Tag Archives: Animator

No comments

“Skylanders Academy” to be Activision Blizzard Studios first TV series

  By

Skylanders-Academy

Mashable is reporting that “Skylanders Academy” is to be Activision Blizzard Studios first TV series.

Skylanders Academy is one of the first projects for Activision Blizzard Studios, the video game mega-publisher’s newly launched film/TV arms. There’s no premiere date to share just yet, nor are there details on the story or delivery mechanisms. We don’t know if this is going to be a standard network series, a Netflix/Hulu/Amazon play or something else entirely. But it’s being driven by an impressive set of talents.

The fictional location called “Skylanders Academy” debuted in the series’ 2014 game release, Skylanders: Trap Team. It served as a hub location where players could retire between levels, and in the series’ fiction it’s where Sidekicks go to train before they can become full-fledged Skylanders, protectors of the Skylands.

The showrunner seat is filled by Eric Rogers, who wrote for Futurama during both eras of its existence. Surrounding him is a cast that includes Justin Long (How to Train Your Dragon) as Spyro, Ashley Tisdale (Phineas and Ferb) as Stealth Elf, Jonathan Banks (Breaking Bad) as Eruptor and Norm Macdonald (Saturday Night Live) as Glumshanks, plus Harland Williams and Richard Horvitz in unspecified roles.

You can probably expect your first look at Skylanders Academy in early 2016, with Activision Blizzard targeting a mid-year premiere.

No comments

Kung Fu Panda 3 trailer

  By

KUNG FU PANDA 3
Animation, in 3D
Release: January 29, 2016, in 3D
Directors: Jennifer Yuh Nelson and Alessandro Carloni
Producer: Melissa Cobb
Cast:  Jack Black, Bryan Cranston, Dustin Hoffman, Angelina Jolie, J.K. Simmons, Jackie Chan, Seth Rogen, Lucy Liu, David Cross, Kate Hudson, James Hong, Randall Duk Kim
SYNOPSIS
In 2016, one of the most successful animated franchises in the world returns with its biggest comedy adventure yet, KUNG FU PANDA 3. When Po’s long-lost panda father suddenly reappears, the reunited duo travels to a secret panda paradise to meet scores of hilarious new panda characters.  But when the supernatural villain Kai begins to sweep across China defeating all the kung fu masters, Po must do the impossible—learn to train a village full of his fun-loving, clumsy brethren to become the ultimate band of Kung Fu Pandas!
No comments

Freak Kitchen- “Freak of the Week” music video

  By

Ever wonder what it would like like if Disney made a heavy metal music video? Well wonder no more! Granted this wasn’t actually made by Disney as it actually began as a Kickstarter campaign, but it’s every bit as well animated as anything I’ve seen in a VERY long time!

I present for you a music video called Freak of the Week from the Swedish rock band Freak Kitchen directed by Juanjo Guarnido. who was among others lead animator for Sabor on Disney’s Tarzan. Enjoy!

Also here’s the Making of Video about how the music video was created…

No comments

Jennifer Adkins

  By

This slideshow requires JavaScript.

What is your name and your current occupation?
Jennifer Adkins – Freelance Artist/Animator
What are some of the crazier jobs you had before getting into animation?
I was a junior processor for a mortgage company just before the bubble burst. It was interesting to say the least.

What are some of your favorite projects you’re proud to have been a part of?
I worked on a HTTYD build your own dragon promotion game. It was a fun time of cutting out dragon parts and then putting them back together again to make them fly and breath fire. My current and most ambitious project is a animated interactive computer based training for a non-profit hospital. It has been a trial of endurance but very rewarding.

How did you become interested in animation?
From very early on I loved to draw. I watched Disney and Don Bluth movies repeatedly and note every movement. I had plans to create Continue reading

No comments

Microsoft aims to actually make the “Animate Button”

  By

There are always companies trying to edge out the animator.  Not sure why exactly but it’s clearly something they strive for. Maybe it’s the Lamborghini’s we all drive and the overflowing money stuffed wallets we have ;living large as animators. Oh wait, that’s the CEOs of the companies not us.

