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Jennifer Patton

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What is your name and your current occupation?
I’m Jennifer Patton – currently painting backgrounds on Scooby Doo Mystery, Incorporated.

 

What are some of the crazier jobs you had before getting into animation?
I was a telephone tech support person for a mom n’ pop internet service provider (back when there was such a thing).  I was a repo-girl for a Kirby Vacuum Cleaner Sales and Distributorship – I wore wigs to work because my hair was dyed pink and they let me drive the company van to repossess vacuums even though my license was suspended.  I owned and operated a retail skate clothing store in Fresno.  Cashier at a Foster’s Freeze.  Crew member on a sailboat in Mexico.  Counter service/cashier at La Brea Bakery.  Intern at Epitaph records.  Telemarketer for The Shriner Circus in La Porte, Indiana.  10-key operator/inventory taker in New York State…

 

What are some of your favorite projects you’re proud to have been a part of?
I loved working on Lil’ Pimp -  the first (?) animated feature done completely in Flash – written and directed by Mark Brooks and Peter Gilstrap. Those guys are funny. The crew was so fun on that one too. We had crazy parties and underwater beer bongs. Icebox.com was an excellent gig with a load of talented people.  The X’s for Nickelodeon – created by the ever-enthusiastic and highly talented Carlos Ramos. That was a good show. Great crew.  The Mighty B! also for Nickelodeon; one of the best shows ever. Awesome writing and boarding. Great art. An all-star crew and every last one of them a pleasure to work with; Seonna Hong, Bill Wray, Bryan Arnett, Alex Kirwan, Carey Yost, Chris Hacker, Cynthia McIntosh, Fran Giglio, Rae McCarson, Shawn Holt, Larry Murphy, and many, many more who I can’t think of right now.  Scooby Doo, Mystery Inc. which I’m on now is a fine television production, with a great Art Director Steve Nicodemus, and another highly talented crew that are loads of fun to have lunch with.  I am also proud to have been a member of the original ‘Sony Color Room’ circa ’96-’97 and all it’s legendary shenaniganery.

 

How did you become interested in animation?
Not sure that I can really say I ever Continue reading

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Patxi Peláez

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What is your name and your current occupation?
Hello. My name is Patxi Peláez and I work as Character Designer and Visual Development.

What are some of the crazier jobs you had before getting into animation?
In my student days I worked part time as a waiter in different cafes and pubs of my town.I even worked on the beach putting drinks… sounds fun, but it was a shit.

What are some of your favorite projects you’re proud to have been a part of?
I have worked as character designer for feature films and TV series, as illustrator and comic artist, 2D animator and story boarder,here in Spain. I am not particularly proud of either. I always hope that the next project will be better than previous, and to do my job better.  Anyway, I’m happy with the different children’s books I’ve illustrated. It was fun to make them, it is very gratifying to work for children.

How did you become interested in animation?
As a child, my favorite pastimes was the comics and animation series on TV. It’s a hobby that has always been there. But I Continue reading

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Ana Maria Mendez Salgado

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What is your name and your current occupation?
My name is Ana Maria Mendez Salgado and I’m a Visual Storyteller (Illustrator, Concept Artist, 2D Animator).

What are some of the crazier jobs you had before getting into animation?
There are so many!  I worked as a sales person in a brick-a-brack shop (where I actually sold my first handmade cards and portraits), as a kitchen hand in a vegetarian restaurant (where my boss told me that “making a salad shouldn’t take as long as making one of my illustrations”!), and as a waitress during the night for a weddings venue (where I learned to value my sleeping hours!).  I also worked as a multicultural officer with children from non-English speaking backgrounds (which I loved), as a designer of props for storytelling time at a library (which was fun), and as a theatre attendant for music and performing arts events (which was always inspiring).
What are some of your favourite projects you’re proud to have been a part of?
Woods of Charol (2006), Passages (2012) Miniambra (2013), Andrés Barrientos & Carlos Andrés Reyes’ En Agosto (2008) and Carlos Manrique’s Journeys (2008).

