” Comcast CEO Roberts said following opening remarks by DreamWorks CEO Jeffrey Katzenberg. “We will absolutely continue to make animated films here. Today for me, Jeffrey, it’s the awesome responsibly of trying to find a way to take your dream and try to carry on your legacy and celebrate it in a way that will make you proud.”

You can read the entire article on DreamWorks staying in Glendale here.

BENTO BOX ENTERTAINMENT TO DEVELOP & PRODUCE ‘THE BLUES BROTHERS’ PRIMETIME ANIMATED SERIES

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BENTO BOX ENTERTAINMENT TO DEVELOP & PRODUCE ‘THE BLUES BROTHERS’ PRIMETIME ANIMATED SERIES WITH DAN AYKROYD, JUDY BELUSHI AND ANNE BEATTS 

Music, Mayhem and Comedy Starring Jake & Elwood Blues and featuring Special Musical Guests

LOS ANGELES, May 3, 2016 – Bento Box Entertainment (BBE), an independent, Emmy® Award-winning studio (FOX’S Bob’s Burgers; Comedy Central’s Legends of Chamberlin Heights; YouTube’sGlove & Boots), today announced it will develop and produce “The Blues Brothers” as a new primetime animated comedy series. The project comes from Co-Creators and Executive Producers Dan Aykroyd, Judy Belushi and multiple Emmy® Award-winning original “Saturday Night Live” writer Anne Beatts.

Bento Box plans to shop “The Blues Brothers” to television platforms starting in May. The series chronicles the music, mayhem and comedy adventures of Jake and Elwood Blues, along with the characters within their master blues band. Join the journey as the boys take their act on the road and back to that same old place, sweet home Chicago. As Elwood Blues, in announcer mode, has oft said of the Blues Brothers, “And now, ladies and gentlemen, living history is going to be made.”

Music will also be a main character within the new series.  Each episode will feature a score and soundtrack curated with the soul, blues and R&B classics and hits performed by the original legendary musicians, the Blues Brothers, as well as new performances recorded specifically for the show. The series will also highlight special guest appearances from aspiring talent, treasured Blues legends and superstars from today’s music world.

Aykroyd, Belushi and Beatts brought the project to Bento Box Entertainment, the studio best known for producing young adult-targeted primetime animated series for television and other platforms worldwide. They will be joined as executive producers by Bento Box’s Scott Greenberg and Joel Kuwahara; Rehab Entertainment’s John W. Hyde and Blues Brothers’ manager Eric Gardner.

“It is such a privilege for us to be able to produce the work of the very same people who played such an instrumental role in creating one of the most iconic, multi-faceted comedy and music brands of all time,” Greenberg said. “Now we all have the rare opportunity to translate the timeless comic genius of Dan and John from live-action to animation, while offering an entirely new generation of Blues Brothers fans the chance to appreciate them.” 

Aykroyd commented, “It’s so great to accelerate Jake and Elwood at digital speed into the 21st Century via the outstanding creative group at Bento Box.  The show will be the Blues Brothers living in America and utilizing all new technology to make and promote their own records, seek out and record new artists and avoid law enforcement – and all while fighting for truth, justice and a better breakfast sandwich.”

After debuting as the musical guests in a 1978 “Saturday Night Live” episode hosted by Steve Martin, Martin asked Aykroyd and John Belushi to serve as the opening act at his upcoming show at the Universal Amphitheater. This set in motion a series of events that led to an Atlantic Records recording contract and the hiring of then-SNL piano man Paul Shaffer as musical director. Together, the trio painstakingly selected the perfect band to create the sound they wanted; Stax recording stars Steve Cropper and Donald “Duck “ Dunn, blues legend Matt “Guitar” Murphy and drummer extraordinaire Steve Jordan became the backbone of the band. For that big horn sound they turned to the multi-talented Tom Scott and three of the top NYC horns: Tom Malone, Lou Marini and Al Rubin.

Band in tow, the Blues Brothers embarked on a sold-out national tour that same summer. Their debut album, “Briefcase Full of Blues,” recorded live on that tour, sold more than 3.5 million copies. In 1980, the John Landis-directed film, “The Blues Brothers” hit theaters, grossing more than $100 million worldwide. Following Belushi’s 1982 passing, Aykroyd was determined to keep the Blues Brothers’ spirit alive. In 1992, he and Judy Belushi co-founded The House of Blues franchise with Hard Rock Cafe founder Issac Tigrett, which grew to a dozen venues across the country before being sold to Live Nation in 2006.

Aykroyd has hosted his nationally syndicated radio show, recently rebranded “The Bluesmobile Radio Hour,” for the past 25 years.  The sequel to the original film, “Blues Brothers 2000,” was released in 1998, and Aykroyd continues to perform as the Blues Brothers with John’s brother, Jim Belushi (Zee). Universal Music Group recently announced the formation of Blues Brothers Records, a joint venture between Don Was’ Blue Note label and Aykroyd, Judy Belushi and Gardner, with a mission to give aspiring blues artists a home and a global voice.

Bento Box is represented at WME by Greg Hodes and at Ziffren Brittenham by Ken Ziffren.

About Bento Box Entertainment

Bento Box Entertainment (bentoboxent.com) is an Emmy® award-winning studio that develops and produces quality animated content for all distribution platforms worldwide.  With studios in Los Angeles, Atlanta and Toronto, the company is recognized as the leading producer of primetime animated comedy series for broadcast, cable and digital networks.  Bento Box Entertainment is currently in production on the Emmy® Award-winning series Bob’s Burgers on FOX with 20th Century Fox Television and creator Loren Bouchard; Bordertown on FOX with 20th Century Fox Television, executive producer Seth MacFarlane and creator Mark Hentemann; Legends of Chamberlin Heights on Comedy Central; puppet series Glove & Boots on YouTube; and multiple other projects with the leading creators, studios, networks and distribution platforms. In addition to its production business and Bento Box Digital Studios (bentobox.tv) – which launched in February 2016 – the company is committed to identifying and executing opportunities to maximize the power of its and its partners’ entertainment properties by creating new brand extensions and experiences through its live events and brand management divisions.  The company can be followed @bentboxent.

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Press Contacts

 

Jim Benson or Kevin Broderick                                              Matt Biscuiti

The Lippin Group (Los Angeles)                                             The Lippin Group (New York)

323-965-1990                                                                          212-986-7080

jbenson@lippingroup.com / kevin@lippingroup.com             matt@lippingroup.com

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