Steve LeCouilliard

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What is your name and your current occupation?

My name is Steve LeCouilliard and I am a freelance story board artist from Vancouver, Canada.
What are some of the crazier jobs you had before getting into animation?
I took basic training in the Canadian Forces one summer and I also performed as a pirate at childrens’ parties for a little while.
What are some of your favorite projects you’re proud to have been a part of?
Ed, Edd n’ Eddy was a well-made show with a big following. I worked on the under-rated but terrific The Mighty B! for one board and I had fun on George of the Jungle and League Of Super Evil. I also boarded some fun cinematic sequences for the sadly cancelled Pirates of the Caribbean: Armada of the Damned console game. It would have been awesome.
How did you become interested in animation?
By watching Looney Tunes on TV and Disney movies. More than animation though, my inspiration to become a professional cartoonist comes from comic strips like Calvin and Hobbes and Pogo. I also
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Johan Anton Klingler

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What is your name and your current occupation?
Allow me to introduce myself, my name is Johan (Jonathan) Anton Klingler and I am presently a FullTime Faculty Instructor with the Art Institute of Dallas. I also am a writer/illustrator in partnership with my wife, Norma Rivera-Klingler, for a series of 15 children’s books. We run our own very small freelance production business, Double Exposure Productions, from our home.

What are some of the crazier jobs you had before getting into animation?
I was a factory worker working for a company that built vender machines and in that job I saw some things one would think are only seen in war times. We used machines called break press machines which are simply machines that bend very large sheets of metal or punch holes in them. You would know them if you saw the movie “Terminator”. The machine that crushes the Terminator is a machine like the ones I’m describing. When you stand in front of it, it is massive. When you walk by others using one, the first thing that strikes you is the “tethering” lines from the machine to the wrists of the workers. It looks like some futuristic and yet dark ages contraption for torture. The purpose of the tethers is to keep people from getting their arms crushed under a ton of metal as the machine lowers its die-cut block and hydraulics press even further to cut through the plate of metal placed under the press by human hands. No hand or arm stands a change if your to slow so these lines are attached to a pulley system so that when the block comes down, your arms and hands are pulled out. To Forman this means the job can only be done at one speed, the speed of the machine. Often Forman will tell workers to not use the tethers so as to work faster that way as the press starts to come down a worker can already be getting the next sheet of metal ready for loading. If a worker is too slow pulling his or her arm out or is distracted then they lose a limb as it will be crushed or severed depending on the type of die-cut. I saw this happen a few times. I even had to pack a couple of some individuals fingers in an ice chest for reattachment so that when the paramedics came we could give them the parts to the individual. That wasn’t the craziest area there though. There was a room called the stripping room were metal sheets were lowered into a solution of cyanide based liquid formula of some kind. I was told that if a single drop of water got into it then it would produce enough gas to kill a quarter of the building’s occupants. I was a janitor on the night shift and it was my job to clean that room with water based cleanser. Now that job was crazy.

What are some of your favorite projects you’re proud to have been a part of?
All the productions I was given the privilege of working on at Disney were incredible but I think working on Continue reading

Lauren Carr

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What is your name and your current occupation?
Lauren Carr Assistant Professor 3D Animation Montclair State University.

What are some of the crazier jobs you had before getting into animation?
Telemarketing for chiropractors “More Balls Than Most” (juggling company) Splatter painting gift boxes.

What are some of your favorite projects you’re proud to have been a part of?
Spirit, Chubb Chubbs, XMen 2, Chicken Little, Bolt, Ice Age, 4 Rio.

Where are you from and how did you get into the animation business?
I grew up in New City, NY and studied graphic design at Buffalo State. After graduating college, I started working for a website firm in Buffalo doing HTML programming and website design. Website development software had not yet been created and the ability to Continue reading

Eddie Soriano

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What is your name and your current occupation?
Eddie Soriano Supervising Director at Big Bad Boo Studios in Vancouver, Canada
What are some of the crazier jobs you had before getting into animation?
Being a Draftsman in an Engineering firm that pays not even $6 bucks a day. Crazy, but this happened not in America, but back in the Philippines where I came from more than 20 years ago.
What are some of your favorite projects you’re proud to have been a part of?
Projects from Nickelodeon: Angry Beavers and Catdog… I directed a few episodes.  Timing Director for Timon and Pumbaa, the TV series.  Atomic Betty, I directed a few episodes.

How did you become interested in animation?
It just happened by accident. I was working with a group of artists (painters) way back late 80’s. I saw them preparing Continue reading

Jack Cusumano

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What is your name and your current occupation?
My name is Jack Cusumano. I’m currently working at Titmouse painting backgrounds for a show called Randy Cunningham, 9th Grade Ninja.

 

What are some of the crazier jobs you had before getting into animation?
Probably the weirdest job I’ve had was working in the immunizations department of my university’s health center. I had to answer angry phone calls from incoming students who didn’t have proof of their MMR immunizations. At the same time I was also doing graphic design for the campus health center, which occasionally involved designing posters about sexually transmitted diseases.

 

What are some of your favorite projects you’re proud to have been a part of?
Randy’s my favorite show to have worked on, and I’m really excited for people to see it once it’s released. Beyond that, I love working on RAD RAZ, my weekly webcomic for Dumm Comics. I’ve been reading the site and following the other Dumm artists since 2008, so by the time I was asked to come on board in 2010 I was honored to join the team. Tiny Jackie Talk Show, a short I created recently, was another highlight to me. It allowed me to work with some of my favorite voice actors and animation artists: Thurop Van Orman, Penn Ward, Jackie Buscarino, Eric Bauza and Justin Roiland. It was also a treat working with Abed Gheith. People might not be as familiar with him, but I’m a fan of his countless contributions to Channel 101 over the years, and don’t think Tiny Jackie would have worked without his hilarious performance.


How did you become interested in animation? 

I’ve always loved animation, but I spent some of my younger childhood in Italy, where we only got a handful of Continue reading