Noel Saabye

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What is your name and your current occupation?

My name is Noel Saabye and I’m currently the Owner/ Art Director of my own business ( Clown Pirate Productions, LLC). I specialize in 2D Animation (traditional & Flash), as well as Cartoon Illustration. I occasionally tackle some web design, and social media for local small businesses and I’ve recently started to learn to tattoo!

What are some of the crazier jobs you had before getting into animation?

Hands down, the strangest job I’ve ever had was working at a Dental Lab. They had me doing metal finishing on crowns and bridges prior to them getting the porcelain finish. I have no idea why 19 year old me was trusted to make your teeth.

What are some of your favorite projects you’re proud to have been a part of?


Although the show wasn’t the most popular, I will always look back on HISTERIA! from Kids WB as being the “Big One”. The characters were a lot of fun to work on. My second would be Directing Edd hosting Cartoon Cartoon Fridays for Cartoon Network. I also have several games on CartoonNetwork.com that I’m really proud of including TKO and Magnet Face.

How did you become interested in animation?

I’m the son of a high school art teacher, so I’ve been drawing all my life. Oddly enough, my mom had given me The Illusion of Life as a birthday gift when I was in Jr. High and I never really thought much of it other than it had cool pictures. It wasn’t until after high school that I started trying out different art related jobs and found an opportunity to learn animation.

Where are you from and how did you get into the animation business?


I’m a native Minnesotan. Back in the early 90s I was invited to attend a monthly meeting of comic and animation artists. Each month I would make it a point to learn something from someone new. My eagerness caught the attention of someone who had introduced me to an animator who was starting his own studio. I became his apprentice/ intern and the rest is history.

What’s a typical day like for you with regards to your job?

The majority of my day is spent working on the particular project I may have on my desk, but I also incorporate an hour or two keeping up with my networking on various sites and replying to potential clients. In the case that I’m between projects, I’m probably working on personal art which I sell at conventions or spending time at the tattoo shop.

What part of your job do you like best? Why?

My favorite part of the day is when you hit “the zone” and you’re just drawing as if there’s nothing else around you. I feel that’s when I do my best work.

What part of your job do you like least? Why?


Letting down would-be clients that don’t understand the cost of creative work. At this stage, I would often times really like to work on projects that people come to me with, but I just can’t pay my bills with barters, or portfolio pieces.

What kind of technology do you work with on a daily basis?


My weapons of choice are… Sketchook Pro and my Cintiq. From there I will use Photoshop, Illustrator or Flash.

What is the most difficult part for you about being in the business?

Staying in the business! If you don’t have a full time gig, you’re always networking and trying to secure that long-term project. I kind of like the challenge, but it can be difficult at times.

In your travels, have you had any brushes with animation greatness?


I’ve had the privilege to not only meet, but work with many great animators. Some of which were big inspirations to me including Star Toons owner Jon McClenahan. Also, working at Cartoon Network I was able to meet many of the show creators including Maxwell Adams, Genndy Tartakovsky, and Danny Antonucci.

Describe a tough situation you had in life.

Freelancing is always unpredictable. If you’re not good with your money, you can find yourself it a sticky situation during the down time. It happens to all us. That’s when you learn to save your punch cards from the coffee shop.

Any side projects or you’re working on or hobbies you’d like to share details of?

I have a few game apps in various stages, I’m creating art to sell at various conventions and art festivals and I’m also starting to tattoo.

 

Any unusual talents or hobbies like tying a cherry stem with your tongue or metallurgy?

I have this amazing talent of making people believe I’m much younger that I am. Maybe it’s because I act immature or I don’t dress the part… maybe it’s just taking the animation thing to far and refusing to stop laughing at everything?

 

Is there any advice you can give for an aspiring animation student or artist trying to break into the business? Draw, Draw, Draw! Draw your dog, your cat, a bird out the window… keep drawing. Stop with the Manga characters (unless you already live in Japan). Draw in different styles, and learn the old school methods of animation. I’ve seen too many portfolios from students that rely too much on flash and don’t understand the fundamentals of traditional animation. It’s not just knowing “how” but knowing “why”.

 

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Dean Yeagle

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What is your name and your current occupation?
Dean Yeagle – I have my own animation company, Caged Beagle Productions, and I do cartoons for Playboy Magazine and publish my own books as well.  My pinup girl character, Mandy, has become known all over the world due to the Internet, and I do original drawings of her for galleries and collectors.

What are some of the crazier jobs you had before getting into animation?
Well, aside from a summer job when I was just out of high school with the Head Start program, animation was my first ‘real’ job.  It was interrupted by a stint in the Navy during Vietnam, and then I went back into animation.  There’s plenty of ‘crazy’ in animation, anyway.

