I really do love this film and lately new bits of art keep cropping up, and I find it a shame that a giant company such as Warner Bros. can’t get it’s act together to make another animated film (and no Happy feet doesn’t count). Well today here’s a gallery of 100 pieces of art from Iron Giant! Enjoy!
You can see the full post here.
Engadget is reporting details on the soon to be released Iron Giant collector edition Blu-ray slated for this Fall!
From the site:
Last September, the animated classic The Iron Giant returned to US theaters as a “Signature Edition” with high definition visuals and two additional scenes. Warner Bros. has now confirmed a Blu-ray release for this fall, as well as an “Ultimate Collectors Edition” that includes a few extra goodies. For $74.99, you’ll get the “Signature” cut and the original theatrical release, both in high and standard definition. There’s also a documentary on the disc called The Giants Dream, which gives a “definitive” look at how the 1999 classic was put together.
What is your name and your current occupation?
Kali Fontecchio and I currently work at Walt Disney Animation as a designer.
What are some of the crazier jobs you had before getting into animation?
Well nothing too crazy, my first job out of high school was actually as an art director on a cellphone massive multiplayer game. It was before anyone was doing that in the US so it didn’t really take off.
What are some of your favorite projects you’re proud to have been a part of?
My favorite projects have been here at Disney, but I’m not allowed to discuss them. Of the ones I can mention, probably The Looney Tunes Show, Yo! Gabba Gabba, Rick and Morty and various John K. projects. I’m proud of every opportunity I get, but whatever the most current project I’m on becomes my favorite.
How did you become interested in animation?
Watching Mickey Mouse and Bugs Bunny growing up inspired my love of cartoons, also Continue reading
https://www.youtube.com/watch?v=4H6ZmeF2Heg
My last post about Japanese artists showing off their workspaces got me to thinking it would be cool for animators around the world to do the same. So, if you’re interested in doing so, snap a pic of your workstation either at work or at home (or both) and email it to mike@animationinsider.com or link to it in the comments and I’ll gather them together and make one big post. Animators represent! As a start here’s mine:
#showoffyourworkspace
What is your name and your current occupation?
My name is David Stephan and I am currently a story artist for live action and animation. My real passion is writing and trying to get my own projects made. I started B Positive Fims with another writer/artist (after our blood type) We are working with producer Max Howard on a film project and have interest from the studios on a horror film.
What are some of the crazier jobs you had before getting into animation?
Maybe not crazy but I washed dishes, pumped gas, worked construction just get by through college. Once I got started in the film business I haven’t had to look outside for work but the last couple of years have tempted me to seek other opportunities.
What are some of your favorite projects you’re proud to have been a part of?
I am proud of my career at Disney. I was lucky enough to be part of Disney Feature Animation and the 14 year arc from Black Cauldron through Lion King.  I also was part of Sam Raimi’s first Spiderman. It was such an unknown. I credit that film’s success with the glut of super hero movies today. But I would have to say story boarding “Simple Plan†is my most rewarding. It was my first live action film and learned so much about film making.
How did you become interested in animation?
I kinda fell into it. I was graduating from highschool and I really wanted to be a painter and go to the Ontario College of Art in Toronto. My highschoolart teacher Ms Venebles was very encouraging me to go into art as a career. Coming from a working class family I was going against the grain. My Dad wanted me to get a “tradeâ€.  On my way to OCA I stopped at Sheridan College outside Toronto to interview with the Illustration faculty but they were unavailable but the Animation course director agreed to see me. Knowing nothing about animation, he showed me a clip of student samples. I was blown away by the level of animation. I was hooked. I can make my drawing come alive. I never made it to OCA. I registered that day in the Sheridan College Classical Animation program. At the time it was a little know program, now Sherdian College Animation and its graduates are know all around the world equal to Cal Arts program.
Where are you from and how did you get into the animation business?
I am originally from London Ontario Canada. My goal from the beginning was to go and work at Disney in California. At the time in the early 80’s it was impossible to get a green card and almost impossible to get into Disney Feature. It didn’t stop my determination. My first job was with Steven Lisberger in Boston which was relocating to Venice California. It was a show for NBC called Animal Oymplics. It was my first professional experience as animators Bill Koyers assistant. I was thrilled. After that show ended I Continue reading