Where are you from and how did you get into the animation business?
I was born in Bogota, Colombia and wanted to be an animator ever since I saw the making of Disney’s Little Mermaid. I became obsessed with drawing and imagining characters and storyworlds.  My first attempt to Continue reading

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Maxwell. A. Oginni

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What is your name and your current occupation?
My name is Maxwell. A. Oginni. I’m an animation director, animator & illustrator, working mainly in commercial advertising.

 

What are some of the crazier jobs you had before getting into animation?
Way back in my student days, when I was broke & hungry, I once took on a Summer job as a street fundraiser… That was pretty crazy. I met some very “interesting” people… I also (mistakenly) once asked a woman when she was “due”… she wasn’t pregnant.

 

 What are some of your favourite projects you’re proud to have been a part of?
Last year my good friend Gosia, who teaches at a primary school invited me to give an animation workshop/ pep talk to her graduating class of 11-12yr olds… Before my visit, I had the kids design their very own cartoon characters, as an exercise to explore their ‘personal’ creativity… The day finally came; the kids were so charming & adorable! Originally I was to choose only one winner from the bunch who’s character I would re-design & animate; but on seeing each design, I was so impressed by the effort & skill they had all put in, that I decided I’d get my industry pals involved… I made a quick announcement on my Facebook page inviting animator/ illustrator friends to help me in re-designing ALL the characters. Within two days I had over 20 artists on board! The project, which I hosted via my Facebook page, ran on for about a month or so. The re-designs were fantastic, & the response from everyone on my friends-list (artists/ non-artists) was great; people really got involved & it pretty much became it’s own thing… Anyways, I had all the re-designs sent over to the kids via their teacher as high-res images they could print & frame up as posters. According to Gosia, the kids nearly hit the roof once they saw their designs being “brought to life” by industry professionals… It was honestly one of the most rewarding experiences I’ve ever had.

 

Where are you from and how did you get into the animation business?
I live in London, but was born in Benin- Nigeria. My story into animation I’m sure is pretty much the same as most other animators, really… As an introduction, back when I was a kid in Nigeria (about 5-6yrs old, late 80’s), I remember Continue reading

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Bruno Chekerdimian Barreto

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What is your name and your current occupation?
My name is Bruno Chekerdimian Barreto, I’m working at Mariana Caltabiano Criações .

What are some of the crazier jobs you had before getting into animation?
During the high school I used to help my father on his work carrying furniture and other little services. He is a woodworker.  I don’t know why he asked me to help him if I was, and still I am, so thin and weak.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m very proud to have worked on the first season of “As aventuras de Gui e Estopa” (in english “The adventures of Gui and Estopa”). I had a great opportunity to do a lot of things on it. I wrote some episodes, did some storyboards, helped to develop the digital clean up, worked composing the scenes and other many things. On the second season I added to my “to do list” the digital paintings for that scenes where shows something very detailed or should use a different visual language. But my big challenge happened during the production of our first animated feature. I did all the 3D stereoscopic composition of all animated scenes and I did all the digital paintings of “Brasil Animado”, the first Brazillian movie in 3D (stereoscopic).

 

How did you become interested in animation?
My mom is a fine artist, she always inspired me to Continue reading

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Izabela Bzymek

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What is your name and your current occupation?
My name is Izabela Bzymek, currently i am animating on the feature” the nut job” Warner bros.

What are some of the crazier jobs you had before getting into animation?
I was a knife seller..cutco knives, a dollarama teller, a Licks ice scream scooper…

What are some of your favorite projects you’re proud to have been a part of?
Directing and Animating on an NFB film “Oma’s Quilt”, animating on “Escape from Planet Earth”.

Where are you from and how did you get into the animation business?
I was born in Poland.. in my arts `Canterbury arts“ high school two Disney guys came and made a

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