What are some of your favorite projects you’re proud to have been a part of? 
I produced, directed and largely animated the Cookie-Crisp cereal spots for eight years…they were fun, sort of like 30 second Tex Avery cartoons.  I worked on  various TV specials, for Warner Bros. (animating Bugs and Daffy and Elmer), and animated the Trolls in The Gnomes; I did pre-production work on ICE AGE; and I did lots and lots of commercials and worked with some great people, here and in London.  And now I’m doing full-page color cartoons for Playboy Magazine.

How did you become interested in animation? 
The way everyone does – watching cartoons as a kid.  The Disney features were just magic to me, and I knew early on that I had to be involved in doing that.  The old Disney ABC network show often had programs about the process of animation, and I knew Continue reading

Darnell Johnson

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What is your name and your current occupation?
Darnell Johnson I am an Illustrator and Visual Development Artist, who enjoys telling stories with color and light.

What are some of the crazier jobs you had before getting into animation?
I didn’t really have any crazy jobs. Starting in high school I started my own t-shirt airbrush business. I designed business cards, flyers, logos, and painted portraits.

What are some of your favorite projects you’re proud to have been a part of?
I would have to say the freelance Marvel gig I worked on pencils for “Dog Pool Vs Void Mutt” in “DeadPool Family”. It was my first big professional job. Still fairly new in my career so I’m sure there will be other projects that I’m proud of in the future.

How did you become interested in animation?
I’ve always love to draw since I was little creating my own comics at home. It was my elementary school art teacher Mrs. C who told me one day to draw my own cartoon characters. From that day on I started to develop short stories to design characters for. They weren’t your greatest stories but it was a start. As I got older my appetite for Continue reading

Jerry Fuchs

What is your name and your current occupation? 
My name is Jerry Fuchs, and I am a cartoonist who animates. I am self employed at Fooksie, LLC. I create cartoons, comics,illustrations, and animations,(both Flash and Traditional).
What are some of the crazier jobs you had before getting into animation?
Well, I am 48, so I have had the opportunity to:  Worked in high school as a janitor, and in the school’s kitchen, in the summers I drove a dump truck and laid cement, fixed pot holes, pulled dead sheep out of settling ponds, (don’t ask), and did a lot of painting.  While attending the Joe Kubert School I worked in a bodega in Dover, being part grocer, part deli-man, and part bouncer.  I have worked in the optical field, selling eyeglasses and doing contact lens trainings. I have also taught karate classes.

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What are some of your favorite projects you’re proud to have been a part of? 
While working at Stone Mountain Productions as the Art Director I was very proud of the laser modules we created that were shown in Dorney Park, Cedar Point, and the State Fair of Texas, as well as Stone Mountain Park in Georgia.  In 2009, my first foray into the Independent Film Festival circuit, “Loser Pays, Winner Stays “, came in second in its division in the DRAGON*CON Independent Film Festival.

 

How did you become interested in animation? 
I have always loved cartoons and comics. Growing up there was an unwritten rule in the house, if there was anything animated during primetime, I had control of the set. My Saturday mornings were filled with Continue reading

Where to Work: Top 100 Studios for Animation Professionals

Animation Career Review has a list of the Top 100 Studios for Animation Professionals. Below is A-B. Click the link for a full list!

343 Industries

This is the studio that took over Bungie’s Halo series back in 2009 and released Halo 4 in 2012.  In October this year we’ll finally get to play Halo 5: Guardians and see what’s in store for the future of Master Chief. No matter where the series is headed, I’m sure 343 will consider hiring plenty more game artists in the coming years to create make Halo 6. Next year we’ll get Halo Wars 2 to help us wait.

A-1 Pictures

This is simply one of the hardest working animation studios in the anime industry today. In 2014 and 2015 combined they have released a new season for twenty four different anime series including the highly anticipated Sword Art Online II and Persona 4 The Golden: Animation. Sure, they often collaborate with other animation studios to complete so many shows, but I don’t think we’ve ever seen a 2D animation studio deliver such an intense schedule of releases in such a short amount of time.

Aardman Animations

If you fell in love with the stop motion clay animation in Chicken Run or the Wallace and Gromit films, then this is a studio name you probably know well already. In 2006, they entered the computer animation industry with the film Flushed Away, and since then they’ve worked on the films Arthur Christmas (2011), The Pirates! In an Adventure with Scientists! (2012), Shaun the Sheep Movie (2015) and they’re currently at work on Early Man (2018) and Shaun the Sheep 2 (TBA).

Animal Logic

My prediction from last year for this Australian studio hasn’t come true yet, but I’m still holding out hope! Illumination Entertainment hired Mac Guff to create most of the film Despicable Me for them, and then used the massive profits to buy the studio outright. Warner Bros. Animation went through a similar symbiotic relationship with Animal Logic, which animated all of The Lego Movie for them, so I still wonder if an acquisition is on the horizon. Either way, Animal Logic just opened a new office in Vancouver a few days ago, so they’re doing just fine! Both offices are hiring, so check them out!

