Dan Fraga

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What is your name and your current occupation?
Dan Fraga. I’m the director of The Ricky Gervais Show.

 

What are some of the crazier jobs you had before getting into animation?
There have been a few. Comicbook artist, Storyboard artist, Set Designer, Visual Effects Supervisor, Second unit director. Burger King.

 

What are some of your favorite projects you’re proud to have been a part of?
One of my favorites was being part of the launch of Image comics in 1992. Designing the sets for the Victoria’s Secret Fashion Show 2008 was a hoot as you might imagine. I’m really proud of the work my crew and I did for The Ricky Gervais Show Season 3.

 

How did you become interested in animation?
When I was a kid, my parents took us to this discount store. In it I found this Fisher Price Movie Viewer  and it came with a cartridge for Disney’s Lonesome Ghosts.  I’d seen the cartoon before, but I never had the ability to step through it one frame at a time like you can now with a dvd player of quicktime clip. This was the late 70’s early 80’s, so for me to see that animation was 24 drawings making up a second of movement was like learning the secret to the greatest magic trick. Of course afterwards I made flipbooks and what-not. I eventually discovered comics and took detour from animation. After working as a storyboard artist in feature films, I started noticing the changes and compromises being made from board to final shot and it was kind of a bummer. When I started working on The Hard Times of RJ Berger for MTV, it was the first time that I got to see what I boarded translated near perfectly to final shot. It’s intoxicating. I felt that magical feeling that I once got as a kid with that toy. I love all things animation and made it my mission to learn all that I could about the different kinds that are out there and the histories behind the masterpieces we all love.

 

Where are you from and how did you get into the animation business?
I’m from North East Bay Area by San Francisco. I got into the animation business through working on The Hard Times of RJ Berger. I was storyboarding the show and providing on camera artwork for the main character who was an aspiring comicbook artist. The creators of the show asked if I could Continue reading

Thomas E. Richner

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What is your name and your current occupation?
Thomas E. Richner, Associate Professor of Animation at the Columbus College of Art and Design

 

What are some of the crazier jobs you had before getting into animation?
Its not too crazy, but I worked at McDonalds the summer before I started graduate school at the UCLA School of Theater, Film and Television where I studied animation.  I’m not sure why I decided on McDonalds, but I’m glad I did it.  I learned that I really wanted and needed to ‘make it’ in animation after that experience.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m very proud of episodes of ‘The Simpsons’ that I worked on.  Working on a high profile show is fun because you know a lot of eyes are on your work.  However, I’m also very proud of the smaller projects I’ve done, like a commercial I created a couple years back here in Columbus, Ohio.  Directing your own work is very rewarding as well.

 

How did you become interested in animation?
I started off as a biology major in college, but half way through college I switched my major to art.  There were actually a number of us that migrated from the sciences to art that year.  I think there is definitely a connection between Continue reading

“Nightmare in the Morning” by Yonatan Tal

Yonatan Tal’s  3rd year film at CalArts, “Nightmare in the Morning” is a music video about the way he feels in the morning.
It was an honor to work with the amazing talents who created the original song for it:
Song writer: Abby Lyons
Singer: Natalie Perez
Music production: Daniel Markovich (danielmarkovichmusic.com)
Sound design: Ron Cohen

Chris Deboda

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What is your name and your current occupation?
My name is Chris Deboda. I’m currently a freelance concept artist/illustrator for the film and gaming industry.

 

What are some of the crazier jobs you had before getting into animation?
None really. I’ve been a sales associate at a department store where the only crazy things there were a few of the customers on occasion. The real craziness didn’t begin until once I got into the industry.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m proud of almost all the projects I’ve been a part of in some form or another as long as I was able to learn and grow from each one. The most notable project I’ve been a part of to date would probably have to be the video game called “Red Dead Redemption” which has won an award or two.

How did you become interested in animation?
Growing up on 80’s cartoons, I’ve always been interested in animation ever since I could remember. I was also a huge fan of the old Warner Bros. Chuck Jones and Tex Avery shorts. And of course classic Disney Animation as well. It wasn’t until the 1990’s era of Disney Animation when Continue reading

Cheyenne Curtis

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What is your name and your current occupation?
Cheyenne Curtis and im currently working for Disney Television Animation

 

What are some of the crazier jobs you had before getting into animation?
In Montreal i once worked at this really shady linen store that had no bathrooms. Since i worked alone all day,  i used to have to call friends to come over and watch the store for me while i ran to the bathroom! The good part of that story is working alone all day meant some nice sketching time when the store was empty.

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve had so much fun doing character designs and layouts for the Disney TV pilot i’m working on, Daron Nefcy and Dave Wasson are so amazing to work with!

How did you become interested in animation?
Originally i had no idea that animation could be a career! I was in Studio Arts at Concordia University in Montreal and i remember feeling like i didn’t quite belong, even though everyone was interested in art.  Luckily one of my friends suggested Sheridan Institute in Oakville, and i applied and got in! I had never done Continue reading

Dave Redl

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What is your name and your current occupation?
Dave Redl.  Gun for hire cartoonist/animator/animation director and for corporate America, “New Media Director” (which means I make stuff move on computers.)

 


What are some of the crazier jobs you had before getting into animation?
I worked in construction building low income housing in Newark NJ where I saw a 10 year old strip an abandoned car under a minute while nailing up roofing shingles.  I worked in a garden center that was struck by lightning and crashed a golf cart used to transport flats of geraniums because I was listening to Led Zeppelin on my Walkman.  I worked a night shift at a factory loading clothes onto trucks with a dude named Steve, also a Zeppelin fan, who proudly showed me a corner in the rafters that was hidden from security cameras, perfect for naps and complete with a potato sac bed.  Unfortunately, I split before solving the mystery of which restroom was used by fellow co-worker, “Roberto” who had ridiculously enormous and feminine breasts.

What are some of your favorite projects you’re proud to have been a part of?
All of them.  If they put food on the table and made my boss happy… I was proud of them.  Not every gig you get looks good, possibly due to “tweaking” or “corporate politics” so you must find pride in doing what you can with what you got.  For example, I was Layout Animation Supervisor, where I drew nothing for a TV show canceled during production!  But the people I worked with had kind things to say.  That left me proud of being a good boss even though I have nothing on my reel to show for it.

 

How did you become interested in animation?
For as long as I can remember.  But growing up on The Smurfs, I preferred