Chris Savino

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What is your name and your current occupation?
MY NAME IS CHRIS SAVINO. CURRENTLY I SERVE AS THE PRODUCER AND DIRECTOR OF DISNEY XD’S ANIMATED TELEVISION SERIES: KICK BUTTOWSKI SUBURBAN DAREDEVIL.

What are some of the crazier jobs you had before getting into animation?
BOY, I DON’T KNOW IF IT CRAZY, BUT ONE SUMMER I TARRED THE ROOFS OF INDUSTRIAL BUILDINGS. IT WAS GRUELING AND BACK BREAKING WORK, BUT MY FARMER’S TAN WAS PRETTY AMAZING!

 What are some of your favorite projects you’re proud to have been a part of?
I FIND PRIDE AND LEARNING IN EVERY JOB I HOLD. I HAVE BEEN FORTUNATE (LUCKY) TO WORK ON SOME REALLY GREAT PROJECTS WITH SOME EQUALLY GREAT AND TALENTED PEOPLE. I ALWAYS LOOK FORWARD TO MY NEXT PROJECT BEING MY
FAVORITE!

How did you become interested in animation?
I WASN’T REALLY “AWARE” THAT ANIMATION WAS A CAREER CHOICE UNTIL LATE HIGH SCHOOL. WHEN I REALIZED THIS I TOTALLY IMMERSED MYSELF IN  Continue reading

Mingjue Helen Chen

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What is your name and your current occupation?
My name is Mingjue Helen Chen and I’m currently a Visual Development Artist at Disney Feature Animation.

 

What are some of the crazier jobs you had before getting into animation?
I’ve led a pretty uneventful life I’m afraid, although I did work at a Coldstone Creamery when I was in high school and had to sing for tips.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m fortunate enough to be able to say that every project I’ve worked on has been special to me! On Frankenweenie, I felt a great deal of trust from my art director, and was allowed to do a lot of different things like set design and moment paintings. I didn’t realize until recently how rare it is to have that kind of trust placed in you, let alone on your first production as an art student. Working at Cinderbiter with Henry Selick was super fun and engaging, since I was there very early on. Paperman is dear to me because the people I was working on are still some of my favorite people, ever.

 

Where are you from and how did you get into the animation business?
I was born in Beijing, China, and moved to the US very young. I mainly grew up in Minnesota. I got into the animation business accidentally, figuring it was Continue reading

Tad Butler

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What is your name and your current occupation?
My name is Tad Butler and I am a freelance storyboard artist and illustrator.

 

What are some of the crazier jobs you had before getting into animation?
I guess the craziest job would be operating a cigarette tax stamping machine for a wholesale food and tobacco product distributor. I have also worked as a route salesman for a health and beauty aids distributor, an assistant web press operator, a bus driver and a retail sales associate to name a few.

What are some of your favorite projects you’re proud to have been a part of?
I am very proud to have been a part of making the film, Alone Yet Not Alone. It is a period film set during the French and Indian and tells the remarkable true story of one young girl’s faith, courage and determination to reunite her family that has been torn apart by the war.

Where are you from and how did you get into the animation business?
I am from the great state of Virginia. I reside there in a little hamlet nestled among the Blue Ridge Mountains know as Continue reading

Kareem Omii Thompson

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What is your name and your current occupation?
My name is Kareem Omii Thompson, and I am a production designer in the animation industry as well as an independent film maker.

What are some of the crazier jobs you had before getting into animation?
While in school I’ve worked quite a few, even 2-3 at a time. I would say the wildest experience was being a security guard in a hospital.

What are some of your favorite projects you’re proud to have been a part of?
One in particular would be directing a pilot for Disney XD called Hood. Worked with the brilliant creator Howie Shia and a super talented crew of artists; Lillian Chan, Jon Ng, Louis Norris, Shaz Lym, Lubomir Arsov, Ben Plouffe, Kay Huang, Steve Bar,Pasquale La Montagna, oh and Kenny Ng.

 

Where are you from and how did you get into the animation business?
I was born in Toronto Canada, but raised in Queens NYC. Moved back to Canada when I was 20 and Continue reading

Sherm Cohen

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What is your name and your current occupation?
My name is Sherm Cohen and I’m currently the storyboard supervisor for Disney’s Fish Hooks.

