Serap Pamir

What is your name and your current occupation?
My name is Serap Pamir. My current occupation is 3d character animator in an animation production company.

What are some of the crazier jobs you had before getting into animation?
I had not had any crazier jobs before this one. But I made and sold necklaces and I worked as a English-Turkish translator few year ego and worked as software developer that I used love a lot. But In my mind I used to wish deeply to work in an animation company one day about 3d animation but did not decide exactly as a software developer or as a 3d animator. But now I love very much working as an 3d character animator in an animation company.:-)!!!

What are some of your favorite projects you’re proud to have been a part of?
One of my software I developed and wrote totally my self. There was a little girl and a boy ice skating when the user pushed the 23 different figure buttons on the screen. The girl and the boy fluently do the necessary figures after completing the current one. But it was 2 dimensional pictured. I did all the pictures by myself too. But I do not think this is a project that to deserve to be proud of…But this is also for pc not for internet so I have no link of it. Two ice skating 3d animations I have done recently.

Where are you from and how did you get into the animation business?
I am from Ankara, Turkey. I started working on 3d animation and modelling to make

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David Gomes

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What is your name and your current occupation?
My name is David Gomes. I’m the CEO of SEMOG Entertainment and creator of “Godians” webseries.

What are some of the crazier jobs you had before getting into animation?
I worked as a military contractor on the US Embassy of Iraq in Bagdad during the war.

What are some of your favorite projects you’re proud to have been a part of?
I had the pleasure to be part of the BET awards and work on a Diesel Jeans commercial. 

Where are you from and how did you get into the animation business?
I’m from Virginia, however, I claim California as my home, too. Basically, I was Continue reading

Keith Osborn


What is your name and your current occupation?
My name is Keith Osborn. And I’m a freelance character animator.

 

What are some of the crazier jobs you had before getting into animation?
I was once an intern for a super-secret government agency – though I can neither confirm nor deny that. I also drove an ice-cream truck. Until it went up in flames. Interestingly enough, after the firemen came to the rescue, the ice cream was still cold in the charred, warped freezer. I offered them some but they kindly refused. Good thing too as it had a hint of smoky flavor after that.

 

What are some of your favorite projects you’re proud to have been a part of?
Though this was probably the toughest job I had, I’m incredibly proud to have been a part of the Reel FX crew on the new Looney Tunes theatrical shorts. Animating those classic, beloved characters was an absolute honor. In a couple of them, we actually got to animate to Mel Blanc’s voice! I’m also proud to have been a small part of the 2012 Oscar winning animated short film, “The Fantastic Flying Books of Mr. Morris Lessmore” for Moonbot Studios. It’s amazing to me that a crew, largely comprised of recent graduates, was able to put together such a remarkable film.

 

How did you become interested in animation?
I was bored. I had seen every movie that was playing at the movie theater I worked at. Well, all but one. Continue reading

Mike Blum

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What is your name and your current occupation?
My name is Mike Blum and I am a director, producer, writer and owner of two boutique production companies, Pipsqueak Films and Blumayan Films. Pipsqueak Films works on animated content of all sorts and Blumayan Films produces live action features.

 

What are some of the crazier jobs you had before getting into animation?
I waited tables while being a ski bum after college. I couldn’t ski more than 5 feet without falling at the start of the season but was cruising black diamonds by the end. Never did learn to wait tables all that well…And when I was in junior high and high school I worked at this crazy nut, candy, coffee store called The Head Nut. Come to think of it, slinging nuts and candy is a lot like turning the crank in production — head down and scoop away!

 

What are some of your favorite projects you’re proud to have been a part of?
My favorite projects are the ones I’ve had the biggest hand in seeing through creatively. So, even though I worked on nearly a dozen features with world class artists and technical people while at Disney Feature Animation, none gave me the same satisfaction as working on my first shorts, Oil & Vinegar and The Zit.  And while a lot of my colleagues gave me funny looks when I told them I was leaving Disney to direct a series about a pair of talking testicles, The Adventures of Baxter & McGuire (for Comedy Central), got me nominated for an Emmy and took me to great festivals like Sundance and Annecy. And I worked with the amazing showrunners Michael Weithorn and Nick Bakay.  But my favorite project so far is the one I just completed, Samurai! Daycare. It’s a 10 part, Flash animated web series I did for the new YouTube channel, Shut Up! Cartoons. It’s the first property I sold that made it all the way to series and it was great fun to showrun my own creation.

 

How did you become interested in animation?
Where are you from and how did you get into the animation business?
I’ll answer these 2 questions together…. I was a huge fan of Bugs Bunny growing up. I know, I know I have such unusual tastes. But I really never had any classic artistic skills and grew up so far removed from “the industry” in the Philadelphia ‘burbs, it never occurred to me in at least a conscious way that it could be a career. I did, however, Continue reading

Doug Vitarelli

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What is your name and your current occupation?
Doug Vitarelli. 3D animator at one of those big networks. Adjunct professor at NYU.
What are some of the crazier jobs you had before getting into animation?
I was a roustabout for the Big Apple Circus. Spent 2 summers travelling the northeast with some seriously interesting characters.
What are some of your favorite projects you’re proud to have been a part of?
I directed “The Buddy System”, a pilot that went nowhere but was a lot of fun to work on. Won a bunch of awards too. I was an animator on “Sonic Vision” an updated 70’s laser light show for the American Musuem of Natural Histoy’s Hayden Planetarium. Going into the theater and seeing your work projected in a dome was a ton of fun.
How did you become interested in animation?
In high school I was given “The Illusion of Life” for a Christmas present and finished reading it in 3 days. I was always Continue reading

Jason Fittipaldi

http://vimeo.com/100823735

What is your name and your current occupation?
Jason Fittipaldi – Animator

What are some of the crazier jobs you had before getting into animation?
Putting letters on those signs that fly behind planes. You would have to construct the sign banners (kind of like putting letters on a movie theater marquee) in this hot, buggy field. Then, you would set it up on this goal post construct with a tight rope across the top. The plane would fly low with a big hook hanging from the bottom and (most times) snag the tight rope at the top and take off with the new sign. You would have to break down the one it just dropped and set up another for the next round. We had an ongoing wager with the company next to us in this makeshift airfield that any signs that went up backwards, upside down, or wrong and you had to buy the other team a case of beer.  Right before going into animation full time, I wore every hat possible at a small construction company that sold prefabricated buildings worldwide. Everything from Marketing and Sales to IT and Conceptual AutoCad project drawings.  What are some of your favorite projects you’re proud to have been a part of?  I really enjoyed the creature work we did on Underworld: Awakening. We got to work very closely with the directors on that project and had a lot of creative freedom for some of the sequences (which is not always the case).  Thor was one of my first professional projects, so that definitely sits pretty high on the memories list as well. Animating some of the Destroyer shots on that show was a blast.  Right after that, we moved onto X-Men: First Class, but we didn’t get to do any character or creature work on it (other than digital doubles for vfx). We did animate a lot of the super power fx for Havok, Banshee, and  Darwin. X-Men was one of my favorite comics growing up so the younger version of myself was hitting me with all kinds of high-fives from the past.

Where are you from and how did you get into the animation business?
I grew up mostly in Southern New Jersey and have spent a lot of time in Florida as well. When I was younger (about ages 4-5), my grandmother had a couple of flipbooks of things like ballroom dancers that I found. They were incredibly fascinating to me and I started to make my own flipbooks on sticky note pads. Every single one of Continue reading