FOR IMMEDIATE RELEASE
DUNCAN STUDIO PROVIDES ANIMATION FOR NEW SEQUENCES FEATURED IN
“THE IRON GIANT: SIGNATURE EDITIONâ€
DIRECTOR BRAD BIRD’S CLASSIC ANIMATED FILM HAS BEEN RE-MASTERED WITH TWO NEW SEQUENCES AND COMES BACK TO THEATERS THIS FALL FROM WARNER BROS. AND FATHOM EVENTS
Pasadena, California, September 15, 2015 – Duncan Studio is proud to announce their collaboration with director Brad Bird and Warner Bros. Pictures on the re- mastered version of the animated action adventure, “The Iron Giant: Signature Edition.â€
“Brad had storyboarded two additional sequences during the production of the original film that were never finished due to time and budget constraints,†said Ken Duncan, head of Duncan Studio. “So when Warner Bros. approached us earlier this year about setting up a team to help bring Brad’s vision to fruition, we jumped at the chance to work on this beloved classic. Coincidentally, we already had several key artists and animators who worked on the original film working at our studio, so it seemed like a great fit,†he continued.
Director Brad Bird added, “When the opportunity arose to produce new scenes originally planned for “The Iron Giant,†my first thought was Duncan Studio. Beyond the fact that Ken Duncan himself is a brilliant animator, his staff was blessed with several veterans of the original “Iron Giant†team, which helped immeasurably in our effort to have the new scenes blend in seamlessly with our original footage. Duncan Studio did a wonderful job.â€
Among the veterans from the original film, animation supervisors Chris Sauve and Wendy Perdue reprised their roles and animated their characters Dean and Annie, along with the help of animator Sandro Cleuzo; original background department head, Dennis Venizelos, oversaw backgrounds for the new sequences; and effects animation was again supplied by Michel Gagné. Additionally, a crew of approximately 20 artists at the studio animated the CG Giant, created layouts, painted the backgrounds, cleaned up the hand-drawn animation, inked and painted the characters, and composited all elements digitally over the course of four months.