https://www.youtube.com/watch?v=BttbXsBos9w
Here’s a  great little interview on Animation Mentor podcast interview with Enrico Casarosa who directed La Luna for Pixar back in 2011. Check it out below.
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Tag Archives: Disney
Lori Hammond
What is your name and your current occupation?
Hello my name is Lori Hammond and until recently I was the Program Director for Animation at a local Film school. Currently I am an Artist/ an Instructor/ a Consultant/and an Events coordinator for a couple of companies related to Animation & VFX industry.
What are some of the crazier jobs you had before getting into animation?
Before getting into the animation industry I suppose Barista of alcohol, could be “crazy” on certain nights with certain customers. (Laughing) especially since at the time I did not drink.
What are some of your favorite projects you’re proud to have been a part of?
My favorite projects are perhaps “Princess and the Frog” working as a Training Specialist on that movie. Â At Disney I was able to work with some amazing artists, as a trainer I got to work with Layout, Animation, EFX, Color stylist, etc. it was an amazing time teaching classes for the Disney Academy. I actually got to teach some of the greats such as Glenn Keane on some of the software for the production. Â I also enjoyed a small short animation project that was started at Disney and is currently finishing up production called “Mila” by Cinzia Angelini, helping this production connect with some upcoming talent and watching that project develop has been amazing.
Where are you from and how did you get into the animation business?
Originally, I am from Illinois and I received my BFA at Northern Illinois University, where my major was Painting. I moved to New York after my undergrad days and attended Pratt Institute where I majored in Digital Arts with a focus on 3D Animation. I loved the fact that as an artist, not only could I develop more work from my original painted vision, but Continue reading
Gordon Kent
Edit: Sadly, Gordon Kent passed away last year due to Cancer but his 38 year career lives on…
You can read our article on his passing here.
What is your name and your current occupation?
Gordon Kent – Animation timing director at Bento Box on Bob’s Burgers
What are some of the crazier jobs you had before getting into animation?Â
I was pretty lucky to get into animation almost right out of college. However, while I was in college I spent one summer working in an auto body repair shop as a “lot boy†– the worst part of the job being cleaning the toilet – those guys were not as careful in the bathroom as they were when repairing or painting cars. I also did scrimshaw for about a year – pendants, earrings, belt buckles… lions, tigers and bears mostly (oh, my!)
What are some of your favorite projects you’re proud to have been a part of?
I’ve been doing this since 1977… I worked on a show called CBS Storybreak for two seasons. I was associate producer – but my job entailed hiring character and background designers, storyboard artists and story editing (and some writing). I also was the voice director for most of them and worked with the composers and sound effects people as well as working with the engineers on the final mix. I got to learn and do a lot. That was for Buzz Potamkin at Southern Star. I also worked for him years later at both Disney TV and Hanna-Barbera. At HB I got to be Supervising Producer on a couple of movies for TV – Titles change in animation all the time – today that would be supervising director. The Flintstones’ Christmas Carol was my favorite project there. I’ve been an animation timing director since then and have been lucky enough to work on Kim Possible, Teamo Supremo, Billy and Mandy and Bob’s Burgers among dozens of other shows.
How did you become interested in animation?
It wasn’t animation per se that I loved it was just the idea of being a cartoonist. Drawing funny pictures that made people laugh. What I really wanted to do was be a strip cartoonist. I tried several strips, both alone and with a partner, but was never able to create anything that the syndicates liked enough to buy. However I did write the Rugrats comic strip for five years. I learned a lot – it’s a very tough job.
Where are you from and how did you get into the animation business?
I’m from McKeesport, PA – but we moved to Los Angeles when I was seven. I went to Cal State Northridge as an art major and in my last year I met Martin Crossly, who worked at H-B in the Xerography department. He told me that H-B was beginning a class. He told me to take a portfolio to Tiger West and tell him Martin sent me. This was in the summer of 1976. Somehow I made the cut and I was Continue reading
Jason Fittipaldi
http://vimeo.com/100823735
What is your name and your current occupation?
Jason Fittipaldi – Animator
What are some of the crazier jobs you had before getting into animation?
Putting letters on those signs that fly behind planes. You would have to construct the sign banners (kind of like putting letters on a movie theater marquee) in this hot, buggy field. Then, you would set it up on this goal post construct with a tight rope across the top. The plane would fly low with a big hook hanging from the bottom and (most times) snag the tight rope at the top and take off with the new sign. You would have to break down the one it just dropped and set up another for the next round. We had an ongoing wager with the company next to us in this makeshift airfield that any signs that went up backwards, upside down, or wrong and you had to buy the other team a case of beer.  Right before going into animation full time, I wore every hat possible at a small construction company that sold prefabricated buildings worldwide. Everything from Marketing and Sales to IT and Conceptual AutoCad project drawings.  What are some of your favorite projects you’re proud to have been a part of?  I really enjoyed the creature work we did on Underworld: Awakening. We got to work very closely with the directors on that project and had a lot of creative freedom for some of the sequences (which is not always the case).  Thor was one of my first professional projects, so that definitely sits pretty high on the memories list as well. Animating some of the Destroyer shots on that show was a blast.  Right after that, we moved onto X-Men: First Class, but we didn’t get to do any character or creature work on it (other than digital doubles for vfx). We did animate a lot of the super power fx for Havok, Banshee, and  Darwin. X-Men was one of my favorite comics growing up so the younger version of myself was hitting me with all kinds of high-fives from the past.
Where are you from and how did you get into the animation business?
I grew up mostly in Southern New Jersey and have spent a lot of time in Florida as well. When I was younger (about ages 4-5), my grandmother had a couple of flipbooks of things like ballroom dancers that I found. They were incredibly fascinating to me and I started to make my own flipbooks on sticky note pads. Every single one of Continue reading
Todd Hampson
What is your name and your current occupation?Â
Todd Hampson, Founder/CAO of Timbuktoons, LLC, a 2D animation and IP/concept development company.
What are some of the crazier jobs you had before getting into animation?
I grilled and/or burnt many steaks at a cafeteria style steakhouse in the 11th grade and delivered food to (and occasionally had food thrown at me by) elderly patients at a hospital during my first year of college. Good times.
What are some of your favorite projects you’re proud to have been a part of?
Character Design room murals for 3 episodes of Extreme Makeover Home Edition (2 episodes will run the week of Christmas).Visual development and animation production on 9 DVD’s for Phil Vischer’s (Creator of Veggie Tales) latest DVD series “What’s In the Bible?â€.  Action Comic Illustrations and Animation for a National Archives traveling exhibit.  Animated commercial spot for Myth Busters.  Production of Addy and Telly Award winning animated commercial series for an automotive company.
How did you become interested in animation?
I’ve always loved film, animation, story, etc. I saw Jungle Book and Pinocchio as a kid and it blew me away. I never realized I could be an animator, but loved character design and film. If anyone has Continue reading
Dave Merritt
What is your name and your current occupation?
My Name is Dave Merritt and I am an Art Director at Mercury Filmworks.
What are some of the crazier jobs you had before getting into animation?
Washing concrete off of tanker trucks.
What are some of your favorite projects you’re proud to have been a part of?
Probably Toot and Puddle. For adults you need to turn down the sound, but the visuals are stimulating. We had a great team of designers and our director Christian Larocque was always pushing us creatively. I remember our character designer Allan Stuart, Prop master Tom Pajdlhauser and myself were always in early to work. I guess the hard work paid off; I received an Emmy for Location design on that show.
How did you become interested in animation?
Like most of us, as a kid watching animation on TV. My favourite shows were: Continue reading