 

What are some of the crazier jobs you had  before getting into animation?
The craziest job I ever had before getting into the animation business was working as a psychiatric aide at a mental hospital. When I first got hired, I thought it picked me because I was a promising student in my psychology classes — but it turns out they hired me because I’m a pretty big dude, and one of the key job responsibilities was being able to tackle and restrain mental patients! I got a really grim view of the inner workings of the mental health insurance schemes, but I didn’t end up quitting that job until after I received a concussion from one of the patients in the isolation tank.

 

What are some of your favorite projects you’re  proud to have been a part of?
Of all the projects I’ve worked on in my cartooning career, I’m most proud of the work I was able to take part in when I was on SpongeBob SquarePants. It just makes me so happy when I can see that the cartoons that I wrote and drew have become favorites and bright spots in the lives of so many people all over the world. A few years ago, I was standing in line at the DMV when I noticed one of the office workers cubicles in the deep background; it was completely decked out with SpongeBob posters and cards and drawings and toys… and I decide it was really neat that somebody who was working in a dreary government bureaucracy, we have brightened our day by surrounding themselves with a cartoon that I worked on. I’m also enjoying the heck out of my current job on Fish Hooks. The show is pure cartoon fun and the crew is wonderful to work with. And it’s extra-special experience because Continue reading

Review: The Wacom Cintiq Companion

Hello and Welcome!  I am your “geeky artist gal pal” Val, and this is my first-ever tech review.  I’ll be covering the “Cintiq Companion”, a portable drawing tablet from every artist’s favorite tablet company, Wacom.

wacom-cintiq-companion-front

Wacom Cintiq Companion v.01

Wacom recently announced the release of the second version of the Cintiq Companion… the Companion 2.
Yay!  This announcement doesn’t surprise me one bit as I just bought the first version of this tablet a few months ago, without any hint of a new one coming out soon.  Ha ha, this is how things often work out for me!  However, from what I’ve read of the Companion 2, there are very few changes.  So I hope this review will help to cover the pros and cons of all models, and help you to decide if this equipment is the right investment for you!

I think I can safely say that if you are used to an iPad, or you primarily use Apple products, you will most likely not like the Cintiq Companion.  Maybe that goes without saying, for the following reasons:

  1. Available OS choices (Windows 8 or Android)

  2. Resolution and/or graphics sizes

  3. Size, especially weight of the machine (nearly 4 lbs vs. iPad Air 2 now under 1 lb).

I opted to try the Windows 8 Companion (as I am a life-long PC girl), and I will also discuss the OS a smidge.  The general buzz I’d heard about Win8 did not get my hopes up… (I even tried using an iPad out of fear I might hate the new Windows).  HOWEVER, I gotta say I have been quite astonished with Win8 overall – I’m more pleased with it than I thought I would be.  (Perhaps also in part to that iPad I tried to use for many months, which led me to nothing but artistic frustration and, er, too much gaming.)

Windows 8 App view vs. regular Desktop view

WacomCintiqCompanionScreenshotsApp View

WacomCintiqCompanionScreenshots2Desktop View

Right, so Win8 surpassed my expectations.  Yes, there is the “app” view, but on this tablet I can seamlessly transition to the normal “PC desktop” view as well.  I’ve found myself a little in-awe over this fact a few times, because it finally reaches that all-in-one device pinnacle.  (That is, if only Win8 had all the app options my smartphone does.)  There are some other small cons to the software I can point to… for example using the bluetooth.

<Start rant:  Bluetooth has become a necessity in smart devices.  In Win8 I SHOULD be able to just swipe open the sidebar menu, tap a button and blah-bling! insta-bluetooth.  Unfortunately on this device I have to swipe open the sidebar menu > Settings > Change PC Settings > PC and devices > Bluetooth.  From there I oftentimes find myself having to un-pair and re-pair my bluetooth, because there’s no click-to-use-this-device-button-even-though-it’s-already-paired-and-should-be-connecting-but-isn’t-for-some-strange-reason.  End rant.>

So yeah, Win8 is indeed a “mixed bag”.  For my purposes as a professional artist, it works rather nicely.  The experience is bolstered by touch-screen capabilities, like switching between apps with a swipe, split-screen-ing, or zooming in and out using your fingers (whee!).  I imagine if I were more ambidextrous, I would “play” this tablet like a turn-table DJ.

Oh, and of course the Win8 Companion runs FULL DESKTOP APPLICATIONS.