From the Polar Express to Tin Tin to the ever increasing use of Mocap, studios see a brighter future free from the chains of us animators. Of course any animator will tell you Mocap only goes so far but that’s another story. Until recently traditional 2d animation has been pretty much impossible to auto complete simply because computers weren’t smart enough to predict what needs to be inbetweened. Anyone who has ever tried Flash’s Shape Tween tool has a clear idea of how well that goes. Well now Wired.com is reporting that Microsoft Research, along with the University of Hong Kong and the University of Tokyo, just unveiled a proof-of-concept technology that could bring back the charm of older, hand-drawn cartoons, with the speed and fluidity of today’s animation software.

From the site:

“Autocomplete hand-drawn animations” debuted at the Siggraph Asia conference, and it’s an interactive system that watches what the artist draws and then predicts what frame or line might come next. It can also smartly connect the dots between two different drawings, and propagate the motion that should occur between the two sketches. This works for color too: fill in the first frame with certain hues, and the system will replicate them.

You can read the entire article here.

No comments

Chris Cookson

  By

What is your name and your current occupation?
I’m Chris Cookson and I am currently a freelance animator, I work in Flash mostly but sometimes I get some AfterEffects and Photoshop work.  I’ve been lucky enough where everything I’ve done before animation has been some kind of visual based work. The first job I did out of high school was making animated assets for the LED sign demo room at Trans-Lux (yes, that Trans-Lux of the 1959 Felix the Cat cartoon). It was a uniquely fun experience, they had this old LaserDisc system that would trigger all kinds of signs to light up in cue to music and audio, the audio was very much a product of the ’80s but they wanted me to modernize the visuals and make some colorful stuff for their new centerpiece display.  Apart from that, I’ve done a good amount of web design work in my formative years. One of my clients was a Cuban percussionist who was really into anime and kung-fu movies. He even offered to pay me for making his site with a samurai sword, which to 15-year-old me, was the coolest thing ever. Though, if I were to ever come home with a samurai sword, my parents would probably kill me, likely with that very same samurai sword.

What are some of your favorite projects you’re proud to have been a part of?
In terms of cool projects, a psychedelic TV ad for Linda McCartney’s line of frozen vegan foods has been really satisfying. What I loved was the ad had a different style than the usual aesthetic I get but had a lot of understated weirdness and quite a few distinct shots to work on. I got to meet Paul McCartney’s son-in-law and Rick Astley’s wife while on the project too which made me geek out pretty hard. A couple of months after I finished work on the spot, I started to see posts about it show up on sites like Motionographer, The Huffington Post and was linked by a lot of the sites I follow on Twitter, which made me feel real warm and fuzzy on the inside.  I’m also really proud of a lot of the smaller commercial projects I have worked on at Shoulderhill Creative. For those, it’s great to work with a couple of my classmates from art school and since it’s not a part of a giant team, I feel a lot more creative ownership over what I’m making. It’s absolutely wonderful to have a chance to work more within my own style and have more room to experiment with the colors and see what kind of little visual jokes I can put in to the advertisement.  Other projects like William Caballero’s documentary short film “How You Doin’ Boy? Voicemails from Gran’pa” were really great to be a part of. For that, he wanted me to make a squiggly text treatment based off of his grandfather’s handwriting to go up on screen in sync with actual answering machine messages left from his grandfather. Having the freedom to design the word treatment, as well as play around with text sizes was really fulfilling, the tone of some of the messages allowed me to really go crazy in some spots too, pushing the graphic element of it, trying to get it to match his grandfather’s own personal tone.

Where are you from and how did you get into the animation business?
I’m from Stamford, CT and I’ve always wanted to either be a cartoonist or animator for pretty much my entire life. I taught myself how to use Flash when I was 12-years-old and would constantly look for an excuse to use it any chance I had, whether it be for making buttons or logos on the aforementioned web design projects I got or making short films whenever the opportunity arose. After making more and more stuff, over the years, my skills started to Continue reading