Tag Archives: Cartoon

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“Coda” by And Maps and Plans

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A lost soul stumbles drunken through the city. In a park, Death finds him and shows him many things.

andcodafilm.com
andmapsandplans.com
twitter.com/andmapsandplans
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Contact: hello@andmapsandplans.com

Director: Alan Holly – qlqn.ie
Producer: Ciaran Deeney – elzorrerofilms.ie
Writers: Alan Holly and Rory Byrne – rorybyrne.ie
Art direction & backgrounds: Ronan McMeel – ronanmcmeel.blogspot.ie
Music: Shane Holly – shaneholly.ie
Animation: Alan Holly, Rory Byrne and Eoghan Dalton – studiopowwow.com
Colouring and shadows: Eimhin McNamara – paperpanther.ie
Backrgounds: Áine McGuinness – ainemcguinness.ie
Starring: Brian Gleeson, Orla Fitgerald, Donie Ryan and Joseph Dermody
Music recording: Paul Finan
Voice recording: Tony Kiernan
Sound design: Michelle Fingleton
Sound editing: Andy Kirwan
Sound mixing: Garret Farrell – screenscene.ie
Musicians: Shane Holly, Aoife Dowdall, Katie O’Connor, Larissa O’Grady, Jenny Dowdall
Emma Scott: Production Executive for the Irish Film Board
Pauline McNamara: Executive Producer – RTE
Fionnuala Sweeney: Film Specialist – Arts Council
Jill McGregor: Schemes & Applications Co-ordinator for the Irish Film Board
Thanks to Sean McCarron & Jennifer Evans

Funded under the Irish FIlm Board’s Frameworks scheme
irishfilmboard.ie/funding_programmes/Frameworks/65

AWARDS

Shortlisted for the 87th Academy Awards
Nominated for the 42nd Annual Annie Awards

Great Animation Award – Mecal 17th Festival International of Short Film & Animation of Barcelona, Spain, Mar 2015
Bronze Statue for the third animation – 9th Tehran International Animation Festival, Iran, Mar 2015
Jury special mention Р6th Roanne animation film festival Cin̩ Court Anim̩, France, Mar 2015
Best Animated Film – Fargo Film Festival, Fargo, USA, Dec 2014
Young Peoples Jury – Marcin Prize for best short film for young people, at Inernational Young Audience Film Festival Ale Kino! PoznaÅ„, Poland, Dec 2014
International Special Jury Prize at Animpact Animation Festival 2014, Seoul, South Korea, Nov 2014
KuanDog Prize: International Short Film Special Mention at KDIAF, Taipei, Taiwan 2014
Jury’s Special Award at Cinanima 2014
Best Animation & Best of Fest at Aesthetica Short Film Fest 2014
Silver Hugo for Best Animated Short at 50th Chicago International Film Festival 2014
2nd Place for the Audience Choice Award at the 3rd Annual Sweaty Eyeballs Animation Invitational, Baltimore 2014
Joint Best Irish Short Film prize with ‘The Ledge End of Phil’ at the Dublin Animation Film Festival 2014
Winner Best Short Animation at SXSW – Austin, USA 2014
Best Animation at Kino Fest – Bucharest, Romania 2014
Audience Choice SICAF – Seoul, South Korea 2014
Best in Show at Animation Block Party – New York 2014
Joint Best Animated Film Award with ‘Pandas’ at Kratkofil Plus – Banja Luka, Bosnia & Herzegovina 2014
Winner of the Anča Award, Fest Anča – Zilina, Slovakia 2014
Most Creative Short Award, Edinburgh Short Film Festival – Edinburgh, Scotland 2014
FICC Don Quijote Prize +Special Mention Best Animation, Galway Film Fleadh – Galway, Ireland 2013

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Show off you Workspace!

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My last post about Japanese artists showing off their workspaces got me to thinking it would be cool for animators around the world to do the same. So, if you’re interested in doing so, snap a pic of your workstation either at work or at home (or both) and email it to mike@animationinsider.com or link to it in the comments and I’ll gather them together and make one big post. Animators represent! As a start here’s mine:

Mike-Milo-workspace

#showoffyourworkspace

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Fur technology makes Zootopia’s bunnies believable

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Screenshot 2016-03-04 13.16.03

Engadget has an interesting article up about creating fur for Zootopia. Apparently the amount of fur each character has climbs easily into the millions!