Anzovin Studio

This animation company is located in Massachusetts and offers services in storyboarding, animation, graphic design, game art, software development, Maya plugins, character designs, character rigging, and can work in Maya, Mudbox, 3DS Max, ZBrush, VRay, Substance Designer, and all the Adobe CC products. Their rigging tools look superb, and it’s no surprise they’ve worked with famous clients like Bungie, A&E, PBS Kids, Microsoft, Syfy, DreamWorks Animation SKG, and Sea World. If you want to work on lots of different projects over a year instead of a huge neverending project over many years, then this could be the perfect studio for you.

Bardel Entertainment

The name “Bardel” comes from the names of its married founders, Barry Ward and Delna Bhesania, and they formed this Vancouver animation studio in 1987. Together they’ve handled plenty of large projects in the past, but what’s really gaining them global recognition is The Prophet and their hilarious art in the new television show, Rick and Morty. One of their other ongoing projects is doing all the animations for VeggieTales and VeggieTales in the House.

Bento Box Entertainment

This California studio is one of the younger ones on the list, but already has several hit series under its belt. Founded in 2009, they’ve already helped worked on Neighbors from Hell, Bob’s Burger’s, Allen Gregory, Brickleberry, Out There, Murder Police, and Bordertown. Add in the Web series The Awesomes and Gloves and Boots, as well as the films Achmed Saves America and Madea’s Tough Love, and you’ve got one of today’s most promising young studios.

Bethesda Game Studios

If you’re a gamer, then all I have to say is the Fallout series and The Elder Scrolls series. Enough said? Enough said. Not a gamer? Then this is a studio name to remember; even when it’s been years since they’ve released a game for either series, I still listed them as one of the most influential video game studios in the world. When Skyrim came out in 2011, the Internet was a quiet wasteland for a few days as everyone unplugged to play the expansive game. Forums went dry, comments sections were barren, and no one got insulted on YouTube for a whole sixty seconds once. Then, a few days later, the Internet damn near broke when everyone came back all at once and discussed the game everywhere and anywhere on every dot com imaginable, which made for one of the most memorable months the net has ever experienced. This November, Fallout 4 will finally be released! Prepare yourselves!

BioWare

One of the oldest game studios on this list, BioWare was founded back in 1995 and has been relevant ever since then. Its famously memorable storylines rely heavily on award winning writing, making it a highly competitive studio to get employed at. Lately they’ve been releasing several games for the series Dragon Age and Star Wars: The Old Republic, and are now looking to launch another Mass Effect title. They’ve got a lot of exciting things in motion, but they also have a lot of job applications, so bring your best and see if you can get an interview.

Blizzard Entertainment

In one word, legendary. Blizzard was legendary long before they became an Activision subsidiary. Sometimes Blizzard gamers can be notorious for only playing Blizzard games, but even when that’s not the case, the loyalty is still strong. When Blizzard releases a game, almost everyone plays it, regardless of their demographics. For decades they have released the most breathtaking 3D animated cinematics the world has ever seen, even when compared to the best films the box office has to offer those years. They only hire the best, but the projects they tackle are so huge that they hire a lot of employees, so if you want to be one of the thousands of names listed in their next credits list, then apply and see what happens!

CONT’D…

Matt Novak

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What is your name and your current occupation?
Matt Novak. Children’s Book Author and Illustrator. (Occasional animator)

What are some of the crazier jobs you had before getting into animation?
Can’t really say I’ve had any “crazy” jobs. In high school and college I was a puppeteer and an actor. Our puppet troupe was called “Pegasus Players” and we performed at amusement parks, birthday parties, flea markets, farmers markets and anywhere else that would pay us a few bucks to make kids laugh. Also, acted on stage and in a nationally syndicated radio show called “Willow Crossing.” I played the part of a freckle faced kid named Billy, which was very convenient since I was a freckle faced kid at the time.

What are some of your favorite projects you’re proud to have been a part of?
I think my favorite animation project to have been a part of would hands down have to be “Beauty and the Beast.” To be part of the team that created the first animated film to ever be nominated for “Best Picture” That’s pretty cool. Of course, I’m proud of ALL the books I’ve created as well.

Where are you from and how did you get into the animation business?
I grew up in the small coal mining town of Sheppton, Pennsylvania. (Population at the time, about 700) I was always interested in animation. Even before kindergarten. It was the closest thing to magic that existed in my world. As I grew up I watched a lot of cartoons and devoured any books about Walt Disney and the animation process. Tried making some Continue reading