Scott T. Petersen

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What is your name and your current occupation? My name is Scott T. Petersen, and I own a production animation studio called Golden Street Animation Productions.  You can watch our latest animation reel below.

What are some of the crazier jobs you had before getting into animation?
I worked in a machine shop making tort converters and delivering them around town at machanic shops for transmissions and soon after my first job as an artist right out of high school was a silk screen artist designing T-shirts.
What are some of your favorite projects you’re proud to have been a part of?
The Iron Giant, hands down is the best movie that I’ve worked on and I’m glad to have had the opportunity to see director, Brad Bird in action during that show.   The first professional animation that I worked on was Continue reading

Nick Swift

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What is your name and your current occupation? 

My name is Nick Swift, and I’m a recent graduate from the University of North Carolina at Greensboro.  I’m sort of in the middle of looking to continue my education and searching for a studio position.

What are some of the crazier jobs you had before getting into animation? 
I haven’t really ever been in any sort of crazy job before.  I’ve worked as an assistant coach for a summer-league swim team, as a host and cashier at a Japanese Steakhouse, and a sales associate in a retail store.  I’ve had the pleasure of meeting a lot of interesting and inspiring people though.

What are some of your favorite projects you’re proud to have been a part of?
I’d have to say that at this point, my favorite projects are the student films I made while I was in school.  They were my first forays into actual animation, and were wonderful learning experiences.  They’ll always have a special place in my heart.

Where are you from and how did you get into the animation business? 
Born and raised in Greensboro, North Carolina.  I’m not quite Continue reading

Tony Siruno

 

What is your name and your current occupation?
Tony Seruno and I’m a character designer at DreamWorks Animation.

 

What are some of the crazier jobs you had before getting into animation?
In college I worked as a maintenance worker at micro chip manufacturing plant, waiter at a Mongolian BBQ, a Valet at one of Minneapolis’ top night clubs, and also worked as a production assistant on a national cable TV show.

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve worked on a lot of projects over the years. The ones that stand out are a few episodes of The Simpson’s from season 6 and 7. The Road to El Dorado will always be a sentimental favorite due to the fact it was my very first project as a character designer. Recent ones would have to be Kung Fu Panda, How to Train your Dragon, and Neighbor from Hell.
How did you become interested in animation? 
I always drew and painted as a kid and I did enjoy watching Disney animated films and such,  but to be honest Continue reading

Neal Warner

What is your name and your current occupation? 
I’m Neal Warner and I am currently directing a live stage show called Rock & Roll Rehabwhich features a live band playing in sync with animated music videos projected on a large screen above the stage. It’s been an ambition of mine since I was in Junior High School and saw the re-release of Walt Disney’s Fantasia. It recently finished a run at the Hayworth Theater on Wilshire Blvd. in Los Angeles.

What are some of the crazier jobs you had before getting into animation?
Before I went to work as an inbetweener at Hanna-Barbera during my summer vacation between graduating high school and starting college I was a published cartoonist in the “Free Press” and in “underground comix”. Ironically, the only job I ever had after creating the underground comic character Pizza Fella and starting full time in the Animation Industry was as a pizza delivery guy while attending San Diego State.

 

What are some of your favorite projects you’re proud to have been a part of?
I wrote and directed the John Lennon themed stage show, A Day In His Life, which was represented by the William Morris Agency and followed that with the Rock & Roll Rehabshow, both of which include a lot of animation as part of the multimedia projection. I published PaperCuts, The Illustrated Lyrics Magazine in the 80s which included a two song record insert and featured the songs’ lyrics in comic book form, I produced several animated music videos, one of which won the Gold Plaque in Music Video at the Chicago International Film Festival and was included in a screening of “The World’s Best Animated Music Videos” at the First Los Angeles Animation Celebration and I produced The Tooner’s Trip Disc enhanced CD and The Tooners’ Rocktasia CD (available on iTunes). Those are my favorite “pet” projects but I’m also proud of my work on The Heavy Metal Movie, Ducktails The Movie, the two Rugrats Movies, The Puff The Magic Dragon TV special and some of the many TV commercials and series I’ve worked on either as an animator, an assistant animator, a director or as a timing director for studios such as Disney TV, Klasky-Csupo, Marvel, Murakami-Wolf, Filmmation, Film Roman, Sony, Universal, Fred Wolf Films and many others.

How did you become interested in animation? 
I was a cartoonist whose work was published in my junior high school newspaper, the cover of the yearbook and animated my first film, The Jogger, in the ninth grade. In high school I was the school’s staff “political” cartoonist as well as a paid contributor to professional underground comics and in college I was elected into Sigma Delta Chi, the Society Of Professional Journalists for my political cartoons in the CSUN campus paper. Although Continue reading

Jennifer Fabos Patton

 

What is your name and your current occupation?
 Jennifer Fabos Patton owner and Founder of Gallery Girls and Art Model
What are some of the crazier jobs you had before getting into animation?
I owned a Magic Shop and was part of a magic troupe and did the Magician assistant too.
What are some of your favorite projects you’re proud to have been a part of?
Wow. There were so many. I have been modeling for more then 20 years. I was one of the main models for the development during Warner Brother’s Quest for Camelot and Iron Giant. Everyone notices I look a lot like the Little Mermaid, especially the nose. I did a lot of modeling for Disney during that movie. I have worked for a lot of comic book artists as well as a lot of the animation studios.

How did you become interested in animation?
They pulled me in. During the second animation boom in the 90’s, the studios started Continue reading

David Fain

What is your name and your current occupation? David Fain, I’m currently work for Hasbro Studios as an animatic editor on “Transformers Prime”. I also do freelance stop-motion, Flash animation, and writing and directing for animation when the opportunity arises.   What are some of the crazier jobs you had before getting into animation? After high school I worked a couple of summers in a fish packing plant in Gloucester, Massachusetts. Also worked the counter in a bowling alley in Rhode Island after undergraduate school. That sucked big time. http://www.animationinsider.com/wp-content/uploads/2012/04/FainShowreel_1109small.mov What are some of your favorite projects you’re proud to have been a part of? My hands down favorite was “Action League Now!” which was a segment of the old Nickelodeon anthology series “Kablam!”. I started as a stop-motion animator on the series and eventually got to write some episodes and direct the final 13. I also was a staff writer on “SpongeBob” way back in the day before it was very well known. I created a couple of original web shorts while at Warner Bros. Online divison called “Slim Chance: Intergalactic Zoologist”. Working on “G.I. Joe Renegades” and “Transformers Prime” has been a ball because they are my first action/adventure shows and let me reference my love of live action continuity cutting a bit more than comedies.   How did you become interested in animation? Like most baby boomers, I grew up watching a lot of TV. In the New England region there was a woman named Yvonne Andersen who ran an animation workshop where she helped kids make animated films. Sometimes Continue reading