What is your name and your current occupation?
Mike Carlo and I’m an Animation Director/ Director at Titmouse Inc.
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What are some of the crazier jobs you had before getting into animation?
 I was an usher at a movie theater when I was in high school, and was subjected to wearing a really dorky uniform. I was also a Continue reading
What are some of the crazier jobs you had before getting into animation?
There have been a few. Comicbook artist, Storyboard artist, Set Designer, Visual Effects Supervisor, Second unit director. Burger King.
What are some of your favorite projects you’re proud to have been a part of?
One of my favorites was being part of the launch of Image comics in 1992. Designing the sets for the Victoria’s Secret Fashion Show 2008 was a hoot as you might imagine. I’m really proud of the work my crew and I did for The Ricky Gervais Show Season 3.
How did you become interested in animation?
When I was a kid, my parents took us to this discount store. In it I found this Fisher Price Movie Viewer  and it came with a cartridge for Disney’s Lonesome Ghosts. I’d seen the cartoon before, but I never had the ability to step through it one frame at a time like you can now with a dvd player of quicktime clip. This was the late 70’s early 80’s, so for me to see that animation was 24 drawings making up a second of movement was like learning the secret to the greatest magic trick. Of course afterwards I made flipbooks and what-not. I eventually discovered comics and took detour from animation. After working as a storyboard artist in feature films, I started noticing the changes and compromises being made from board to final shot and it was kind of a bummer. When I started working on The Hard Times of RJ Berger for MTV, it was the first time that I got to see what I boarded translated near perfectly to final shot. It’s intoxicating. I felt that magical feeling that I once got as a kid with that toy. I love all things animation and made it my mission to learn all that I could about the different kinds that are out there and the histories behind the masterpieces we all love.
Where are you from and how did you get into the animation business?
I’m from North East Bay Area by San Francisco. I got into the animation business through working on The Hard Times of RJ Berger. I was storyboarding the show and providing on camera artwork for the main character who was an aspiring comicbook artist. The creators of the show asked if I could Continue reading
What is your name and your current occupation?
Ron Brewer. Director.
What are some of the crazier jobs you had before getting into animation?Â
I was a drug runner. Or should I say a delivery boy and stock clerk in a class 1 drug vault for a completely legitimate pharmaceutical warehouse. We supplied all the pharmacies and hospitals in the San Diego area. I was involved in two armed robberies there. The first was a gang from LA that wore Halloween masks. They had shotguns and AR15s. We were made to lie on the floor and then locked in the vault. The second time was a gang from East LA. I was chased down the street by a guy with a handgun. There was no where to run to. We were tied up with duct tape. Curious that I would find the nerves needed to get through these trials to be a good tension test, to be a good prerequisite to my animation career. Cartoons is war!
What are some of your favorite projects you’re proud to have been a part of?Â
I would have to say the Pink Panthers I was a part of. I directed 28 shorts for Pink Panther and Pals at Rubicon Studios LA. One of which won four 2011 KidScreen Awards including Best series, Best Series Viewers Choice, and viewers choice for Best Music –David Ricard and Best Directing –Me. Kerry Valentine produced, Ceci Aranovich did the design, Ryan Green and I did boards, Rob Sanders the sfx. Have a look!
What is your name and your current occupation?
Josh Mepham, Director.
What are some of the crazier jobs you had before getting into animation?
I was a bartender in Portugal where we would blast shots into our customers’ mouths with a supersoaker gun.
What are some of your favorite projects you’re proud to have been a part of?
I’m really proud of the two seasons of Kid vs. Kat that I co-directed with creator Rob Boutilier at DHX Media. It’s a fantastic show and deserves all the success it has achieved. I’m also extremely proud of the show my company Slap Happy Cartoons has in development with YTV right called Nerds & Monsters. Slap Happy has also produced some animated shorts for the Vancouver Canucks that play on the big screen at the games. I’m really excited to be working with that organization seeing as I’m a huge Canucks fan.
How did you become interested in animation?
