Johan Anton Klingler

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What is your name and your current occupation?
Allow me to introduce myself, my name is Johan (Jonathan) Anton Klingler and I am presently a FullTime Faculty Instructor with the Art Institute of Dallas. I also am a writer/illustrator in partnership with my wife, Norma Rivera-Klingler, for a series of 15 children’s books. We run our own very small freelance production business, Double Exposure Productions, from our home.

What are some of the crazier jobs you had before getting into animation?
I was a factory worker working for a company that built vender machines and in that job I saw some things one would think are only seen in war times. We used machines called break press machines which are simply machines that bend very large sheets of metal or punch holes in them. You would know them if you saw the movie “Terminator”. The machine that crushes the Terminator is a machine like the ones I’m describing. When you stand in front of it, it is massive. When you walk by others using one, the first thing that strikes you is the “tethering” lines from the machine to the wrists of the workers. It looks like some futuristic and yet dark ages contraption for torture. The purpose of the tethers is to keep people from getting their arms crushed under a ton of metal as the machine lowers its die-cut block and hydraulics press even further to cut through the plate of metal placed under the press by human hands. No hand or arm stands a change if your to slow so these lines are attached to a pulley system so that when the block comes down, your arms and hands are pulled out. To Forman this means the job can only be done at one speed, the speed of the machine. Often Forman will tell workers to not use the tethers so as to work faster that way as the press starts to come down a worker can already be getting the next sheet of metal ready for loading. If a worker is too slow pulling his or her arm out or is distracted then they lose a limb as it will be crushed or severed depending on the type of die-cut. I saw this happen a few times. I even had to pack a couple of some individuals fingers in an ice chest for reattachment so that when the paramedics came we could give them the parts to the individual. That wasn’t the craziest area there though. There was a room called the stripping room were metal sheets were lowered into a solution of cyanide based liquid formula of some kind. I was told that if a single drop of water got into it then it would produce enough gas to kill a quarter of the building’s occupants. I was a janitor on the night shift and it was my job to clean that room with water based cleanser. Now that job was crazy.

What are some of your favorite projects you’re proud to have been a part of?
All the productions I was given the privilege of working on at Disney were incredible but I think working on Continue reading

James Caswell

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What is your name and your current occupation?
James Caswell. I’m a freelance storyboard artist in Toronto (the GTA.) I also occasionally instruct at Sheridan College in Oakville.

 

What are some of the crazier jobs you had before getting into animation?
I’m not sure if it is crazy but I worked at a Famous Players cinemas (3 screens) for 7 years. This is where I first experienced multiple viewings/study of the same movie. (pre VHS and DVD days.) However, our cinema was targeted with mid 70’s action movies –Dirty Mary, Crazy Larry, The Devil’s Rain and lots of early kung fu- Five Fingers of Death. Tarantino territory. I did get passes to all of the chains other theatres, so I also saw the other classics of the time as well. And I learned to make great popcorn.

 

What are some of your favorite projects you’re proud to have been a part of?
I like working on different styles of projects with different directors. I like action comedy but these days, it is mostly pre school work. In the early ‘90s, I worked on Project Geeker. It was a show on CBS created by Doug TenNapel. I loved the mix of action, science fiction and goofy comedy. It was really fun to board and I was sorry when it ended. I also really enjoyed working with Brad Goodchild on Pepper Ann. Surprisingly, on a recent trip to China, it was the show in my resume the audience most responded to the most. The Disney machine exposes the world to different products and one never knows which will resonate.

 

Where are you from and how did you get into the animation business?
Born in the wilds of northern Ontario, I learned to draw from a mix of Marvel comics (Jack Kirby) and MAD magazine (Jack Davis.) After I moved to southern Ontario, I studied briefly at Sheridan College in a comics program they had in the late ‘70s, then graduated in advertising illustration at the Ontario College of Art (now OCADU.) Asked by a prof what I was going to do after graduation, I replied: Continue reading

Craig Wilson

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What is your name and your current occupation?
Craig Wilson, I’m predominantly a board artist for television animation these days.

 

What are some of the crazier jobs you had before getting into animation?
Nothing to crazy, but depressing?  Quite a few…

 

What are some of your favorite projects you’re proud to have been a part of?
Recently, “Wolverine & the X-Men” was a hoot as well as coming out pretty good. I directed a DTV 3D feature a few years ago titled” Dragons: Fire & Ice.”  We really tried to get a dark, graphic look to Maya, lots of blacks…everyone had Hellboy pages around their desks, there’s a lot of good stuff in there.  I was overseas animation director on “Where in the World is Carmen San Diego?” back in the ‘90s.  Again, a fun experience, and I won an Emmy on that (of course, it’s in some producer’s office, all I got was the certificate thingy.)  I’ve been with a few companies in their formative years, which is always great.

How did you become interested in animation?
Despite being a Warner Bros fan like everyone else, I was really a Continue reading

Eddie Soriano

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What is your name and your current occupation?
Eddie Soriano Supervising Director at Big Bad Boo Studios in Vancouver, Canada
What are some of the crazier jobs you had before getting into animation?
Being a Draftsman in an Engineering firm that pays not even $6 bucks a day. Crazy, but this happened not in America, but back in the Philippines where I came from more than 20 years ago.
What are some of your favorite projects you’re proud to have been a part of?
Projects from Nickelodeon: Angry Beavers and Catdog… I directed a few episodes.  Timing Director for Timon and Pumbaa, the TV series.  Atomic Betty, I directed a few episodes.

How did you become interested in animation?
It just happened by accident. I was working with a group of artists (painters) way back late 80’s. I saw them preparing Continue reading

Ed Anderson

What is your name and your current occupation?
Ed Anderson, CEO Mongadillo Studios

What are some of the crazier jobs you had before getting into animation?
I was a Caricature artist at a Six Flags amusement park, did that for five Summers in a row.

What are some of your favorite projects you’re proud to have been a part of?
I’m personally really proud of our original cartoons “Shawks” (The Web Series) and “Holiday Force”, they still make me laugh.

How did you become interested in animation?
I did my Junior year in college as an exchange student at Sheffield Hallam University in England, where I was studying painting. A friend of mine told me that there was a 16mm Bolex camera and Rostrum set up in the Photography building that no one was using. I immediately set out to Continue reading

Boom Cookie

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What is your name and your current occupation?
Boom Cookie. I am an illustrator, currently designing for animation.

 

What are some of the crazier jobs you had before getting into animation
One of my first jobs was for a local movie theater that only had two screens (I watched Disney’s Tarzan and Notting Hill about a dozen times)… and UPS on the night shift packing trucks. That was only fun because I worked with my girl friend, and we’d have farting contests to see who would have to evacuate the truck first. Once in college I held a job as an office clerk at a rental agency. And the worst was when I tried telemarketing for home security systems. I had to quit when I found out the call lists were for the parents of newborns… and I didn’t want to know how they got that info.  All that before I realized – OH, I can make money from my art work!!

 

What are some of your favorite projects you’re proud to have been a part of?
I sure enjoyed working on “Robot and Monster” for Nickelodeon. The crew was amazing, the style was fun, and the writing was awesome. ‘Twas a good fit.

 

Where are you from and how did you get into the animation business?
I grew up in Massachusetts (USA). I always loved animation, so it made sense to pursue the business when I dedicated myself to art. At 21 I moved to San Francisco to go to art school, and I really loved my classes. I met with the head of the animation department every semester to get her advice on what classes to take, and in my last year Continue reading