Tag Archives: Storyboard Artist

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Perry L J Osuna

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What is your name and your current occupation? 
Perry L J Osuna,  Independent Designer, 2D Animator and Storyboard artist .

 

What are some of the crazier jobs you had before getting into animation?
I had a job selling chocolate cover amond’s, door to door at double the price you’d usually get a box for normally.  They drove us around in a small school bus to different neighbourhood’s to petal their over priced chocolates. The biggest joke about the job was the pay.

 

What are some of your favorite projects you’re proud to have been a part of?
I worked on this independent project. It’s called the Mosaik Project,  the idea was to showcase some of Toronto ( Canada ) talent base. The funny thing  is I almost didn’t get the gig.  I was asked to design Toronto but from a robotic view point. I was told I couldn’t use any existing robot designs concepts, everything needed to be original.  I’m sure anyone who designs will agree this kind situation doesn’t happen often. I had full creative range with respect to the clients final approval .  In the end the client was very happy with the work.

 

How did you become interested in animation?
I listened to a lot music growing up .  I use to day dream about how Continue reading

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“What it’s Like to Be A Storyboard Artist on The Regular Show” by Sam Spina

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If you’ve ever been curious about what it’s like to storyboard for The Regular Show, here’s a very in-depth comic about what it takes to make an episode. One of the most interesting things he says at least for me is that the entire show is still done traditionally on paper, using Post-Its, white out and good ‘ol pencils!

You can see the entire comic by clicking this link.

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CineSpace 2016

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For the second year in a row, NASA and Houston Cinema Arts Society are inviting filmmakers around the world to participate in CineSpace, a short film competition that is inspired by, and utilizes actual NASA video footage.

Eligible submissions include short video, film, and digital-media works of 10 minutes or less. CineSpace is seeking films from all genres and styles including but not limited to: experimental, narrative, documentary, comedy, drama, animation, ambient, music videos, re-mix, sports, horror, and underground.

Prize Details: The total prize purse for this competition is USD 26,000. In addition to monetary prizes, winners shall receive tremendous exposure for their work.

Application Instructions: Last date for submission is July 31, 2016. No entry fee is required.

Guidelines/ Registration Link: You may visit the CineSpace 2016 challenge page to register and to check out last year’s winners and finalists.

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Arshad Mirza Baig

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What is your name and your current occupation?
Arshad Mirza Baig Freelance Animation Artist – Currently storyboarding

 

What are some of the crazier jobs you had before getting into animation?
I have been fortunate enough to have been involved with animation from an early age The first freelance job I obtained was at age 15, whilst still a schoolboy – I had to animate characters for a PC adventure game. I did however help out at my father’s pharmacy whilst going through college and then university…I gained a lot of information about medicines and health that I still draw on today and often advice my colleagues what they should take and when they should take it…something I really should stop doing as I am not a qualified pharmacist!

 

What are some of your favorite projects you’re proud to have been a part of?
Its funny because as a child growing up I dreamed of being a part of the Hollywood machine – of course the stuff they produced was amazing but after having being involved with a few of those higher end projects such as ‘Tale of Despereaux’ and ‘Fantastic Mr Fox’ I personally found the work I done for the smaller lesser known projects far more rewarding. If  I had to choose one it would be the low budget feature film ‘Sokator 442’ (produced by Galleon entertainment and Zoo films). I was given the choice to work on Tim Burton’s ‘Frankenweenie’ as a story artist or head the story and art department of this smaller project and I even surprise my self when I think back to how I didn’t hesitate when I chose Sokator 442. I had the creative freedom to rework the script direct the action sequences design all the central characters. Aid with animation and editing…even throw in a voice or two it was a dream job for me! Sadly the film only sold to Nickelodeon in Australia and New Zealand – but I have no regrets – it has certainly been the highlight of my career and I can look back on that project and really feel that my art made a difference to the outcome.
How did you become interested in animation?
As a child I was drawn to the Asterix and Tintin comics and still love them to this very day. I began writing my own comics at around  6 years old and then I think at age 7 I saw Disney’s Continue reading

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Ray Alma

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What is your name and your current occupation?
Ray Alma.  I currently work full time doing storyboards and animatics at Larry Schwartz and His Band (formally Animation Collective)  I also freelance as an illustrator for magazines and do freelance storyboarding for advertising.

 

What are some of the crazier jobs you had before getting into animation?
I spent 2 weeks working as a staff artist at World Wrestling Entertainment in Stamford, CT. I had to draw wrestlers for comic books and lunchboxes, that kind of stuff. They let me go because they didn’t think I drew leg muscles well enough.

 

What are some of your favorite projects you’re proud to have been a part of?
I was a fairly regular freelance artist contributor to Mad magazine from 1996 to about 2003. Mad magazine inspired me to become a cartoonist so being able to become one of the “Usual Gang of Idiots” was a life long dream.

 

How did you become interested in animation?
I always loved animation, and when illustration work started to Continue reading

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Angelo Libutti

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What is your name and your current occupation?
My name is Angelo Libutti. Senior Storyboard artist at Digital Domain Media in Florida.

 

What are some of the crazier jobs you had before getting into animation?
 First job was bar tending, just for cover a friend’s shift, but that job didn’t turn out so good, (even though I made a lot of money in tips), I accidentally broke all the glasses that were just taken out from the dishwasher.  I started really young at 16 doing illustrations for magazines and newspapers and got contacted by Disney to draw comics in Italy…and since then I kept art jobs.

 

What are some of your favorite projects you’re proud to have been a part of?
Definitely “Triplets of Belleville” a classic for the animation lovers, even if was my first official job in the animation field I had the honor to start as lead Key animator. It had a European style that was familiar to me, and I was able to deliver my footage quickly.

 

How did you become interested in animation?
I was quite a good draftsman at a young age. Back then I Continue reading