I’ve loved to draw ever since I can remember picking up that first crayon, and I’ve always loved watching cartoons. So I guess I’ve been interested in animation my whole life. I just didn’t think I’d be Continue reading
What is your name and your current occupation?
Gary Blatchford. Owner and director of “illusion Animated Productionsâ€. I have lots of hats, I direct, draw storyboards, animate, create layouts, I used to slug and write x-sheets in the good old 2-D TV animation days. Increasingly I have been putting together teams of freelance artists to provide pre-production services to other animation companies.
What are some of the crazier jobs you had before getting into animation?
I never really worked before getting into animation, I worked for Richard Taylor Cartoons after leavingSt. Martin’s School of Art in London. Dick was one of my tutors and became a major influence and mentor to me. While I was a student I used to draw portraits in my local pub to earn beer money. The craziest thing I did was, I was the singer in the worse pub band in the world. We were quite capable of emptying a busy bar in 10 minutes.  I taught animation at Dun Laoghaire college of art and design (now called IADT) in the mid 1990’s, but that is not really crazy is it?
What are some of your favorite projects you’re proud to have been a part of?
I am proud to have been associated with just about all the projects I have been part of. Even the less successful were learning curves. I have also met some really talented people along the way. In 2004 I directed a seven minute short 2D animated film called “The Pope’s Visitâ€, with funding from the Irish Film Board, RTE and the Arts Council. The great Aidan Hickey wrote a terrific script and acted as producer for me. It is being shown at the Annecy Festival this June as part of the Irish Animation show. In recent years, I have been providing storyboards for the TV series made by Brown Bag Films, including: “Oliviaâ€, “Noddyâ€, “Octonautsâ€, “Doc Mc Stuffins†etc. They have lovely projects and a fantastically talented team of creative people. For most of the 1990’s I was studio director at Murakami Wolf Dublin, which became Fred Wolf Films Dublin. Starting with “Teenage Mutant Ninja Turtlesâ€. We also worked on “Speed Racerâ€, “Sinbadâ€, “Zorroâ€, “Dino Babies†and I directed all three seasons of “Budgie the Little Helicopterâ€. In 2005/ 2006 I directed the “Slim Pig†series for Cheeky Animation. I have animated on a lot of commercial spots and music videos, for which you seldom receive a credit, but they are often the projects where you get to stretch yourself creatively.
What is your name and your current occupation?
Mark Simon, Producer, director, story artist. I currently own 3 businesses: Animatics & Storyboards, Inc. (www.Storyboards-East.com) A&S Animation, Inc (www.FunnyToons.tv) Sell Your TV Concept Now, Inc (www.SellYourTvConceptNow.com) Currently boarding commercials, directing animated pilots and working on WB’s Hong Kong Phooey feature. Produced the animation on Fox’s Tooth Fairy 2 with Larry the Cable Guy which was just released on DVD.
What are some of the crazier jobs you had before getting into animation?
I’ve worked in Hollywood since I graduated college. I started off in live-action and still work a lot in live action.
Before that I designed and built my own line of skateboards for Schwinn when I was 12. I published a magazine in college called The Belligerent Beacon. I had a syndicated comic strip called Hollyweird, a parody of Hollywood with animals as the characters which is currently on www.sunnyfundays.com.
What are some of your favorite projects you’re proud to have been a part of?
seaQuest DSV with Spielberg was awesome. Biggest show on TV. Spielberg. Awesome food all day. Spielberg. Sci-fi. Spielberg. Did I mention Spielberg? Â My series Timmy’s Lessons In Nature is always one of my favorites. That’s the one we won the first Grand Prize in the Nicktoons Film Festival and it also appeared in Spike & Mike’s Sick & Twisted and with Happy Tree Friends & Friends. I love that Timmy is too stupid to talk or to understand pain. Now that’s dumb. http://www.youtube.com/watch?v=nN3hp9QthQI
I’m also partial to anything I’m currently working on. I get totally stoked working out story elements and creating new projects.
How did you become interested in animation?
Loved it since I was a kid, like most of us. I was doing little animations at home. My dad found a studio in Houston and set up for them to show me around their studio. We took measurements from their discs and built our own Continue reading
