Tag Archives: Background Painter

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Chris Duncan

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 What is your name?
Chris Duncan

What would you say has been your primary job in animation?
Background painter, but because I was a digital artist before that was mainstream I was lucky enough to do a little of everything like some 3D, promotional stuff, design and editing.

What are some of the crazier jobs you had before getting into animation?
Right out of High School I was a technical illustrator at General Dynamics working on build and repair manuals for cruise missiles and they’re launchers while working with a bunch of old grumpy ex-Navy guys. When I first moved to LA I worked on a drill crew Continue reading

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Keiko Murayama

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What is your name and your current occupation? 
My name is Keiko Murayama, my current occupation is a BG painter at Nickelodeon Animation Studios.

What are some of the crazier jobs you had before getting into animation? 
I used to work at a Motion Studio as a vis dev artist for TV commercials. One fun project I had there was for a sugar company where I had to design a set and props made only of sweet stuff, and then they actually had to build that.

What are some of your favorite projects you’re proud to have been a part of? 
I got to work on a couple pages for the Big Golden Book for Wreck-It-Ralph. A lot of my friends from school also worked on it I’d never seen my work as a published book form, so when I saw the actual product, I was very proud.

How did you become interested in animation? 
I grew up watching anime stuff, which I love, but it’s not my passion. Then, I came to the U.S after high school and saw Continue reading

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Ruben Chavez

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What is your name and your current occupation?
Ruben Chavez – Key Background Painter – Starz/Film Roman Freelance Background Painter – Disney TV
What are some of the crazier jobs you had before getting into animation?
Bellman/Room Service waiter for Hilton Hotels – Lots of crazy stories I could tell, but I won’t !  Repair and deliver electric motors for industrial businesses such as Farmer John’s .
What are some of your favorite projects you’re proud to have been a part of?
Hands down, Iron Giant and Cat’s Don’t Dance, other’s are The Simpsons Movie, Juniper Lee, Foster’s Home for Imaginary Friends, Lilo & Stitch 2, and most recently, Dan Vs.
How did you become interested in animation?
Comics and animation were my favorite interests since I was a child, I was constant;y drawing characters and scenes every chance I had, it was Continue reading

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Sam Rusztyn

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What is your name and your current occupation?
My name is Sam Rusztyn, and I’m currently working as a background painter on the children’s television show Arthur.

What are some of the crazier jobs you had before getting into animation?
I haven’t really had many crazy jobs before animation. I used to do data entry for a dental transition company and I also used to help out with children’s craft sessions at a local art gallery. Working with kids, painting and creating was very inspiring!

What are some of your favorite projects you’re proud to have been a part of?
Aside from working on my student film, one of my favourite projects was working on The Adventures of Chuck and Friends. It was my first job as a matte painter which is why it is special to me. I learned a ton working on that show, and I was given the freedom to experiment with colour and lighting and I really loved that aspect of my job!

How did you become interested in animation?
Since I was little, I drew and painted constantly, watched a lot of Disney movies. I think I was 11 when I realized that working in animation could be a job. When I was 15 I was able to Continue reading

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DreamWorks TV – Background Painter

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TV – Background Painter

Tracking Code
2429-01 (SR)
Job Description
Paints backgrounds, layouts and any other background-related art that the production may require, ensuring style and quality of show are met.

RESPONSIBILITIES:

  • Meet with creative supervisor(s) to ensure color needs of show are fulfilled.
  • Follow instructions of supervisor.
  • Complete all color work within assigned deadlines.
  • Resolve color problems with creative supervisors.
  • Communicate progress of work to appropriate production staff.
  • Ensure all artwork is properly backed up and stored appropriately.
  • Review storyboard for background key color callouts.
  • Comfortable working on a Cyntiq and must be able to work digitally.
  • Assist with special projects.
  • Fulfill other color projects, including but not limited to color lead sheets, color script and/or color pass on storyboards.
Required Skills
  • Must demonstrate proficiency in style of show
  • Strong knowledge of color theory and lighting.
  • Knowledge of or willingness to learn applicable design software and hardware
  • Strong time-management skills
  • Work well under pressure
  • Ability to multitask a plus
Required Experience
  • Relevant digital color experience in TV production schedule necessary.
  • BA in Fine Arts or equivalent work experience highly desired
Job Location
Glendale, California, United States
Position Type
Full-Time/Regular
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Bill Dunn

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What is your name and your current occupation?
Bill Dunn. I just recently completed my stint as background paint supervisor on“Batman: The Brave and the Bold”. Currently, I’m doing background paint and development on a yet to be announced DTV movie for Warner Bros.

How did you become interested in animation?
Like most people who grew up in the 70’s, I had a steady viewing diet of the classic Warner Bros Looney Tunes, The Flintstones, Tom & Jerry, and Hanna Barbera cartoons like the Herculoids. Back then, unless you didn’t have a T.V. as a kid, I think it would have been hard not to have at least a passing interest in animation.

Where are you from and how did you get into the animation business?
I was born and raised in a part of New Jersey that was a mere stone’s throw from New York City. I originally started my career as a professional artist in the comic book field. I was a colorist for comics during the 90’s, but by the end of the 90’s, the comic book industry was imploding. I got a few freelance gigs from small animation houses in New York, but Continue reading