The Companion has no problems handling multiple layers in programs like Photoshop and Sketchbook Pro.

Like Photoshop.  Like Toon Boom’s Storyboard Pro.  Yes, I have drawn animatic sequences on my freakin’ tablet.  It is amazing, and there are only two things that I’ve noticed that I want to bring up in this regard.

https://www.youtube.com/watch?v=hqvPuMpwt94

Firstly, the original Cintiq Companion (as well as Wacom’s smallest desktop Cintiq the 13HD) display measures a paltry 13.3”.  This means that full program menus, graphics, and buttons, etc., show up teenie-weenie-tiny on the screen.  For someone that grew up playing a Sega Game Gear in the 90’s, this is a familiar feel, and rather un-phasing.

Unfortunately for those without handheld-gaming experience, and those of you used to a screen that’s, say, 21.5” +, this may be a deal-breaker.  The size of the menus can make it feel like you’re clicking for a needle in a haystack.  In all honesty, I would advise against purchasing one of these machines if you don’t feel like you can or want to compensate for tiny graphics.  I’ve never worked on a widescreen display, (for example the Cintiq 27QHD *drool*), but I imagine that transitioning to a small screen this size if you did would probably suck.

(Sidenote:  To cut-down on menu-clicking, I do find myself wishing for more than four “ExpressKeys” to which I could attach program shortcuts.  These are the buttons beside the screen on the left, accompanied by the “Rocker Ring” and “Windows Button”.  Wacom has granted my wish in the Companion 2, which now has six “ExpressKeys” [see below].)

DTHW1210_LeftView_RGB

Wacom Cintiq Companion v.02

Speaking of “QHD”, this is one of the changes to the Companion 2, which features QHD resolution of 2560×1440, vs. HD of 1920×1080.  ← insert jaw-dropping googly-eyes here.

I don’t really need QHD to draw sketches of Harry Potter, but I imagine for painters it’ll be a dream….

Secondly, there’s the stylus pen, and how it interacts with the screen.  Which is, for the most part, un-remarkably like any of the other Wacom Cintiq models.  I have noticed with my Companion there’s occasionally an increased parallax effect…  that is, I notice the disconnect.  And then there is the way the stylus is calibrated (on purpose?) to work near the edges of the screen.  The cursor becomes seriously displaced.  Perhaps it’s to be able to access off-screen menus?  Regardless, it’s awkward.

WacomCintiqCompanionScreenshots3

Yay!  It’s a Cintiq pen!  The case is pretty sweet.  I dig it.

 

The pen itself is a regular style Cintiq pen, and comes in a very nice case with extra nibs and a nib-grabbing tool.  Oh, and a couple of “Personalization Rings”, should you be watching your pen more than the screen, or should anyone actually look at your pen close enough to notice the color accent.  *ahem*  Speaking of cases, the tablet itself comes with a great neoprene case, with a faux fur-like lining that definitely gives it a cozy home and soft cushioning protection.  Nice touch, Wacom.  However, when it comes to accessories, the accompanying display stand could definitely use a redesign.

You’d think it would be really neat because the idea behind it is fantastic – three different angled tiers to choose from, and I definitely make use of each angle.  However, the stand “attaches” to the tablet via “stand slots”.  Read: No locking mechanism.  There are small issues attached to this design – for example it falls off easily if you open it too far when attempting to stick it into the third-tier position, to put the display upright.

BCgirl_colorsketch

Taking a piece to finish.

Hmm, I think that about covers it!  Allow me to sum up by saying that the Cintiq Companion v.01 works, looks, and feels like a professional piece of equipment that is meant to get shit done.  Its functionality surpasses its awkwardness, and the ability to work this way from anywhere is worth the (approximately) $2k price tag for someone like me (pro artists).  I would not recommend it for hobbyists.

Finally, with the Companion 2, it looks as though Wacom has moved the power button position.  This is good news for right-handed artists using the ExpressKeys on the left side.  I personally find, with the original Companion, that I often grab the power button unintentionally.  It sticks out a bit (contrary to the photos on their website), so I end up accidentally putting it to sleep all the time.  FYI there is a way to turn this functionality off.

This change means that the Companion 2 has solved all of the Hardware issues I have encountered, making it more worth the price tag.  If you get one, I hope you enjoy it!!!

Cheerios!  – Val
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