To make the animals look realistic, Disney’s trusty team of engineers introduced iGroom, a fur-controlling tool that had never been used before. The software helped shape about 2.5 million hairs on the leading bunny and about the same on the fox. A giraffe in the movie walks around with 9 million hairs, while a gerbil has about 480,000 (even the rodent in the movie beats Elsa’s 400,000 strands in Frozen).

You can read the entire article here.

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Matias Errecalde

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What is your name and your current occupation?
MY NAME IS MATIAS ERRECALDE. CREATOR OF MY OWN ANIMATED CARTOON SHOW.

 

What are some of the crazier jobs you had before getting into animation?
I ONCE HAD TO DESIGN AND ILLUSTRATE AN ADULT THEMED COMIC OF THE SIMPSONS. IT WAS PORN ACTUALLY. AND I NEVER GOT PAID.

 

What are some of your favorite projects you’re proud to have been a part of?
I LAUNCHED WITH MY PARTNER A T-SHIRT BRAND CALLED PIGMEN. TRYING TO SEND SOME MESSAGES TO SOCIETY THROUGH OUR ART.

 

Where are you from and how did you get into the animation business?
I´M FROM ARGENTINA. AND I STARTED ANIMATING AFTER MY BEST FRIEND WAS INSTITUTIONALIZED FOR Continue reading

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Chris Bailey

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What is your name and your current occupation?
Chris Bailey, Animation Director.

What are some of the crazier jobs you had before getting into animation?
Hah..great question. I have asked that of colleagues in the past. I think the craziest job, or furthest job from animation was working in a steel warehouse for my dad the summer before attending Cal Arts. I loaded steel I-beams onto trucks, drove a huge forklift, learned to weld and use a cutting torch. I caught myself on fire twice! In the warehouse were rows of 20′ and 40′ I-beams stacked to the ceiling. We’d leap from stack to stack looking for the right ones to fill orders and they’d sometimes rock back and forth threatening to fall. I felt like Daredevil.

What are some of your favorite projects you’re proud to have been a part of?
I’ve been pretty lucky and worked on some great projects. It’s hard to pick, but if I were to list a few highlights, I would start with the Marvel Productions Logo. It featured a chrome Spider-Man doing a flip and landing on the big MP. I was at the beginning of my career and thrilled to animate Spider-Man, even if it was only for one little shot. Next up is The Little Mermaid. It was a great film and broke animation out of the animated film ghetto and into a mainstream audience. I was a little fish swimming in a big pond and trying to learn as much as I could… Runaway Brain with Mickey Mouse for letting me play with the corporate icon and the resulting Oscar nod, Disney’s Mighty Joe Young for it’s groundbreaking CG animation, X-Men II because it’s such a great movie I’m a huge Marvel Comics fan, Kim Possible because it was as much fun to make as it was to watch and finally, the Despicable Me: Minion Mayhem 3D Ride because the minions are so damned funny and I love theme park rides.  The Pepfar (President’s Emergency Plan for AIDS Relief) Shorts for WB were interesting too. The shorts were done to advertise an educational action videogame for Kenya’s youth centers. I got to travel to Washington and pitch the boards to the State Department. Unlike in Hollywood where the costume of a director is shorts and t-shirt, I was pitching cartoon storyboards in a formal conference room wearing a suit! Ha!  The Judy short in particular was a way to experiment with Kim Possible style animation and design in 3D. It was boarded by one of my favorite Kim board artists and Batman comics artist, Dave Bullock.
http://www.animationinsider.com/wp-content/uploads/2014/02/Judy-v2-112508.mov

Where are you from and how did you get into the animation business?
I grew up in Portland Oregon and went to Reynolds High School. I always liked comic books and wanted to draw them since I was 10 years old. Later in High School, I read an article in The Comics Journal that mentioned Continue reading

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Arlyne Ramirez

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What is your name and your current occupation?
Arlyne Ramirez: Clean Up artist and freelance storyboard revisionist at Rough Draft Studios.
What are some of the crazier jobs you had before getting into animation?
I dressed up as the Easter Bunny at a mall. That was interesting.
What are some of your favorite projects you’re proud to have been a part of?
Good Vibes Season 1, and The Ricky Gervais Show Season 3. And Currently proud to have worked on Futurama season 7.
How did you become interested in animation?
By watching a lot of cartoons as a young child. Ranging from Popeye to Ren and Stimpy.
Where are you from and how did you get into the animation business?
Born and raised in Southern California. I went to school to Continue reading